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In this Issue

Table of Contents

  1. Rediscovering Lost Evidence: Little-Known Fragments with English Polyphony in Bologna
  2. Renata Pieragostini
  3. pp. 343-376
  4. restricted access
  1. Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition
  2. Keith Chapin
  3. pp. 377-409
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  1. ‘It Wants All the Creases Ironing Out’: Percy Grainger, the Folk Song Society, and the Ideology of the Archive
  2. Graham Freeman
  3. pp. 410-436
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  1. Laudat Autem David: Fallows on Josquin
  2. Richard Sherr
  3. pp. 437-461
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  1. The Musical Traditions of Northern Ireland and its Diaspora: Community and Conflict (review)
  2. David A. Wilson
  3. pp. 462-463
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  1. Satire in the Songs of Renart le Nouvel (review)
  2. Elizabeth Eva Leach
  3. pp. 464-466
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  1. The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo (review)
  2. Tess Knighton
  3. pp. 470-472
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  1. Humanism and the Reform of Sacred Music in Early Modern England: John Merbecke the Orator and The Booke of Common Praier Noted (1550) (review)
  2. Lionel Pike
  3. pp. 472-473
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  1. The Consort Music of William Lawes 1602–1645 (review)
  2. Andrew Ashbee
  3. pp. 473-475
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  1. Symphony Songs (review)
  2. Alon Schab
  3. pp. 475-477
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  1. Vivaldi and Fugue (review)
  2. Alan Howard
  3. pp. 477-480
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  1. Georg Philipp Telemanns Hamburger Kirchenmusik und ihre Aufführungsbedingungen (1721–1767). Organisationsstrukturen, Musiker, Besetzungspraktiken (review)
  2. Steven Zohn
  3. pp. 480-484
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  1. The Authentic Magic Flute Libretto: Mozart’s Autograph or the First Full-Score Edition? (review)
  2. Nicholas Till
  3. pp. 484-486
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  1. Mozart, Haydn and Early Beethoven 1781–1802 (review)
  2. Julian Rushton
  3. pp. 486-488
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  1. Re-reading Poetry: Schubert’s Multiple Settings of Goethe (review)
  2. David Schroeder
  3. pp. 488-489
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  1. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany (review)
  2. James Garratt
  3. pp. 489-492
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  1. Richard Wagner and the Centrality of Love (review)
  2. Roger Allen
  3. pp. 492-495
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  1. The Cambridge Companion to Gilbert and Sullivan (review)
  2. Paul Rodmell
  3. pp. 495-497
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  1. In Search of New Scales: Prince Edmond de Polignac, Octatonic Explorer (review)
  2. Philip Purvis
  3. pp. 497-500
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  1. Genetic Criticism and the Creative Process: Essays from Music, Literature, and Theatre (review)
  2. Arnold Whittall
  3. pp. 500-501
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  1. Music Writing Literature, from Sand via Debussy to Derrida (review)
  2. Anthony Gritten
  3. pp. 501-504
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  1. Samuel Barber Remembered: A Centenary Tribute (review)
  2. Christopher M. Scheer
  3. pp. 504-506
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  1. Composing in Words: William Alwyn on his Art (review)
  2. Edward Venn
  3. pp. 506-508
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  1. Leonard Bernstein: West Side Story (review)
  2. Tim Carter
  3. pp. 508-510
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  1. BBC Music in the Glock Era and After: A Memoir (review)
  2. Arnold Whittall
  3. pp. 510-511
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  1. The Ashgate Research Companion to Experimental Music (review)
  2. Clemens Gresser
  3. pp. 511-513
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  1. Correspondence: To the Editors of ‘Music & Letters’
  2. Peter Leech
  3. p. 514
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  1. ‘Music & Letters’ Awards
  3. p. 516
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  1. Authors of Articles in This Issue
  3. p. 516
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  1. Inside the Offertory: Aspects of Chronology and Transmission (review)
  2. Alejandro Enrique Planchart
  3. pp. 466-470
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