- Contents, Vol. 94
February
Seth J. Coluzzi: ‘Se vedesti qui dentro’: Monteverdi’s ‘O mirtillo, mirtillo anima mia’ and Artusi’s Offence | 1 |
Keith Johnston: Molière, Descartes, and the Practice of Comedy in the Intermezzo | 38 |
Benedict Taylor: Temporality in Nineteenth-Century Russian Music and the Notion of Development | 78 |
Carlo Cenciarelli: ‘What never was has ended’: Bach, Bergman, and the Beatles in Christopher Münch’s ‘The Hours and Times’ | 119 |
Christopher Wintle: Music Immutable: Heinrich Schenker’s ‘Der Tonwille’ in Translation | 138 |
May
Michael Talbot: Some Notes on the Life of Jacob Cervetto | 207 |
Scott M. Sanders: Sound and Sensibility in Diderot’s ‘Le Neveu de Rameau’ | 237 |
Michael Fend: Romantic Empowerment at the Paris Opera in the 1770s and 1780s | 263 |
Thomas Irvine: Normality and Emplotment: Walter Leigh’s ‘Midsummer Night’s Dream’ in the Third Reich and Britain | 295 |
Kate Guthrie: Soundtracks to the ‘People’s War’ | 324 |
August
David Maw: ‘Bona cadentia dictaminum’: Reconstructing Word Setting in Machaut’s Songs | 383 |
Stefanie Beghein: ‘The famous and new Italian taste’: The Dissemination of Italian Sacred Music in the Southern Netherlands,1675–1755 | 433 |
Elisabeth Le Guin: ‘The glory of having a national music’: A Translation of and Critical Commentary on the First Two Sections of José Subirá’s ‘La tonadilla escénica: Sus obras y sus autores’ (1933) | 452 |
David J. Code: Plus ça change . . . : Thinking again about Debussy and Ravel | 511 |
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November
J. Andreas Loewe: ‘Musica est optimum’: Martin Luther’s Theory of Music | 573 |
Matthew Mugmon: Beyond the Composer-Conductor Dichotomy: Bernstein’s Copland-Inspired Mahler Advocacy | 606 |
Eric Clarke, Mark Doffman, and Liza Lim: Distributed Creativity and Ecological Dynamics: A Case Study of Liza Lim’s ‘Tongue of the Invisible’ | 628 |
Ben Earle: The Politics of the New Music | 664 |
February–November
Reviews (for index, see pp. iii–v) | 146, 334, 519, 672 |
Correspondence | 201, 566, 728 |
Recipients of ‘Music & Letters’ Awards | 202 |
The Westrup Prize | 730 |
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