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In this Issue

Table of Contents

  1. Mentoring American Jews in Fiction by Bernard Malamud and Philip Roth
  2. S. Lillian Kremer
  3. pp. 5-18
  4. DOI: https://doi.org/10.1353/prs.2008.a386426
  5. restricted access
  1. Editor's Note
  2. Derek Parker Royal
  3. p. 6
  4. restricted access
  1. Imagining the Perverse: Bernard Malamud's The Fixer and Philip Roth's The Plot Against America
  2. Joel Salzberg
  3. pp. 19-27
  4. DOI: https://doi.org/10.1353/prs.2008.a386427
  5. restricted access
  1. "The Artifice of Eternity": The Nude as Topos in Bernard Malamud's "Naked Nude" and Philip Roth's The Dying Animal
  2. Martine Chard-Hutchinson
  3. pp. 29-38
  4. DOI: https://doi.org/10.1353/prs.2008.a386428
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  1. When in Rome: Philip Roth's Portnoy's Complaint and Bernard Malamud's Pictures of Fidelman
  2. Andrew Gordon
  3. pp. 39-46
  4. DOI: https://doi.org/10.1353/prs.2008.a386429
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  1. Black-Jewish Doubling in The Tenants and The Human Stain
  2. Miriam Jaffe-Foger
  3. pp. 47-56
  4. DOI: https://doi.org/10.1353/prs.2008.a386430
  5. restricted access
  1. Wrestling with the Angel and the Law, or the Critique of Identity: The Demjanjuk Trial, Operation Shylock: A Confession, and "Angel Levine"
  2. Idit Alphandary
  3. pp. 57-74
  4. DOI: https://doi.org/10.1353/prs.2008.a386431
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  1. The Naiveté of Malamud's Calvin Cohn and Roth's Seymour "Swede" Levov: Comic, Ironic, or Tragic?
  2. Elaine B. Safer
  3. pp. 75-85
  4. DOI: https://doi.org/10.1353/prs.2008.a386432
  5. restricted access
  1. Roth on Malamud: From The Ghost Writer to a Post-Mortem
  2. Evelyn Avery
  3. pp. 87-94
  4. DOI: https://doi.org/10.1353/prs.2008.a386433
  5. restricted access
  1. My Father is a Book: A Memoir of Bernard Malamud (review)
  2. Joel Salzberg
  3. pp. 95-101
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  1. Bernard Malamud: A Writer's Life (review)
  2. Brian Adler
  3. pp. 101-104
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  1. Introduction
  2. Victoria Aarons
  3. pp. 1-4
  4. restricted access
  1. Contributors
  3. pp. 105-106
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