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Table of Contents

  1. Early Lutheran Hymnals and Other Musical Sources in the Kessler Reformation Collection at Emory University
  2. Stephen A. Crist
  3. pp. 503-528
  4. DOI: https://doi.org/10.1353/not.2007.0009
  5. restricted access
  1. Beethoven in the Auction Market: A Twenty-Year Review
  2. Patricia Stroh
  3. pp. 533-564
  4. DOI: https://doi.org/10.1353/not.2007.0043
  5. restricted access
  1. Essential Partners in Collection Development: Vendors and Music Librarians
  2. Daniel Zager
  3. pp. 565-575
  4. DOI: https://doi.org/10.1353/not.2007.0049
  5. restricted access
  1. The Cambridge Mozart Encyclopedia (review)
  2. Laurel E. Zeiss
  3. pp. 584-586
  4. DOI: https://doi.org/10.1353/not.2007.0050
  5. restricted access
  1. Mozart Handbuch (review)
  2. Van Boer, Bertil H
  3. pp. 586-588
  4. DOI: https://doi.org/10.1353/not.2007.0004
  5. restricted access
  1. Mozart: The Early Years, 1756-1781 (review)
  2. Jane R. Stevens
  3. pp. 588-590
  4. DOI: https://doi.org/10.1353/not.2007.0040
  5. restricted access
  1. Citation and Authority in Medieval and Renaissance Culture: Learning from the Learned (review)
  2. Jason Stoessel
  3. pp. 590-593
  4. DOI: https://doi.org/10.1353/not.2007.0042
  5. restricted access
  1. Studies in the Printing, Publishing and Performance of Music in the 16th Century (review)
  2. Richard J. Agee
  3. pp. 593-595
  4. DOI: https://doi.org/10.1353/not.2007.0000
  5. restricted access
  1. Music in the Collective Experience in Sixteenth-Century Milan (review)
  2. Stephen James Rice
  3. pp. 595-597
  4. DOI: https://doi.org/10.1353/not.2007.0037
  5. restricted access
  1. The Cambridge History of Seventeenth-Century Music (review)
  2. Candace Lea Bailey
  3. pp. 597-600
  4. DOI: https://doi.org/10.1353/not.2007.0002
  5. restricted access
  1. Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice (review)
  2. Sandy Thorburn
  3. pp. 600-602
  4. DOI: https://doi.org/10.1353/not.2007.0044
  5. restricted access
  1. Music and Ideas in the Sixteenth and Seventeenth Centuries (review)
  2. Margaret Murata
  3. pp. 602-604
  4. DOI: https://doi.org/10.1353/not.2007.0033
  5. restricted access
  1. The Chamber Cantatas of Antonio Vivaldi (review)
  2. Laura Demuth
  3. pp. 604-606
  4. DOI: https://doi.org/10.1353/not.2007.0011
  5. restricted access
  1. Boccherini's Body: An Essay in Carnal Musicology (review)
  2. Mara Parker
  3. pp. 606-608
  4. DOI: https://doi.org/10.1353/not.2007.0036
  5. restricted access
  1. Perspectives on Gustav Mahler (review)
  2. Brien Weiner
  3. pp. 608-610
  4. DOI: https://doi.org/10.1353/not.2007.0047
  5. restricted access
  1. The Mahler Family Letters (review)
  2. Mary H. Wagner
  3. pp. 611-613
  4. DOI: https://doi.org/10.1353/not.2007.0046
  5. restricted access
  1. Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces: Reception, Enthusiasm, Cult (review)
  2. Luke Benjamin Howard
  3. pp. 613-615
  4. DOI: https://doi.org/10.1353/not.2007.0023
  5. restricted access
  1. Chou Wen-Chung: The Life and Work of a Contemporary Chinese-Born American Composer (review)
  2. Yayoi Uno Everett
  3. pp. 615-617
  4. DOI: https://doi.org/10.1353/not.2007.0012
  5. restricted access
  1. The Selected Correspondence of Aaron Copland (review)
  2. G. Dale Vargason
  3. pp. 617-619
  4. DOI: https://doi.org/10.1353/not.2007.0045
  5. restricted access
  1. Women Composers and Music Technology in the United States: Crossing the Line (review)
  2. Renée McBride
  3. pp. 619-622
  4. DOI: https://doi.org/10.1353/not.2007.0032
  5. restricted access
  1. Prokofiev's Ballets for Diaghilev (review)
  2. Olga Haldey
  3. pp. 622-624
  4. DOI: https://doi.org/10.1353/not.2007.0019
  5. restricted access
  1. A Soviet Credo: Shostakovich's Fourth Symphony (review)
  2. Peter J. Schmelz
  3. pp. 624-627
  4. DOI: https://doi.org/10.1353/not.2007.0039
  5. restricted access
  1. Changing Tunes: The Use of Pre-Existing Music in Film (review)
  2. Kendra Preston Leonard
  3. pp. 627-629
  4. DOI: https://doi.org/10.1353/not.2007.0028
  5. restricted access
  1. Jazz Consciousness: Music, Race, and Humanity (review)
  2. Mark Burford
  3. pp. 629-632
  4. DOI: https://doi.org/10.1353/not.2007.0006
  5. restricted access
  1. The Dark Tree: Jazz and the Community Arts in Los Angeles (review)
  2. Raleigh Dailey
  3. pp. 632-634
  4. DOI: https://doi.org/10.1353/not.2007.0010
  5. restricted access
  1. Some Hustling This! Taking Jazz to the World, 1914-1929 (review)
  2. S. Timothy Maloney
  3. pp. 634-637
  4. DOI: https://doi.org/10.1353/not.2007.0029
  5. restricted access
