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Table of Contents

  1. Music in the Academic Library of Tomorrow
  2. Diane Parr Walker
  3. pp. 817-827
  4. DOI: https://doi.org/10.1353/not.2003.0082
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  1. Marking the Way: The Significance of Eugene Ormandy's Score Annotations
  2. John Bewley
  3. pp. 828-853
  4. DOI: https://doi.org/10.1353/not.2003.0049
  5. restricted access
  1. Music and Musicians in Mystery: A Bibliography
  2. Bonna J. Boettcher
  3. pp. 854-860
  4. DOI: https://doi.org/10.1353/not.2003.0050
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  1. Necrology Index
  2. Paul Hahn
  3. pp. 861-872
  4. DOI: https://doi.org/10.1353/not.2003.0059
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  1. Music in Ancient Israel/Palestine: Archaeological, Written, and Comparative Sources (review)
  2. Carol L. Meyers
  3. pp. 877-879
  4. DOI: https://doi.org/10.1353/not.2003.0070
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  1. Aspectos de la cultura musical en la Corte de Felipe II (review)
  2. Michael J. Noone
  3. pp. 879-881
  4. DOI: https://doi.org/10.1353/not.2003.0072
  5. restricted access
  1. From Tejano to Tango: Latin American Popular Music (review)
  2. Victoria Lindsay Levine
  3. pp. 881-882
  4. DOI: https://doi.org/10.1353/not.2003.0067
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  1. The Sound of the Ancestral Ship: Highland Music of West Java (review)
  2. Margaret Sarkissian
  3. pp. 882-884
  4. DOI: https://doi.org/10.1353/not.2003.0076
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  1. Baptist Offspring, Southern Midwife--: Jesse Mercer's Cluster of Spiritual Songs (1810): A Study in American Hymnody (review)
  2. Stephen A. Marini
  3. pp. 884-886
  4. DOI: https://doi.org/10.1353/not.2003.0068
  5. restricted access
  1. Manufacturing the Muse: Estey Organs & Consumer Culture in Victorian America (review)
  2. Allison A. Alcorn-Oppedahl
  3. pp. 886-888
  4. DOI: https://doi.org/10.1353/not.2003.0047
  5. restricted access
  1. Jazz and the Germans: Essays on the Influence of "Hot" American Idioms on 20th-Century German Music (review)
  2. Elmar Juchem
  3. pp. 888-890
  4. DOI: https://doi.org/10.1353/not.2003.0063
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  1. The Rise of a Jazz Art World (review)
  2. Burton W. Peretti
  3. pp. 890-892
  4. DOI: https://doi.org/10.1353/not.2003.0074
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  1. Handel's Muse: Patterns of Creation in His Oratorios and Musical Dramas, 1743-1751 (review)
  2. John F. Sawyer
  3. pp. 892-894
  4. DOI: https://doi.org/10.1353/not.2003.0077
  5. restricted access
  1. Janacek (review)
  2. Derek Katz
  3. pp. 894-896
  4. DOI: https://doi.org/10.1353/not.2003.0064
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  1. The Selected Letters of William Walton, and: William Walton: The Romantic Loner (review)
  2. Byron Adams
  3. pp. 896-897
  4. DOI: https://doi.org/10.1353/not.2003.0046
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  1. A Schnittke Reader (review)
  2. Peter J. Schmelz
  3. pp. 897-901
  4. DOI: https://doi.org/10.1353/not.2003.0078
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  1. Charles Ives Remembered: An Oral History, and: Charles Ives: A Guide to Research (review)
  2. Denise von Glahn
  3. pp. 901-902
  4. DOI: https://doi.org/10.1353/not.2003.0056
  5. restricted access
  1. Il Mondo novo musicale di Pier Leone Ghezzi (review)
  2. Imanuel Willheim
  3. pp. 902-905
  4. DOI: https://doi.org/10.1353/not.2003.0083
  5. restricted access
  1. A History of the Lute from Antiquity to the Renaissance (review)
  2. Gary R. Boye
  3. pp. 905-907
  4. DOI: https://doi.org/10.1353/not.2003.0051
  5. restricted access
  1. Celestial Music? Some Masterpieces of European Religious Music (review)
  2. Christopher Hatch
  3. pp. 907-909
  4. DOI: https://doi.org/10.1353/not.2003.0060
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  1. Salons, Singers and Songs: A Background to Romantic French Song, 1830-1870 (review)
  2. James William Sobaskie
  3. pp. 909-910
  4. DOI: https://doi.org/10.1353/not.2003.0079
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  1. Music Engraving Today: The Art and Practice of Digital Notesetting (review)
  2. Charles Menoche
  3. pp. 911-912
