In lieu of an abstract, here is a brief excerpt of the content:

  • Index to Volume 6

Articles

Davis, Nick, Inside/Outside the Klein Bottle: Music in narrative film, intrusive and integral, 9

Decker, Todd, The Musical Mr Ripley: Closeting a character in the 1950s and a film in the 1990s, 185

Haworth, Catherine, Introduction: Gender, sexuality, and the soundtrack, 113

Heldt, Guido, ‘… there’s no music playing, and it’s not snowing’: Songs and self-reflexivity in Curtisland, 73

McGee, Kristin, Orientalism and Erotic Multiculturalism in Popular Culture: From Princess Rajah to the Pussycat Dolls, 209

Mera, Miguel, Outing the Score: Music, Narrative, and collaborative process in Little Ashes, 93

Reale, Steven, A Sheep in Wolf’s Corset: Timbral and vocal signifiers of masculinity in The Rocky Horror Picture/Glee Show, 137

Reyland, Nicholas, The Beginnings of a Beautiful Friendship? Music narratology and screen music studies, 55

Walter, Brian, Wild Things: Music and masculinity in Something Wild and Blue Velvet, 163

Winters, Ben, Music and Narrative: an introduction, 3

—, Musical Wallpaper? Towards an appreciation of non-narrating music in film, 39

Yacavone, Daniel, Spaces, Gaps, and Levels: From the diegetic to the aesthetic in film theory, 21

Reviews

Cooke, Mervyn (ed.), The Hollywood Film Music Reader, review by John McGrath, 245

Hoover, Tom, Keeping Score: Interviews with Today’s Top Film, Television, and Game Music Composers, review by John McGrath, 245

Kletschke, Irene, Klangbilder – Walt Disney’s Fantasia (1940), review by Daniela Schwark, 239

Pool, Jeannie Gayle and Wright, H. Stephen, A Research Guide to Film and Television Music in the United States, review by Scott D. Paulin, 253

Sherk, Warren M., Film and Television Music: a guide to books, articles, and composer interviews, review by Scott D. Paulin, 253 [End Page 267]

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