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Table of Contents

  1. Editor's Column
  2. James Phelan
  3. pp. 123-124
  4. DOI: https://doi.org/10.1353/nar.2003.0008
  5. restricted access
  1. Painted Readers, Narrative Regress
  2. Garrett Stewart
  3. pp. 125-176
  4. DOI: https://doi.org/10.1353/nar.2003.0011
  5. restricted access
  1. No Time Like the Present: Narrative and Time in Art Spiegelman's Maus
  2. Erin Heather McGlothlin
  3. pp. 177-198
  4. DOI: https://doi.org/10.1353/nar.2003.0007
  5. restricted access
  1. Figuring In, Figuring Out: Narration and Negotiation in Toni Morrison's Jazz
  2. Matthew Treherne
  3. pp. 199-212
  4. DOI: https://doi.org/10.1353/nar.2003.0012
  5. restricted access
  1. Paradise and Storytelling: Interconnecting Gender, Motif, and Narrative Structure
  2. Ingrid Daemmrich
  3. pp. 213-233
  4. DOI: https://doi.org/10.1353/nar.2003.0006
  5. restricted access
  1. Some Antinomies of Narrative Temporality: A Response to Dan Shen
  2. Brian Richardson
  3. pp. 234-236
  4. DOI: https://doi.org/10.1353/nar.2003.0009
  5. restricted access
  1. What Do Temporal Antinomies Do to the Story-Discourse Distinction?: A Reply to Brian Richardson's Response
  2. Dan Shen
  3. pp. 237-241
  4. DOI: https://doi.org/10.1353/nar.2003.0010
  5. restricted access