The Roberto Gerhard Companion. Ed. by Monty Adkins and Michael Russ. Pp. xxvii + 374. (Ashgate, Farnham, Surrey and Burlington, Vt., 2013. £75. ISBN 978-1-4094-4515-9.)
Sacred Music in Secular Society. By Jonathan Arnold. Pp. xv + 171. (Ashgate, Farnham, Surrey and Burlington, Vt., 2014. £19.99. ISBN 978-1-4094-5171-6.)
Popular Music and the New Auteur: Visionary Filmmakers after MTV. Ed. by Arved Ashby. Pp. ix + 217. (Oxford University Press, New York and Oxford, 2013. £22.99. ISBN 978-0-19-982735-0.)
Physics of Wind Instruments and Organ Pipes 1100–2010. By Patrizio Barbieri. Pp. xii + 568. (Il Levante Libreria Editrice, Latina, 2013. €50. ISBN 978-88-95203-40-9.)
L’Essor du Romantisme: La fantaisie pour clavier du Carl Philipp Emanuel Bach à Franz Liszt. By Jean-Pierre Bartoli and Jeanne Roudet. Pp. 387. Musicologies. (Vrin, Paris, 2013, €32. ISBN 978-2-7116-2473-7.)
Music, Modernity, and God. By Jeremy Begbie. Pp. viii + 261. (Oxford University Press, New York and Oxford, 2013. £35. ISBN 978-0-19-929244-8.)
Music and the City: Musical Cultures and Urban Societies in the Southern Netherlands and beyond, c.1650–1800. Ed. by Stefanie Beghein, Bruno Blondé, and Eugeen Schreurs. Pp. 185. (Leuven University Press, Leuven, 2013. €39.50. ISBN 978-90-5867-955-0.)
A Musician Divided: André Tchaikowsky in his Own Words. Ed. by Anastasia Belina-Johnson. Pp. 434. Musicians on Music, 10. (Toccata Press, London, 2013. £30. ISBN 978-0-907689-88-1.)
Details of Consequence: Ornament, Music, and Art in Paris. By Gurminder Kaur Bhogal. AMS Studies in Music. Pp. x + 357. (Oxford University Press, New York and Oxford, 2014. £41.99. ISBN 978-0-19-979505-85)
Louis Armstrong: Master of Modernism. By Thomas Brothers. Pp. xi+ 594. (W. W. Norton & Company, Inc., New York, 2014. $39.95. ISBN 978-0-393-06582-4.)
Regina Mingotti: Diva and Impresario at the King’s Theatre, London. By Michael Burden. RMA Monographs, 22. Pp. xvii + 182. (Ashgate, Farnham, Surrey and Burlington, Vt., 2013. £60. ISBN 978-0-7566-936-4.)
Analyzing Classical Form: An Approach to the Classroom. By William E. Caplin. Pp. xix + 736. (Oxford University Press, New York and Oxford, 2013. £41.99. ISBN 978-0-19-998729-0.)
Speaking of Music: Addressing the Sonorous. Ed. by Keith Chapin and Andrew H. Clark. Pp. xi+ 331. (Fordham University Press, New York. 2013. $32. ISBN 978-0-8232-5139-1.)
Experience and Meaning in Music Performance. Ed. by Martin Clayton, Byron Dueck, and Laura Leante. Pp. xi + 323. (Oxford University Press, New York and Oxford, 2013. £18.99. ISBN 978-0-19-981131-1.)
The Pete Seeger Reader. Ed. by Ronald D. Cohen and James Capaldi. Pp. ix + 268. (Oxford University Press, New York and Oxford, 2014. £122.99. ISBN 978-0-19-986201-6.)
Taking it to the Bridge: Music as Performance. Ed. by Nicholas Cook and Richard Pettengill. Pp. xvi + 381. (University of Michigan Press, Ann Arbor, 2013. $35. ISBN 978-0-472-05177-9.)
Music Asylums:Wellbeing through Music in Everyday Life. By Tia DeNora. Pp. xiv + 164. Music and Change: Ecological Perspectives. (Ashgate, Farnham, Surrey and Burlington, Vt., 2013. £50. ISBN 978-1-4094-3759-8.)
Messiaen Perspectives 1: Sources and Influences. Ed. by Christopher Dingle and Robert Fallon. Pp. xviii + 370. (Ashgate, Farnham, Surrey and Burlington, Vt., 2013. £75. ISBN 978-1-4094-2695-0.)
Messiaen Perspectives 2: Techniques, Influence and Reception. Ed. by Christopher Dingle and Robert Fallon. Pp. xx + 444. (Ashgate, Farnham, Surrey and Burlington, Vt., 2013. £75. ISBN 978-1-4094-2696-7.)
Manet, Wagner and the Musical Culture of their Time. By Therese Dolan. Pp. xii + 271. (Ashgate, Farnham, Surrey and Burlington, Vt., 2013. £65. ISBN 978-1-4094-4670-5.)
Occult Aesthetics: Synchronization in Sound Film. By K. J. Donnelly. Pp. xii + 260. (Oxford University Press, New York and Oxford, 2014. £19.99. ISBN 978-0-19-977350-3.)
Punk Aesthetics and New Folk:Way Down the Old Plank Road. By John Encarnacao. Pp. xv + 282. Ashgate Popular and...