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Table of Contents

  1. Women and the Western Art Canon: Where Are We Now?
  2. Marcia J. Citron
  3. pp. 209-215
  4. DOI: https://doi.org/10.1353/not.2007.0167
  5. restricted access
  1. Riffing the Canon
  2. David Schiff
  3. pp. 216-222
  4. DOI: https://doi.org/10.1353/not.2007.0140
  5. restricted access
  1. The Canon of Ethnomusicology: Is There One?
  2. Virginia Danielson
  3. pp. 223-231
  4. DOI: https://doi.org/10.1353/not.2007.0144
  5. restricted access
  1. Culture Wars, Canonicity, and A Basic Music Library
  2. Edward M. Komara
  3. pp. 232-247
  4. DOI: https://doi.org/10.1353/not.2007.0176
  5. restricted access
  1. The Quarter Note Tales (review)
  2. Bonna J. Boettcher
  3. pp. 259-260
  4. DOI: https://doi.org/10.1353/not.2007.0170
  5. restricted access
  1. Analyses of Nineteenth- and Twentieth-Century Music, 1940–2000, and: Grawemeyer Award for Music Composition; The First Twenty Years (review)
  2. Donna M. Arnold
  3. pp. 260-262
  4. DOI: https://doi.org/10.1353/not.2007.0149
  5. restricted access
  1. Bibliographic Control of Music, 1897–2000 (review)
  2. Donna R. Campbell
  3. pp. 262-265
  4. DOI: https://doi.org/10.1353/not.2007.0160
  5. restricted access
  1. A Manual for the Performance Library (review)
  2. Jennifer Johnson
  3. pp. 265-266
  4. DOI: https://doi.org/10.1353/not.2007.0155
  5. restricted access
  1. Mozart and His Operas (review)
  2. Deborah Burton
  3. pp. 266-269
  4. DOI: https://doi.org/10.1353/not.2007.0153
  5. restricted access
  1. Remaking the Song: Operatic Visions and Revisions From Handel to Berio (review)
  2. Stephanie Bonjack
  3. pp. 269-271
  4. DOI: https://doi.org/10.1353/not.2007.0177
  5. restricted access
  1. C. P. E. Bach Studies (review)
  2. Doris Bosworth Powers
  3. pp. 271-273
  4. DOI: https://doi.org/10.1353/not.2007.0164
  5. restricted access
  1. The Symphony in Beethoven's Vienna (review)
  2. Bonnie Flemming
  3. pp. 273-275
  4. DOI: https://doi.org/10.1353/not.2007.0158
  5. restricted access
  1. The Price of Assimilation: Felix Mendelssohn and the Nineteenth-Century Anti-Semitic Tradition (review)
  2. John Michael Cooper
  3. pp. 275-278
  4. DOI: https://doi.org/10.1353/not.2007.0137
  5. restricted access
  1. Josephine Lang: Her Life and Songs (review)
  2. Marie Sumner Lott
  3. pp. 278-281
  4. DOI: https://doi.org/10.1353/not.2007.0145
  5. restricted access
  1. Brahms's Song Collections (review)
  2. Heather Anne Platt
  3. pp. 281-283
  4. DOI: https://doi.org/10.1353/not.2007.0157
  5. restricted access
  1. Gustav Mahler: "Mein lieber Trotzkopf, meine süße Mohnblume": Briefe an Anna von Mildenburg (review)
  2. James L. Zychowicz
  3. pp. 283-286
  4. DOI: https://doi.org/10.1353/not.2007.0175
  5. restricted access
  1. Edward Elgar, Modernist (review)
  2. Brien Weiner
  3. pp. 286-288
  4. DOI: https://doi.org/10.1353/not.2007.0161
  5. restricted access
  1. Classic Chic: Music, Fashion, and Modernism (review)
  2. Bonnie Jo Dopp
  3. pp. 288-291
  4. DOI: https://doi.org/10.1353/not.2007.0151
  5. restricted access
  1. Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality (review)
  2. Lynn Hooker
  3. pp. 291-293
  4. DOI: https://doi.org/10.1353/not.2007.0148
  5. restricted access
  1. Schoenberg's Transformation of Musical Language (review)
  2. Walter B. Bailey
  3. pp. 294-296
  4. DOI: https://doi.org/10.1353/not.2007.0156
  5. restricted access
  1. Maximum Clarity and Other Writings on Music (review)
  2. Andrew Granade
  3. pp. 296-298
  4. DOI: https://doi.org/10.1353/not.2007.0172
  5. restricted access
  1. The Music of Mauricio Kagel (review)
  2. Vincent Perez Benitez
  3. pp. 298-300
  4. DOI: https://doi.org/10.1353/not.2007.0163
  5. restricted access
  1. French Music Since Berlioz (review)
