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  • Recipients of ‘Music & Letters’ Awards

The Editorial Board has made grants to the following towwards costs in connection with the projects indicated: Michael Allis to deliver a paper on Granville Bantok at the ‘Reassessing the Dramatic Monologue in the 19th and 20th Centuries’ conference at Royal Holloway; Nicholas Attfield to deliver a paper on Anton Bruckner at the American Musicological Society meeting in November 2012; Sam Barrett to purchase digital images of mediaeval manuscripts for a forthcoming volume of Monumenta monodica medii aevi on Boethius; Fernando Bravo to deliver a paper on music and psychology at the ‘Music and Emotions’ conference of the International Symposium on Computer Music Modeling and Retrieval; James Burke to purchase photographs of manuscripts in Durham Cathedral Library; Sarah Collins for the reproduction of musical excerpts and digital images for her book on Cyril Scott; Frank Dobbins towards the production costs of his book on Janequin; Michael Gale to deliver his paper on the social function of lute instruction in 16th–17th-century England at the American Musicological Society meeting in November 2012; Huw Hallam to present his paper on the politics of music after National Socialism at the International Musicological Society conference in Rome; Julian Johnson towards the costs of organizing the Conference of the Royal Musical Association Music and Philosophy Study Group; Sarah Johnson to present her paper on the thirteenth-century Cantigas de Santa María at the American Musicological Society meeting in November 2012; Jenny Judge to present her paper ‘Visual Bias in Consciousness Studies’ at the ‘Toward a Science of Consciousness’ conference at Tucson, Arizona; Mats Kuessner to present his paper ‘Getting the Shapes “Right” at the Expense of Creativity? How Musicians’ and Non-musicians’ Visualizations of Sound Differ’ at the International Conference on Music Perception and Cognition (ICMPC)/8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM); Sue Miller to participate in a panel discussion at the LASA International Congress in San Francisco; Matthew Pilcher to present a paper on Beethoven at the International Conference on Nineteenth-Century Music, Edinburgh, 2012; Florian Scheding towards the costs of organizing the Royal Musical Association Research Students’ Conference; Nathan Seinen to present a paper on Prokofiev at the International Musicological Society Congress in Rome; Diane Tisdall to present a paper on the Paris Conservatoire student concerts (1795–1815) at the International Conference on Nineteenth-Century Music, Edinburgh, 2012; Andrew Woolley towards the reproduction costs incurred in the series English Keyboard Music 1650–1750.

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