  4. DOI: https://doi.org/10.1353/not.2003.0069
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  1. The Green Book of Songs by Subject: The Thematic Guide to Popular Music (review)
  2. H. Stephen Wright
  3. pp. 912-914
  4. DOI: https://doi.org/10.1353/not.2003.0084
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  1. Camille Saint-Saens, 1835-1921: A Thematic Catalogue of his Complete Works (review)
  2. Mary Jean Speare
  3. pp. 914-916
  4. DOI: https://doi.org/10.1353/not.2003.0080
  5. restricted access
  1. Vincenzo Bellini: A Guide to Research, and: Richard Wagner: A Guide to Research (review)
  2. James P. Cassaro
  3. pp. 916-918
  4. DOI: https://doi.org/10.1353/not.2003.0053
  5. restricted access
  1. The Istanbul Antiphonal (about 1360) (review)
  2. Barbara Helen Haggh
  3. pp. 918-921
  4. DOI: https://doi.org/10.1353/not.2003.0057
  5. restricted access
  1. Art Song in the United States, 1759-1999: An Annotated Bibliography (review)
  2. Laurie J. Sampsel
  3. pp. 921-922
  4. DOI: https://doi.org/10.1353/not.2003.0075
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  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 923-962
  4. DOI: https://doi.org/10.1353/not.2003.0085
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  1. Sound Recording Reviews
  2. Rick Anderson
  3. pp. 963-968
  4. DOI: https://doi.org/10.1353/not.2003.0048
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 969-972
  4. DOI: https://doi.org/10.1353/not.2003.0061
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  1. Klaviersonaten I, and: Klaviersonaten III, and: Klaviersonaten I: Die fruhen Sonaten, and: Samtliche Klaviersonaten, and: 6 Polonaisen fur das Pianoforte zu 4 Handen, Opus 61, D. 824 (1826), and: Third and Fourth Movements of the Unfinished Piano Sonata in C Major, D. 840, "Reliquie", and: Three Schubert Piano Fragments (D. 347, D. 900, D. 916C) (review)
  2. Brian Newbould
  3. pp. 973-977
  4. DOI: https://doi.org/10.1353/not.2003.0071
  5. restricted access
  1. Notae Musicae Artis: Musical Notation in Polish Sources, 11th-16th Century, and: Musica Scripto: Kodeksy Menzuralne II Polowy XV wieku na wschodzie Europy Lacinskiej (review)
  2. Barbara Helen Haggh
  3. pp. 977-980
  4. DOI: https://doi.org/10.1353/not.2003.0058
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  1. Tolomeo, Re d'Egitto: Dramma per musica in tre atti, HWV 25, (review)
  2. Reinhard Strohm
  3. pp. 980-983
  4. DOI: https://doi.org/10.1353/not.2003.0081
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  1. Kantaten mit Orchester fur das Furstenhaus Esterhazy, and: Arien und Szenen mit Orchester, 1. Folge, and: Volksliedbearbeitungen Nr. 101-150: Schottische Lieder fur William Napier (review)
  2. A. Peter Brown
  3. pp. 984-988
  4. DOI: https://doi.org/10.1353/not.2003.0052
  5. restricted access
  1. Antica nova: Suite #1 for Harpsichord (1987-96), and: Antica nova: Suite #4 for Harpsichord (1987-96), and: Harpsichord Sonata #1 (1998), and: Harpsichord Sonata #2 (1998), and: Harpsichord Sonata #3 (1998), and: Semi-Suite: for Harpsichord (One or Two Manuals) or Piano, and: Vignette: for Harpsichord (1975), and: Elegy (Canaanite Fantasy No. 3): for Harpsichord [1990], and: Pegasos: fur Cembalo [1991], and: Tre preludi: per clavicembalo (1964/1975), and: E for E: na klawesyn solo = for harpsichord solo [1991], and: Tiento: pour clavecin (original pour guitare) [1957] (review)
  2. Mark Kroll
  3. pp. 988-993
  4. DOI: https://doi.org/10.1353/not.2003.0066
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  1. Communications
  3. p. 1003
  4. DOI: https://doi.org/10.1353/not.2003.0054
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  1. MLA Financial Statements
  2. Music Library Association
  3. pp. 1005-1012
  4. DOI: https://doi.org/10.1353/not.2003.0055
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  1. Index to Volume 59 September 2002 through June 2003
  2. Martin Jenkins
  3. pp. 1042-1056
  4. DOI: https://doi.org/10.1353/not.2003.0062
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  1. Notes for NOTES
  3. pp. 873-876
  4. DOI: https://doi.org/10.1353/not.2003.0073
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  1. Music Received
  2. David Knapp
  3. pp. 994-1002
  4. DOI: https://doi.org/10.1353/not.2003.0065
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