Reviews of Books: Index
- Reviews of Books: Index
(Reviewers’ names in parentheses)
| Adorno, Theodor W., Night Music: Essays on Music 1928–1962, ed. Rolf Tiedemann, trans. Wieland Hoban (Nikolaus Bacht) | 177 |
| Ammann, Raymond, Sounds of Secrets: Field Notes on Ritual Music and Musical Instruments on the Islands of Vanuatu (Anna Stirr) | 198 |
| André, Naomi, Bryan, Karen M., and Saylor, Eric (eds.), Blackness in Opera (Mark A. Pottinger) | 170 |
| Antokoletz, Elliott, and Wheeldon, Marianne (eds.), Rethinking Debussy (David J. Code) | 511 |
| Avelar, Idelber, and Dunn, Christopher (eds.), Brazilian Popular Music and Citizenship (Rogério Budasz) | 190 |
| Baade, Christina L., Victory through Harmony: The BBC and Popular Music in World War II (Kate Guthrie) | 324 |
| Bade, Patrick, Music Wars: 1937–1945 (Kate Guthrie) | 324 |
| Baragwanath, Nicholas, The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera (Chloe Valenti) | 689 |
| Bartig, Kevin, Composing for the Red Screen: Prokofiev and Soviet Film (Pauline Fairclough) | 699 |
| Biddle, Ian, Music, Masculinity and the Claims of History: The Austro-German Tradition from Hegel to Freud (James Garratt) | 524 |
| Birkin, Kenneth, Hans von Bülow: A Life for Music (Roger Allen) | 166 |
| Blow, John, Venus and Adonis, ed. Bruce Wood (Andrew R. Walkling) | 674 |
| Brodhead, Thomas M. (ed.), Charles Ives Society Performance Edition, 2011 (Peter Dickinson) | 360 |
| Brooks, William, Sinclair, James B., and Shirley, Wayne D. (eds.), Charles E. Ives, Symphony No. 4 (Peter Dickinson) | 360 |
| Buch, David J., Representations of Jews in the Musical Theater of the Habsburg Empire (1788–1807) (Joshua S. Walden) | 154 |
| Capuzzo, Guy, Elliott Carter’s What Next?: Communication, Cooperation, and Separation (Marguerite Boland) | 546 |
| Castro, Christi-Ann, Musical Renderings of the Philippine Nation (David Kendall) | 560 |
| Chaouche, Sabine, Herlin, Denis, and Serre, Solveig (eds.), L’Opéra de Paris, la Comédie-Française et l’Opéra-Comique: Approches comparées (1669–2010) (Mark Everist) | 684 |
| Chow, Yiu Fai, and Kloet, Jeroen de, Sonic Multiplicities: Hong Kong Pop and the Global Circulation of Sound and Image (Shan Huang) | 721 |
| Cizmic, Maria, Performing Pain: Music and Trauma in Eastern Europe (Ivana Medić) | 193 |
| Cobussen, Marcel, and Nielsen, Nanette, Music and Ethics (Anthony Gritten) | 375 |
| Currie, James R., Music and the Politics of Negation (James Garratt) | 524 |
| DelDonna, Anthony R., Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples (Zoey Cochran) | 341 |
| Demers, Joanna, Listening through the Noise: The Aesthetics of Experimental Music (Peter Manning) | 187 |
| Diettrich, Brian, Moulin, Jane Freeman, and Webb, Michael, Music in Pacific Island Cultures: Experiencing Music, Expressing Culture (Anna Stirr) | 563 |
| Downes, Stephen, Hans Werner Henze: Tristan(1973) (Mark Berry) | 541 |
| Downes, Stephen, Music and Decadence in European Modernism: The Case of Central and Eastern Europe (Sherry D. Lee) | 175 |
| Draghi, Giovanni Battista, From Harmony, from heav’nly Harmony. ed. Bryan White (Alan Howard) | 146 |
| Duchesneau, Louise, and Marx, Wolfgang (eds.), György Ligeti: Of Foreign Lands and Strange Sounds (Amy Bauer) | 709 |
| Eichner, Barbara, History in Mighty Sounds: Musical Constructions of German National Identity 1848–1914 (Mark Berry) | 521 |
| Ellis, Katharine, The Politics of Plainchant in Fin-de-Siècle France (Emma Adlard) | 690 |
| Everist, Mark (ed.), The Cambridge Companion to Medieval Music (Henry Hope) | 672 |
| Fisher, Joseph P., and Flota, Brian (eds.), The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror (Peter Tregear) [End Page 739] | 550 |
| Franklin, Peter, Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores (Catherine Haworth) | 365 |
| Gilman, Todd, The Theatre Career of Thomas Arne (John Cunningham) | 680 |
| Gloag, Kenneth, Postmodernism in Music (J. P. E. Harper-Scott) | 723 |
| Grabowski, Christophe, and Rink, John, Annotated Catalogue of Chopin’s First Editions (Bertrand Jaeger) | 163 |
| Grabu, Louis, Albion and Albanius, ed. Bryan White (Andrew R. Walkling) | 674 |
| Grimes, Nicole, Donovan, Siobhán, and Marx, Wolfgang (eds.), Rethinking Hanslick: Music, Formalism, and Expression (Matthew Pritchard) | 349 |
| Grimley, Daniel M. (ed.), Jean Sibelius and his World (Derek B. Scott) | 352 |
| Hall, Patricia, Berg’s Wozzeck (Nick Chadwick) | 358 |
| Harper, Nancy Lee, Portuguese Piano Music: An Introduction and Annotated Bibliography (Walter Aaron Clark) | 529 |
| Harris, Tony, The Legacy of Cornelius Cardew (Virginia Anderson) | 717 |
| Haskins, Rob, John Cage (Mark Delaere) | 715 |
| Haymes, Edward R., Wagner’s ‘Ring’ in 1848: New Translations of the Nibelung Myth... |
