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Table of Contents

  1. Obscurity and the Poetics of Non/Sense in the Writings of Raymond Roussel and Fernando Pessoa
  2. Eldritch Priest
  3. pp. 1-17
  4. DOI: https://doi.org/10.1353/mos.2012.a479197
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  1. Writing through Merce: John Cage's Silence, Differends, and Avant-Garde Idioms
  2. Andy Weaver
  3. pp. 19-37
  4. DOI: https://doi.org/10.1353/mos.2012.a479198
  5. restricted access
  1. "The poor man's club": The Middle Classes, the Public House, and the Idea of Community in the Nineteen-Thirties
  2. Ben Clarke
  3. pp. 39-54
  4. DOI: https://doi.org/10.1353/mos.2012.a479199
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  1. Secular Apocalypses: Darwinian Criticism and Atwoodian Floods
  2. Andrew Hoogheem
  3. pp. 55-71
  4. DOI: https://doi.org/10.1353/mos.2012.a479200
  5. restricted access
  1. Photographic Documents and Postmodern Fictions: Photobooks by Susan Meiselas and Gregory Crewdson
  2. Marion K. McInnes
  3. pp. 73-94
  4. DOI: https://doi.org/10.1353/mos.2012.a479201
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  1. "Never Meant To Be": Porcupines and China Dolls as a Fetal-Alcohol Narrative
  2. Helen Hoy
  3. pp. 95-112
  4. DOI: https://doi.org/10.1353/mos.2012.a479202
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  1. Helen's Quilt as Autobiographical, Social, and Political Text in Thomas King's Truth and Bright Water
  2. Deborah Weagel
  3. pp. 113-130
  4. DOI: https://doi.org/10.1353/mos.2012.a479203
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  1. Reading Modernity in Mambety's La Petite vendeuse de soleil: Orality, Literacy, and the Regional Imaginary
  2. Ann Elizabeth Willey
  3. pp. 131-148
  4. DOI: https://doi.org/10.1353/mos.2012.a479204
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  1. Leaving the House of Memory: Post-Soviet Traces of Deportation Memory
  2. Rebecca Gould
  3. pp. 149-164
  4. DOI: https://doi.org/10.1353/mos.2012.a479205
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  1. Screened Trauma: World War II, Dead(ly) Women, and Wilson's Hetty Dorval
  2. Christa Zeller Thomas
  3. pp. 165-180
  4. DOI: https://doi.org/10.1353/mos.2012.a479206
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  1. Introduction
  2. Dawne McCance
  3. pp. v-vi
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