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In this Issue

Table of Contents

  1. A New Keyboard Work by Giovanni Gabrieli and the Relevance of Its Compositional Technique
  2. Richard Charteris
  3. pp. 1-21
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  1. Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century
  2. Stephen Rose
  3. pp. 22-40
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  1. A New Class of People: The Conservatoire and Musical Professionalization in Russia, 1861-1917
  2. Lynn Sargeant
  3. pp. 41-61
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  1. Desiring Handel: Biography and the Strategies of Possession
  2. Suzanne Aspden
  3. pp. 62-82
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  1. Recent Developments in Bruckner Scholarship
  2. Julian Horton
  3. pp. 83-94
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  1. Music in Ancient Israel/Palestine: Archaeological, Written and Comparative Sources (review)
  2. John Arthur Smith
  3. pp. 95-99
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  1. Le Psautier de Calvin: l'histoire d'un livre populaire au XVIe siecle (1551-1598) (review)
  2. Richard Freedman
  3. pp. 99-100
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  1. Mozart-Studien, 10 (review)
  2. Cliff Eisen
  3. pp. 100-102
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  1. J. F. Reichardt -- J. W. Goethe Briefwechsel, and: Johann Friedrich Reichardt: Autobiographische Schriften, and: Der Lustige Passagier: Erinnerungen eines Musikers und Literaten (review)
  2. James Parsons
  3. pp. 102-104
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  1. Vom Takt: Uberlegungen zur Theorie und kompositorischen Praxis im ausgehenden 18. und beginnenden 19. Jahrhundert (review)
  2. Michael Spitzer
  3. pp. 104-107
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  1. Music at Oxford in the Eighteenth and Nineteenth Centuries (review)
  2. Paul Langford
  3. pp. 107-108
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  1. Jacques Offenbach and the Paris of his Time (review)
  2. Mark Everist
  3. pp. 109-112
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  1. King Arthur in Music (review)
  2. Arnold Whittall
  3. pp. 113-114
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  1. Aubrey Beardsley and British Wagnerism in the 1890s (review)
  2. Christopher Morris
  3. pp. 114-116
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  1. Mahler and his World (review)
  2. Stephen McClatchie
  3. pp. 116-120
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  1. The Harlequin Years: Music in Paris 1917-1929 (review)
  2. Deborah Mawer
  3. pp. 120-123
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  1. Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger (review)
  2. Deborah Mawer
  3. pp. 123-126
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  1. Schostakowitschs Streichquartette: Ein internationales Symposium (review)
  2. David Fanning
  3. pp. 126-127
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  1. Lutoslawski Studies (review)
  2. Caroline Rae
  3. pp. 127-132
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  1. Uber musikalische Formen: Aus den Vortragsmitschriften von Ludwig Zenk, Siegfried Oehlgiesser, Rudolf Schopf und Erna Apostel (review)
  2. Julian Johnson
  3. pp. 132-135
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  1. Edison Denisov: The Russian Voice in European New Music (review)
  2. David Fanning
  3. pp. 135-137
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  1. Steve Reich: Writings on Music 1965-2000 (review)
  2. Bob Gilmore
  3. pp. 137-140
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  1. Harmonic Rhythm: Analysis and Interpretation (review)
  2. Arnold Whittall
  3. pp. 140-141
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  1. How Popular Musicians Learn: A Way Ahead for Music Education (review)
  2. Rebecca Berkley
  3. pp. 141-144
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  1. Signs of Music: A Guide to Musical Semiotics (review)
  2. V. Kofi Agawu
  3. pp. 144-146
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  1. De tous biens plaine: Twenty-eight Settings of Hayne van Ghizeghem's Chanson, and: Fortuna desperata: Thirty-six Settings of an Italian Song (review)
  2. Stephen Daniel Self
  3. pp. 147-150
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  1. Liber sextus sacrarum cantionum (review)
  2. Kristine Forney
  3. pp. 150-151
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  1. Le gagliarde dal Libro d'intavolatura di liuto (Gal. 6), and: The Lute Fantasias (review)
  2. Matthew Spring
  3. pp. 152-153
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  1. Twelve Sonatas, Op. 16 (review)
  2. Kimberlyn Montford
  3. pp. 153-154
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  1. 6 String Quartets, Opus 20, and: 6 String Quartets, Opus 33, and: 6 String Quartets, Opus 50 (review)
  2. William Drabkin
  3. pp. 155-159
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  1. Symphony in G Minor (review)
  2. R. H. Stewart-MacDonald
  3. pp. 159-163
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  1. The Petrie Collection of the Ancient Music of Ireland (review)
  2. Barra Boydell
  3. pp. 163-165
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  1. Aladdin eller Den forunderlige lampe, and: Symphony No. 6 (review)
  2. Daniel M. Grimley
  3. pp. 165-168
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  1. Authors of Articles in this Issue
  3. p. 170
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  1. Books Received
  3. pp. 171-173
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