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In this Issue

Table of Contents

  1. “One Day It’ll All Make Sense”: Hip-Hop and Rap Resources for Music Librarians
  2. Andrew Leach
  3. pp. 9-37
  4. DOI: https://doi.org/10.1353/not.0.0039
  5. restricted access
  1. Not Just a Policies and Procedures Manual Anymore: The University of Houston Music Library Manual Wiki
  2. Tammy Ravas
  3. pp. 38-52
  4. DOI: https://doi.org/10.1353/not.0.0045
  5. restricted access
  1. Notes for Notes
  2. Elizabeth Davis
  3. pp. 53-59
  4. DOI: https://doi.org/10.1353/not.0.0051
  5. restricted access
  1. Music and Meaning: Studies in Music History and the Neighbouring Disciplines (review)
  2. Don Harrán
  3. pp. 60-62
  4. DOI: https://doi.org/10.1353/not.0.0057
  5. restricted access
  1. Johann Nepomuk Hummel: A Musician’s Life and World (review)
  2. Jarl Hulbert
  3. pp. 62-64
  4. DOI: https://doi.org/10.1353/not.0.0063
  5. restricted access
  1. The Cambridge Companion to Schumann (review)
  2. John Michael Cooper
  3. pp. 64-67
  4. DOI: https://doi.org/10.1353/not.0.0069
  5. restricted access
  1. The Tragic and the Ecstatic: The Musical Revolution of Wagner’s Tristan and Isolde (review)
  2. Patrick McCreless
  3. pp. 67-70
  4. DOI: https://doi.org/10.1353/not.0.0074
  5. restricted access
  1. Symphonic Aspirations: German Music and Politics, 1900–1945 (review)
  2. Stephen Luttmann
  3. pp. 70-75
  4. DOI: https://doi.org/10.1353/not.0.0043
  5. restricted access
  1. The Rest Is Noise: Listening to the Twentieth Century (review)
  2. Richard D. Burbank
  3. pp. 75-78
  4. DOI: https://doi.org/10.1353/not.0.0049
  5. restricted access
  1. Leo Ornstein: Modernist Dilemmas, Personal Choices (review)
  2. Mark D. Porcaro
  3. pp. 78-80
  4. DOI: https://doi.org/10.1353/not.0.0055
  5. restricted access
  1. John Cage (review)
  2. Mark E. Perry
  3. pp. 80-82
  4. DOI: https://doi.org/10.1353/not.0.0061
  5. restricted access
  1. Lutosławski on Music (review)
  2. Luke Howard
  3. pp. 82-84
  4. DOI: https://doi.org/10.1353/not.0.0067
  5. restricted access
  1. Sofia Gubaidulina: A Biography (review)
  2. Peter J. Schmelz
  3. pp. 84-87
  4. DOI: https://doi.org/10.1353/not.0.0072
  5. restricted access
  1. The Music of Michael Nyman: Texts, Contexts and Intertexts (review)
  2. Virginia Anderson
  3. pp. 87-89
  4. DOI: https://doi.org/10.1353/not.0.0041
  5. restricted access
  1. The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna (review)
  2. Brien Weiner
  3. pp. 89-91
  4. DOI: https://doi.org/10.1353/not.0.0047
  5. restricted access
  1. America’s Concertmasters (review)
  2. Nola Campbell
  3. pp. 91-94
  4. DOI: https://doi.org/10.1353/not.0.0053
  5. restricted access
  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 95-129
  4. DOI: https://doi.org/10.1353/not.0.0059
  5. restricted access
  1. New Periodicals
  2. Erin Mayhood
  3. pp. 130-135
  4. DOI: https://doi.org/10.1353/not.0.0065
  5. restricted access
  1. Google Book Search, and: Live Search Books (review)
  2. Joseph Grobelny
  3. pp. 136-140
  4. DOI: https://doi.org/10.1353/not.0.0070
  5. restricted access
  1. Zoroastre, and: Tom Jones (review)
  2. John Holland
  3. pp. 141-142
  4. DOI: https://doi.org/10.1353/not.0.0038
  5. restricted access
  1. England, My England: The Story of Henry Purcell, and: Rachmaninoff, The Harvest of Sorrow (review)
  2. Michael Adams
  3. pp. 142-143
  4. DOI: https://doi.org/10.1353/not.0.0080
  5. restricted access
  1. Hangverseny a Pleyel Duplazongorán (review)
  2. Travis D. Stimeling
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/not.0.0044
  5. restricted access
  1. Moses und Aron, and: Jenůfa (review)
  2. S. Andrew Granade
  3. pp. 144-146
  4. DOI: https://doi.org/10.1353/not.0.0050
  5. restricted access
  1. Help, Help, the Globolinks! (review)
  2. Kendra Preston Leonard
  3. pp. 146-147
  4. DOI: https://doi.org/10.1353/not.0.0056
  5. restricted access
  1. Gloriana: A Film (review)
  2. Tammy Ravas
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/not.0.0062
  5. restricted access
  1. Martha Masters, GFA Winner 2000, and: Mel Bay Presents Ana Vidovic, Guitar Virtuoso (review)
  2. Randall Zwally
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/not.0.0068
  5. restricted access
  1. Jamesie: King of Scratch (review)
  2. Joan O’Connor
  3. pp. 150-151
  4. DOI: https://doi.org/10.1353/not.0.0073
  5. restricted access
  1. A Journey Through the Blues: The Son Seals Story (review)
  2. Gerald A. Notaro
  3. p. 152
  4. DOI: https://doi.org/10.1353/not.0.0042
  5. restricted access
  1. Abrazos: Tango en Buenos Aires (review)
  2. Michael Ashenfelder
  3. pp. 152-153
  4. DOI: https://doi.org/10.1353/not.0.0048
  5. restricted access
  1. Les Paul, Chasing Sound! (review)
  2. Michael Ashenfelder
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/not.0.0060
  5. restricted access
  1. Atlantic Records: The House That Ahmet Built (review)
  2. Michael Adams
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/not.0.0066
  5. restricted access
  1. Motets from 1549 (review)
  2. Richard Freedman
  3. pp. 159-161
  4. DOI: https://doi.org/10.1353/not.0.0071
  5. restricted access
  1. Music Publishers’ Catalogs
  2. George R. Hill
  3. pp. 172-176
  4. DOI: https://doi.org/10.1353/not.0.0052
  5. restricted access
  1. Communications
  2. p. 177
  3. DOI: https://doi.org/10.1353/not.0.0058
  4. restricted access
  1. Music Library Association Administrative Structure 1 April 2008
  2. pp. 178-192
  3. DOI: https://doi.org/10.1353/not.0.0064
  4. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 164-171
  4. DOI: https://doi.org/10.1353/not.0.0046
  5. restricted access