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In this Issue

Table of Contents

  1. Speculative ‘Musica’ and the Medieval University of Paris
  2. Joseph Dyer
  3. pp. 177-204
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  1. The Need for Latin Textual Scholarship in Renaissance Musicology
  2. Demmy Verbeke
  3. pp. 205-214
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  1. ‘Mutato semper habitu’: Heinrich Schütz and the Culture of Rhetoric
  2. Bettina Varwig
  3. pp. 215-239
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  1. Defining the Term ‘Absolute Music’ Historically
  2. Sanna Pederson
  3. pp. 240-262
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  1. The Crisis of Music in Early Modern Europe 1470–1530 (review)
  2. Leeman L. Perkins
  3. pp. 263-268
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  1. Sounding Objects: Musical Instruments, Poetry, and Art in Renaissance France (review)
  2. Leeman L. Perkins
  3. pp. 268-271
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  1. Cristóbal de Morales. Sources, Influences, Reception (review)
  2. Esperanza Rodríguez-García
  3. pp. 271-274
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  1. Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres (review)
  2. Paul R. Laird
  3. pp. 274-276
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  1. Chambonnières: A Thematic Catalogue—The Complete Works of Jacques Champion de Chambonnières (1601/02–1672) (review)
  2. David Ledbetter
  3. pp. 276-278
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  1. The Viola da Gamba Society Index of Manuscripts Containing Consort Music, Vol. 2 (review)
  2. David Pinto
  3. pp. 278-280
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  1. J. S. Bach’s Concerted Ensemble Music: The Concerto (review)
  2. David Yearsley
  3. pp. 280-283
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  1. Mozart’s Viennese Instrumental Music. A Study of Stylistic Re-Invention (review)
  2. Julian Rushton
  3. pp. 283-287
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  1. The Cambridge Companion to Haydn (review)
  2. Richard Will
  3. pp. 287-289
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  1. Heinrich Heine and the Lied (review)
  2. Amanda Glauert
  3. pp. 289-292
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  1. Robert Schumann: The Book of Songs (review)
  2. Laura Tunbridge
  3. pp. 292-294
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  1. Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music (review)
  2. Peter Tregear
  3. pp. 294-295
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  1. Symphonic Aspirations: German Music and Politics, 1900–1945 (review)
  2. Nicholas Attfield
  3. pp. 296-298
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  1. Jean Sibelius. Dagbok 1909–1944, and: Jean Sibelius: Poesie in der Luft. Studien zu Leben und Werke, and: Sibelius (review)
  2. Daniel M. Grimley
  3. pp. 298-304
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  1. Bartók and the Grotesque: Studies in Modernity, the Body, and Contradiction in Music (review)
  2. Amanda Bayley
  3. pp. 304-307
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  1. Ligeti, Kurtág, and Hungarian Music during the Cold War (review)
  2. Amy Bauer
  3. pp. 307-310
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  1. Sofia Gubaidulina: A Biography (review)
  2. Ivana Medić
  3. pp. 311-313
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  1. Messiaen Studies (review)
  2. Stephen Broad
  3. pp. 313-315
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  1. The Gendered Score: Music in 1940s Melodrama and the Woman’s Film (review)
  2. Marcia J. Citron
  3. pp. 315-317
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  1. Silence, Music, Silent Music (review)
  2. Naomi Waltham-Smith
  3. pp. 317-320
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  1. Off Key: When Film and Music Won’t Work Together (review)
  2. Carlo Cenciarelli
  3. pp. 320-322
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  1. Music and Urban Geography (review)
  2. Philip V. Bohlman
  3. pp. 322-324
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  1. ‘Music & Letters’ Awards
  3. p. 326
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  1. Authors of Articles in This Issue
  3. p. 326
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  1. Nigel Fortune (1924–2009)
  3. p. 330
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  1. Books Received
  3. pp. 327-329
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