  2. Bruce Whiteman
  3. pp. 300-302
  4. DOI: https://doi.org/10.1353/not.2007.0168
  5. restricted access
  1. Music, Theatre and Politics in Germany: 1848 to the Third Reich (review)
  2. Stephen Luttmann
  3. pp. 302-306
  4. DOI: https://doi.org/10.1353/not.2007.0152
  5. restricted access
  1. After Sibelius: Studies in Finnish Music (review)
  2. Carl John Rahkonen
  3. pp. 306-308
  4. DOI: https://doi.org/10.1353/not.2007.0171
  5. restricted access
  1. Desperate Measures: The Life and Music of Antonia Padoani Bembo (review)
  2. Catherine Elizabeth Gordon-Seifert
  3. pp. 309-311
  4. DOI: https://doi.org/10.1353/not.2007.0165
  5. restricted access
  1. Nadia and Lili Boulanger (review)
  2. Kendra Preston Leonard
  3. pp. 311-313
  4. DOI: https://doi.org/10.1353/not.2007.0138
  5. restricted access
  1. Film Musings: A Selected Anthology from Fanfare Magazine (review)
  2. Edward Jurkowski
  3. pp. 313-315
  4. DOI: https://doi.org/10.1353/not.2007.0162
  5. restricted access
  1. The Lied and Art Songs Text Page (review)
  2. Ruthann Boles McTyre
  3. pp. 315-318
  4. DOI: https://doi.org/10.1353/not.2007.0159
  5. restricted access
  1. Konservatorium 1905–2005. Die Departement Musiek en die Konservatorium aan die Universiteit Stellenbosch by geleentheid van die Eeufees 1905–2005 (review)
  2. Chris Walton
  3. pp. 318-320
  4. DOI: https://doi.org/10.1353/not.2007.0154
  5. restricted access
  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 321-337
  4. DOI: https://doi.org/10.1353/not.2007.0139
  5. restricted access
  1. Classical Compact Disc Review Sources on the Web
  2. Keith Harris Cochran
  3. pp. 338-341
  4. DOI: https://doi.org/10.1353/not.2007.0174
  5. restricted access
  1. The Singer's Companion: A Guide to Improving Your Voice and Performance, and: Singing: The First Art (review)
  2. Ruthann Boles McTyre
  3. pp. 341-342
  4. DOI: https://doi.org/10.1353/not.2007.0166
  5. restricted access
  1. The Aria Database (review)
  2. Ruthann Boles McTyre
  3. pp. 342-344
  4. DOI: https://doi.org/10.1353/not.2007.0173
  5. restricted access
  1. CanCon on the Web: A Survey of Freely-Available Musical Canadiana
  2. Lisa Rae Philpott
  3. pp. 344-351
  4. DOI: https://doi.org/10.1353/not.2007.0150
  5. restricted access
  1. Sound Recording Reviews
  2. Rick Anderson
  3. pp. 352-357
  4. DOI: https://doi.org/10.1353/not.2007.0142
  5. restricted access
  1. Die erste Walpurgisnacht: Ballade von Goethe für Chor und Orchester, op. 60 (review)
  2. R. Larry Todd
  3. pp. 358-360
  4. DOI: https://doi.org/10.1353/not.2007.0147
  5. restricted access
  1. Platée: Ballet bouffon en un prologue et trois actes, RCT 53 (review)
  2. Lois Rosow
  3. pp. 360-363
  4. DOI: https://doi.org/10.1353/not.2007.0178
  5. restricted access
  1. Sinfonie Nr. 8 in C, D 944 (review)
  2. Brian Newbould
  3. pp. 363-366
  4. DOI: https://doi.org/10.1353/not.2007.0136
  5. restricted access
  1. Konzert für Klavier und Streichorchester, a-Moll, and: Konzert für Violine, Klavier und Orchester (Bläser und Pauken ad libitum), d-Moll, and: Konzert Nr. 2 für Klavier und Orchester d-Moll, op. 40, and: Concerto for Two Pianos and Orchestra in E Major (1823) (review)
  2. Clive Brown
  3. pp. 366-370
  4. DOI: https://doi.org/10.1353/not.2007.0146
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 379-380
  4. DOI: https://doi.org/10.1353/not.2007.0141
  5. restricted access
  1. Prices of Music Monographs and Scores as Reflected in Notes, 2001-2006
  2. Paula Hickner
  3. pp. 248-255
  4. DOI: https://doi.org/10.1353/not.2007.0135
  5. restricted access
  1. Notes for NOTES
  3. pp. 256-258
  4. DOI: https://doi.org/10.1353/not.2007.0143
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 371-378
  4. DOI: https://doi.org/10.1353/not.2007.0169
  5. restricted access