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Table of Contents

  1. Kafka’s Poetics of Indeterminacy: On Trauma, Hysteria, and Simulation at the Fin de Siècle
  2. John Zilcosky
  3. pp. 344-359
  4. DOI: https://doi.org/10.1353/mon.2011.0086
  5. restricted access
  1. The Human as Resident Animal: Kafka’s Der Bau in the Context of His Later Notebooks and Letters
  2. Thomas Wegmann
  3. pp. 360-371
  4. DOI: https://doi.org/10.1353/mon.2011.0091
  5. restricted access
  1. Kafka’s Test
  2. Christiane Frey
  3. pp. 372-384
  4. DOI: https://doi.org/10.1353/mon.2011.0096
  5. restricted access
  1. Myth vs. Enlightenment in Kafka’s Das Schloß
  2. Ritchie Robertson
  3. pp. 385-395
  4. DOI: https://doi.org/10.1353/mon.2011.0072
  5. restricted access
  1. Schriftkerben // Kerfs of Writing A Phenomenology of Kafka’s Stylus
  2. Christian Jany
  3. pp. 396-415
  4. DOI: https://doi.org/10.1353/mon.2011.0095
  5. restricted access
  1. Incidental and Preliminary—Features of the Late Kafka
  2. Malte Kleinwort
  3. pp. 416-424
  4. DOI: https://doi.org/10.1353/mon.2011.0076
  5. restricted access
  1. Zwanzig Jahre Germanistik postkolonial
  2. Sabine Wilke
  3. pp. 425-439
  4. DOI: https://doi.org/10.1353/mon.2011.0080
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  1. Komische Lyrik—lyrische Komik. Über Verformungen einer formstrengen Gattung (review)
  2. Rüdiger Singer
  3. pp. 441-444
  4. DOI: https://doi.org/10.1353/mon.2011.0089
  5. restricted access
  1. Kann das Denken malen? Philosophie und Malerei in der Renaissance (review)
  2. Thyra E. Knapp
  3. pp. 444-446
  4. DOI: https://doi.org/10.1353/mon.2011.0067
  5. restricted access
  1. “Weitstrahlsinniges” Denken. Studien zu Johann Gottfried Herder (review)
  2. Wolfgang Düsing
  3. pp. 450-452
  4. DOI: https://doi.org/10.1353/mon.2011.0077
  5. restricted access
  1. Gender and Laughter: Comic Affirmation and Subversion in Traditional and Modern Media (review)
  2. Jill Twark
  3. pp. 452-454
  4. DOI: https://doi.org/10.1353/mon.2011.0081
  5. restricted access
  1. Die poetische Erkundung der wirklichen Welt. Literarische Epistemologie (1800–2000) (review)
  2. Rainer Godel
  3. pp. 454-456
  4. DOI: https://doi.org/10.1353/mon.2011.0085
  5. restricted access
  1. Ironie—Komik—Skepsis. Studien zum Werk Adalbert Stifters (review)
  2. Elisabeth Strowick
  3. pp. 458-460
  4. DOI: https://doi.org/10.1353/mon.2011.0094
  5. restricted access
  1. Medialisierungen des Unsichtbaren um 1900 (review)
  2. Ralf Simon
  3. pp. 460-462
  4. DOI: https://doi.org/10.1353/mon.2011.0070
  5. restricted access
  1. Gedankenlesemaschinen. Modelle für eine Poetologie des Inneren Monologs (review)
  2. Monika Fludernik
  3. pp. 462-465
  4. DOI: https://doi.org/10.1353/mon.2011.0074
  5. restricted access
  1. Gegengifte. Essays zur Theorie und Literatur der Moderne (review)
  2. Willi Goetschel
  3. pp. 465-467
  4. DOI: https://doi.org/10.1353/mon.2011.0078
  5. restricted access
  1. Estrangement and the Somatics of Literature: Tolstoy, Shklovsky, Brecht (review)
  2. Max Statkiewicz
  3. pp. 467-469
  4. DOI: https://doi.org/10.1353/mon.2011.0082
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  1. Kabarett der Komiker. Berlin 1924–1950 (review)
  2. Alan Lareau
  3. pp. 469-471
  4. DOI: https://doi.org/10.1353/mon.2011.0087
  5. restricted access
  1. The Many Faces of Weimar Cinema: Rediscovering Germany’s Filmic Legacy (review)
  2. Marc Silberman
  3. pp. 471-472
  4. DOI: https://doi.org/10.1353/mon.2011.0092
  5. restricted access
  1. A Critical History of German Film (review)
  2. Brad Prager
  3. pp. 472-474
  4. DOI: https://doi.org/10.1353/mon.2011.0071
  5. restricted access
  1. Framing the Fifties: Cinema in a Divided Germany (review)
  2. Rachel Palfreyman
  3. pp. 474-476
  4. DOI: https://doi.org/10.1353/mon.2011.0075
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  1. Ästhetik des Authentischen. Literatur und Kunst um 1970 (review)
  2. Monika Schmitz-Emans
  3. pp. 476-478
  4. DOI: https://doi.org/10.1353/mon.2011.0079
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  1. Three-Part Inventions: The Novels of Thomas Bernhard (review)
  2. Jack Davis
  3. pp. 478-480
  4. DOI: https://doi.org/10.1353/mon.2011.0083
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  1. Buchstabendelirien. Zur Literatur Friederike Mayröckers (review)
  2. Edith Anna Kunz
  3. pp. 480-481
  4. DOI: https://doi.org/10.1353/mon.2011.0088
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  1. Abbreviations for Kafka Citations
  2. pp. viii-ix
  3. DOI: https://doi.org/10.1353/mon.2011.0093
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  1. Images
  2. Pavel Schmidt
  3. p. xi
  4. DOI: https://doi.org/10.1353/mon.2011.0068
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  1. Introduction
  2. Stanley Corngold
  3. pp. 339-343
  4. DOI: https://doi.org/10.1353/mon.2011.0069
  5. restricted access