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In this Issue

Table of Contents

  1. A Note from the Guest Editors
  2. Caryl Clark, Linda Hutcheon, Michael Hutcheon
  3. pp. 145-150
  4. restricted access
  1. Wagner and the Origin of Evil
  2. Berthold Hoeckner
  3. pp. 151-183
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  1. Götterdämmerung, Führerdämmerung?
  2. Stephen McClatchie
  3. pp. 184-198
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  1. Brünnhilde's Act
  2. Slavoj Žižek
  3. pp. 199-216
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  1. Primal Sounds
  2. Marc A. Weiner
  3. pp. 217-246
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  1. Nietzsche, Bizet, and Wagner: Illness, Health, and Race in the Nineteenth Century
  2. Sander L. Gilman
  3. pp. 247-264
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  1. "Faithful, all too Faithful": Fidelity and Ring Stagings
  2. Barry Millington
  3. pp. 265-276
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  1. Wagner in Pieces: Opera, the Fragment, and Acoustic Totality
  2. William Germano
  3. pp. 277-294
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  1. Sein oder Schein?: Paul Bekker's "Mirror Image" and the Ethical Voice of Humane Opera
  2. Nanette Nielsen
  3. pp. 295-310
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  1. To the Mirror Image
  2. Paul Bekker, Martin Morgenstern, Nanette Nielsen, James Steichen
  3. pp. 311-317
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  1. The Stuttgart Ring, 1999–2000
  2. Klaus Zehelein, James Steichen, David Levin
  3. pp. 321-325
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  1. Sketchbook Drawings by Michael Levine
  2. Michael Levine
  3. pp. 330-337
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  1. Deed of Conveyance
  2. Lars Von Trier
  3. pp. 341-347
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  1. Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners (review)
  2. Alexander Rehding
  3. pp. 348-351
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  1. Totalität und Mitleid: Richard Wagner, Sergej Eisenstein und unsere ethisch-ästhetische Moderne, and: Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners "Ring des Nibelungen" (review)
  2. Larson Powell
  3. pp. 352-359
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  1. Wagner and the Art of the Theatre (review)
  2. Thomas Grey
  3. pp. 360-367
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  1. Note
  3. p. 368
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  1. Introduction to Zehelein
  2. David J. Levin
  3. pp. 318-320
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  1. An Introduction to Michael Levine's Sketchbook Drawings for the Toronto Ring
  2. Helmut Reichenbächer
  3. pp. 326-329
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  1. Introduction to Lars von Trier's "Deed of Conveyance"
  2. Ryan Minor
  3. pp. 338-340
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