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In this Issue

Table of Contents

  1. Documenting the Zenith of Women Song Composers: A Database of Songs Published in the United States and the British Commonwealth, ca. 1890–1930
  2. Christopher Reynolds
  3. pp. 671-687
  4. DOI: https://doi.org/10.1353/not.2013.0059
  5. restricted access
  1. Johann Philipp Kirnberger and Authorship
  2. Beverly Jerold
  3. pp. 688-705
  4. DOI: https://doi.org/10.1353/not.2013.0064
  5. restricted access
  1. Reassessing Eugène Bozza: Discoveries in the Bibliothèque Municipale de Valenciennes Archive
  2. Lois Kuyper-Rushing
  3. pp. 706-720
  4. DOI: https://doi.org/10.1353/not.2013.0070
  5. restricted access
  1. Notes for Notes
  3. pp. 721-723
  4. DOI: https://doi.org/10.1353/not.2013.0076
  5. restricted access
  1. The Music Libel Against the Jews by Ruth HaCohen (review)
  2. Jesse Rosenberg
  3. pp. 724-730
  4. DOI: https://doi.org/10.1353/not.2013.0056
  5. restricted access
  1. Hugo-Wolf-Werkverzeichnis (HWW): Thematisch-chronologisches Verzeichnis der musikalischen Werke Hugo Wolfs by Margret Jestremski (review)
  2. Heather Platt
  3. pp. 730-732
  4. DOI: https://doi.org/10.1353/not.2013.0069
  5. restricted access
  1. The Music Library of a Noble Florentine Family: A Catalogue Raisonné of Manuscripts and Prints of the 1720s to the 1850s Collected by the Ricasoli Family Now Housed in the University of Louisville Music Library ed. by Susan Parisi (review)
  2. Christine Jeanneret
  3. pp. 732-734
  4. DOI: https://doi.org/10.1353/not.2013.0049
  5. restricted access
  1. Giacomo Puccini: a Discography by Roger Flury (review)
  2. Richard LeSueur
  3. pp. 735-736
  4. DOI: https://doi.org/10.1353/not.2013.0071
  5. restricted access
  1. The Art of Partimento: History, Theory, Practice by Giorgio Sanguinetti (review)
  2. David Chapman
  3. pp. 736-739
  4. DOI: https://doi.org/10.1353/not.2013.0057
  5. restricted access
  1. Style and Performance for Bowed String Instruments in French Baroque Music by Mary Cyr (review)
  2. John Moran
  3. pp. 739-741
  4. DOI: https://doi.org/10.1353/not.2013.0052
  5. restricted access
  1. Great Wagner Conductors: A Listener’s Companion by Jonathan Brown (review)
  2. James L. Zychowicz
  3. pp. 741-743
  4. DOI: https://doi.org/10.1353/not.2013.0054
  5. restricted access
  1. The Drum: A History by Matt Dean (review)
  2. Marty Jenkins
  3. pp. 743-744
  4. DOI: https://doi.org/10.1353/not.2013.0055
  5. restricted access
  1. The Trombone in the Renaissance: A History in Pictures and Documents by Stewart Carter (review)
  2. David M. Guion
  3. pp. 744-746
  4. DOI: https://doi.org/10.1353/not.2013.0074
  5. restricted access
  1. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana by Steven Feld (review)
  2. Stephen Hager
  3. pp. 746-748
  4. DOI: https://doi.org/10.1353/not.2013.0080
  5. restricted access
  1. Romani Routes: Cultural Politics and Balkan Music in Diaspora by Carol Silverman (review)
  2. Barbara Rose Lange
  3. pp. 748-750
  4. DOI: https://doi.org/10.1353/not.2013.0065
  5. restricted access
  1. Songs from the Edge of Japan: Music-making in Yaeyama and Okinawa by Matt Gillan (review)
  2. Sarah J. McClimon
  3. pp. 750-752
  4. DOI: https://doi.org/10.1353/not.2013.0077
  5. restricted access
  1. Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain by Susan Boynton (review)
  2. Mark A. Peters
  3. pp. 752-754
  4. DOI: https://doi.org/10.1353/not.2013.0063
