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In this Issue

Table of Contents

  1. Information Literacy Instructional Objectives for Undergraduate Music Students
  2. Paul Cary, Laurie J. Sampsel
  3. pp. 663-679
  4. DOI: https://doi.org/10.1353/not.2006.0008
  5. restricted access
  1. The Oxford History of Western Music: A Review Essay
  2. Douglass Seaton
  3. pp. 685-699
  4. DOI: https://doi.org/10.1353/not.2006.0034
  5. restricted access
  1. Classical Music in America: A History of Its Rise and Fall (review)
  2. Ronald Victor Wiecki
  3. pp. 700-704
  4. DOI: https://doi.org/10.1353/not.2006.0041
  5. restricted access
  1. Louisiana Hayride: Radio and Roots Music Along the Red River (review)
  2. Gavin Douglas
  3. pp. 704-706
  4. DOI: https://doi.org/10.1353/not.2006.0012
  5. restricted access
  1. Polish Music Since Szymanowski (review)
  2. Laura Grazyna Kafka
  3. pp. 706-708
  4. DOI: https://doi.org/10.1353/not.2006.0023
  5. restricted access
  1. Ethnomusicology: A Research and Information Guide (review)
  2. Alec McLane
  3. pp. 708-711
  4. DOI: https://doi.org/10.1353/not.2006.0029
  5. restricted access
  1. Francois Couperin and 'the Perfection of Music' (review)
  2. Lois Rosow
  3. pp. 711-713
  4. DOI: https://doi.org/10.1353/not.2006.0033
  5. restricted access
  1. The Virtuoso Liszt (review)
  2. E. Douglas Bomberger
  3. pp. 713-715
  4. DOI: https://doi.org/10.1353/not.2006.0003
  5. restricted access
  1. Deep Listening: A Composer's Sound Practice (review)
  2. Lance W. Brunner
  3. pp. 715-718
  4. DOI: https://doi.org/10.1353/not.2006.0007
  5. restricted access
  1. Oh Joy! Oh Rapture!: The Enduring Phenomenon of Gilbert and Sullivan (review)
  2. Edward Green
  3. pp. 718-720
  4. DOI: https://doi.org/10.1353/not.2006.0017
  5. restricted access
  1. The Cambridge Companion to Verdi (review)
  2. Chadwick Jenkins
  3. pp. 720-722
  4. DOI: https://doi.org/10.1353/not.2006.0021
  5. restricted access
  1. On the Music of Stefan Wolpe: Essays and Recollections (review)
  2. Adrian P. Childs
  3. pp. 723-724
  4. DOI: https://doi.org/10.1353/not.2006.0009
  5. restricted access
  1. Hearing Bach's Passions (review)
  2. Daniel F. Boomhower
  3. pp. 724-727
  4. DOI: https://doi.org/10.1353/not.2006.0004
  5. restricted access
  1. The Clarinet in the Classical Period (review)
  2. Alissa Abrams
  3. pp. 729-730
  4. DOI: https://doi.org/10.1353/not.2006.0001
  5. restricted access
  1. Bibliography and Discography on Music for Solo Wind Instruments and Orchestra (review)
  2. Martin Jenkins
  3. pp. 730-732
  4. DOI: https://doi.org/10.1353/not.2006.0022
  5. restricted access
  1. Capturing Sound: How Technology Has Changed Music (review)
  2. Albin Zak
  3. pp. 732-734
  4. DOI: https://doi.org/10.1353/not.2006.0042
  5. restricted access
  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 735-768
  4. DOI: https://doi.org/10.1353/not.2006.0016
  5. restricted access
  1. New Periodicals
  2. Erin Mayhood
  3. pp. 769-775
  4. DOI: https://doi.org/10.1353/not.2006.0028
  5. restricted access
  1. Smithsonian Global Sound (review)
  2. Alec McLane
  3. pp. 776-780
  4. DOI: https://doi.org/10.1353/not.2006.0030
  5. restricted access
  1. Don Giovanni (review)
  2. Kenneth McLeod
  3. pp. 781-782
  4. DOI: https://doi.org/10.1353/not.2006.0031
  5. restricted access
  1. Aida (review)
  2. Bradford Lee Eden
  3. p. 782
  4. DOI: https://doi.org/10.1353/not.2006.0013
  5. restricted access
  1. Siegfried (review)
  2. Bradford Lee Eden
  3. pp. 782-783
  4. DOI: https://doi.org/10.1353/not.2006.0014
  5. restricted access
  1. The Miserly Knight (review)
  2. Kendra Preston Leonard
  3. p. 784
  4. DOI: https://doi.org/10.1353/not.2006.0026
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  1. Turn of the Screw (review)
  2. John Holland
  3. pp. 784-785
  4. DOI: https://doi.org/10.1353/not.2006.0020
  5. restricted access
  1. Keeping Score: MTT on Music: The Making of a Performance: Tchaikovsky's Fourth Symphony (review)
  2. Robert D. Terrio
  3. pp. 785-786
  4. DOI: https://doi.org/10.1353/not.2006.0037
  5. restricted access
  1. Claudio Abbado: Hearing the Silence: Sketches for a Portrait (review)
  2. Robert D. Terrio
  3. pp. 786-787
  4. DOI: https://doi.org/10.1353/not.2006.0038
  5. restricted access
  1. Leaving Home, Orchestral Music in the 20th Century, Vol. 1: Dancing on a Volcano (review)
  2. Phillip Murray Dineen
  3. pp. 787-788
  4. DOI: https://doi.org/10.1353/not.2006.0011
  5. restricted access
  1. The Orpheus Chamber Orchestra Presents: Music Meets Business (review)
  2. Kathleen Haefliger
  3. p. 788
  4. DOI: https://doi.org/10.1353/not.2006.0018
  5. restricted access
  1. Stormy Weather: The Music of Harold Arlen (review)
  2. Anna Wheeler Gentry
  3. pp. 788-789
  4. DOI: https://doi.org/10.1353/not.2006.0015
  5. restricted access
  1. Jazz Legends Live! (review)
  2. Ray Anthony Briggs
  3. pp. 789-790
  4. DOI: https://doi.org/10.1353/not.2006.0005
  5. restricted access
  1. Wonderful Town (review)
  2. Brian Cockburn
  3. pp. 790-791
  4. DOI: https://doi.org/10.1353/not.2006.0010
  5. restricted access
  1. 129 Songs (review)
  2. David Nicholls
  3. pp. 794-796
  4. DOI: https://doi.org/10.1353/not.2006.0032
  5. restricted access
  1. Armide: Tragedie en musique (review)
  2. Ronald Broude
  3. pp. 797-802
  4. DOI: https://doi.org/10.1353/not.2006.0006
  5. restricted access
  1. Psalmes, Sonets, and Songs (1588) (review)
  2. Richard Turbet
  3. pp. 803-806
  4. DOI: https://doi.org/10.1353/not.2006.0039
  5. restricted access
  1. Seven Trio Sonatas, and: Six Quartets for Flute, Violin, Viola, and Basso Continuo (review)
  2. Michael Talbot
  3. pp. 806-809
  4. DOI: https://doi.org/10.1353/not.2006.0036
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 818-822
  4. DOI: https://doi.org/10.1353/not.2006.0019
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  1. Notes For Notes
  2. pp. 680-684
  3. DOI: https://doi.org/10.1353/not.2006.0040
  4. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 810-817
  4. DOI: https://doi.org/10.1353/not.2006.0025
  5. restricted access