  1. Chasin' the Bird: The Life and Times of Charlie Parker (review)
  2. Anna Harwell Celenza
  3. pp. 637-638
  4. DOI: https://doi.org/10.1353/not.2007.0007
  5. restricted access
  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 639-654
  4. DOI: https://doi.org/10.1353/not.2007.0017
  5. restricted access
  1. New Periodicals
  2. Erin Mayhood
  3. pp. 655-662
  4. DOI: https://doi.org/10.1353/not.2007.0031
  5. restricted access
  1. Sheet Music Consortium (review)
  2. Laurie J. Sampsel
  3. pp. 663-667
  4. DOI: https://doi.org/10.1353/not.2007.0038
  5. restricted access
  1. Hans Heiling, and: Tristan und Isolde (review)
  2. Eftychia Papanikolaou
  3. pp. 668-671
  4. DOI: https://doi.org/10.1353/not.2007.0035
  5. restricted access
  1. Complete Symphonies (review)
  2. Eric Hing-Tao Hung
  3. pp. 671-672
  4. DOI: https://doi.org/10.1353/not.2007.0024
  5. restricted access
  1. Der Graf von Luxemburg, and: Die Gezeichneten (review)
  2. John Holland
  3. pp. 672-673
  4. DOI: https://doi.org/10.1353/not.2007.0022
  5. restricted access
  1. The Rake's Progress (review)
  2. Rob Haskins
  3. pp. 673-674
  4. DOI: https://doi.org/10.1353/not.2007.0020
  5. restricted access
  1. Moog (review)
  2. Travis D. Stimeling
  3. pp. 674-675
  4. DOI: https://doi.org/10.1353/not.2007.0041
  5. restricted access
  1. György Kurtág--The Matchstick Man and Peter Eötvös--The Seventh Door (review)
  2. S. Andrew Granade
  3. pp. 675-676
  4. DOI: https://doi.org/10.1353/not.2007.0018
  5. restricted access
  1. Music From the Inside Out (review)
  2. Steve York
  3. p. 677
  4. DOI: https://doi.org/10.1353/not.2007.0048
  5. restricted access
  1. Manuel Barrueco: A Gift and A Life, and: Aaron Shearer: A Life with the Guitar (review)
  2. Randall Zwally
  3. pp. 677-679
  4. DOI: https://doi.org/10.1353/not.2007.0051
  5. restricted access
  1. Broadway: The American Musical (review)
  2. Anna Wheeler Gentry
  3. p. 679
  4. DOI: https://doi.org/10.1353/not.2007.0016
  5. restricted access
  1. Legends of Jazz with Ramsey Lewis, Season One, Vol. One, and: Legends of Jazz with Ramsey Lewis, Season One, Vol. Two, and: Legends of Jazz with Ramsey Lewis, Showcase (review)
  2. Robert Iannapollo
  3. pp. 680-681
  4. DOI: https://doi.org/10.1353/not.2007.0025
  5. restricted access
  1. Swinging Bach: Bobby McFerrin and Guests (review)
  2. Jim Farrington
  3. pp. 681-682
  4. DOI: https://doi.org/10.1353/not.2007.0013
  5. restricted access
  1. New York Doll (review)
  2. Tara Freeman
  3. pp. 682-684
  4. DOI: https://doi.org/10.1353/not.2007.0015
  5. restricted access
  1. Made in Sheffield: The Birth of Electronic Pop (review)
  2. Robert Iannapollo
  3. pp. 684-685
  4. DOI: https://doi.org/10.1353/not.2007.0026
  5. restricted access
  1. Africa Live: The Roll Back Malaria Concert (review)
  2. Michael Ashenfelder
  3. pp. 685-687
  4. DOI: https://doi.org/10.1353/not.2007.0001
  5. restricted access
  1. Cantiones sacrae 1625: Lateinische Motetten für vier Stimmen und Basso continuo, and: Symphoniae sacrae III (1650): Die Konzerte zu sieben Stimmen (Nr. 15-21) (review)
  2. Alexander J. Fisher
  3. pp. 688-690
  4. DOI: https://doi.org/10.1353/not.2007.0014
  5. restricted access
  1. Johannespassion: Passio secundum Joannem, Fassung II (1725), BWV 245/BC D 2b, and: Johannespassion: Passio secundum Joannem, Fassung IV (1749) BWV 245/BC D 2d, and: Matthäus-Passion: Frühfassung, BWV 244b, and: Lateinische Kirchenmusik, Passionen: Werke zweifelhafter Echtheit Bearbeitungen fremder Kompositionen, and: Passio secundum Marcum: Markuspassion, and: Markus-Passion: BWV 247, and: Messe in h-Moll, fü̈r Soli, Chor und Orchester, BWV 232, and: Frühfassungen zur h-Moll-Messe (review)
  2. Daniel F. Boomhower
  3. pp. 690-697
  4. DOI: https://doi.org/10.1353/not.2007.0005
  5. restricted access
  1. Symphony in G Minor, and: Symphonies, and: Sonatas for Violin and Pianoforte (review)
  2. Christina Bashford
  3. pp. 697-701
  4. DOI: https://doi.org/10.1353/not.2007.0003
  5. restricted access
  1. Symphonie Nr. 5 in fünf Sä̈tzen für grosses Orchester (review)
  2. Katarina Marković-Stokes
  3. pp. 701-705
  4. DOI: https://doi.org/10.1353/not.2007.0030
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 716-721
  4. DOI: https://doi.org/10.1353/not.2007.0021
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  1. Communications
  3. pp. 722-726
  4. DOI: https://doi.org/10.1353/not.2007.0008
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  1. Notes for NOTES
  3. pp. 576-583
  4. DOI: https://doi.org/10.1353/not.2007.0034
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 706-715
  4. DOI: https://doi.org/10.1353/not.2007.0027
  5. restricted access