  5. restricted access
  1. Moral Fire: Musical Portraits from America’s Fin de Siècle by Joseph Horowitz (review)
  2. Nancy Newman
  3. pp. 754-757
  4. DOI: https://doi.org/10.1353/not.2013.0058
  5. restricted access
  1. British Music and Literary Context: Artistic Connections in the Long Nineteenth Century by Michael Allis (review)
  2. Rohan H. Stewart-MacDonald
  3. pp. 757-760
  4. DOI: https://doi.org/10.1353/not.2013.0085
  5. restricted access
  1. The Journals and Letters of Susan Burney: Music and Society in Late Eighteenth-Century England by Philip Olleson (review)
  2. Andrew Shryock
  3. pp. 760-761
  4. DOI: https://doi.org/10.1353/not.2013.0079
  5. restricted access
  1. From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity by Miles White (review)
  2. J. Griffith Rollefson
  3. pp. 761-765
  4. DOI: https://doi.org/10.1353/not.2013.0050
  5. restricted access
  1. Music, Sexuality and the Enlightenment in Mozart’s Figaro, Don Giovanni and Così fan tutte by Charles Ford (review)
  2. Katharina Clausius
  3. pp. 765-767
  4. DOI: https://doi.org/10.1353/not.2013.0062
  5. restricted access
  1. György Ligeti: Of Foreign Lands and Strange Sounds ed. by Louise Duchesneau and Wolfgang Marx, and: Ligeti’s Laments: Nostalgia, Exoticism, and the Absolute by Amy Bauer (review)
  2. Péter Laki
  3. pp. 767-770
  4. DOI: https://doi.org/10.1353/not.2013.0060
  5. restricted access
  1. John Cage by Rob Haskins, and: “we must arrange everything”: Erfahrung, Rahmung und Spiel bei John Cage by Michael Rebhahn (review)
  2. Clemens Gresser
  3. pp. 770-775
  4. DOI: https://doi.org/10.1353/not.2013.0068
  5. restricted access
  1. Rethinking Schumann ed. by Roe-Min Kok and Laura Tunbridge (review)
  2. Yannis Rammos
  3. pp. 775-778
  4. DOI: https://doi.org/10.1353/not.2013.0075
  5. restricted access
  1. Books Recently Published
  2. Matt Ertz, James Procell
  3. pp. 779-796
  4. DOI: https://doi.org/10.1353/not.2013.0082
  5. restricted access
  1. Naxos Music Library Mobile Application (review)
  3. pp. 797-799
  4. DOI: https://doi.org/10.1353/not.2013.0066
  5. restricted access
  1. Il primo libro de’ madrigali a quattro voci by Marc’Antonio Ingegneri, and: Il primo libro de madrigali a cinque voci (1605) by Antonio Cifra (review)
  2. Sherri Bishop
  3. pp. 800-803
  4. DOI: https://doi.org/10.1353/not.2013.0051
  5. restricted access
  1. Selva di varia ricreatione (1590) by Orazio Vecchi (review)
  2. Emiliano Ricciardi
  3. pp. 803-806
  4. DOI: https://doi.org/10.1353/not.2013.0081
  5. restricted access
  1. Music for Viola da Gamba from Edition Guntersberg
  2. Ann Shaffer
  3. pp. 806-814
  4. DOI: https://doi.org/10.1353/not.2013.0073
  5. restricted access
  1. Mozart’s The Marriage of Figaro, Adapted for Covent Garden, 1819 by Henry Rowley Bishop (review)
  2. Alison Mero
  3. pp. 814-816
  4. DOI: https://doi.org/10.1353/not.2013.0083
  5. restricted access
  1. Index to Advertisers
  3. pp. 828-846
  4. DOI: https://doi.org/10.1353/not.2013.0078
  5. restricted access
  1. Cumulative Index to Advertisers Volume 69
  3. p. 847
  4. DOI: https://doi.org/10.1353/not.2013.0084
  5. restricted access
  1. Index to Volume 69: September 2012 through June 2013
  2. Martin D. Jenkins
  3. pp. 848-857
  4. DOI: https://doi.org/10.1353/not.2013.0053
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 817-827
  4. DOI: https://doi.org/10.1353/not.2013.0072
  5. restricted access