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In this Issue

Table of Contents

  1. Modernity with pictures: Hegel and Géricault
  2. Katerina Deligiorgi
  3. pp. 607-623
  4. DOI: https://doi.org/10.1353/mod.2007.0089
  5. restricted access
  1. Nietzsche among the Modernists: The Case of Wyndham Lewis
  2. Shane Weller
  3. pp. 625-643
  4. DOI: https://doi.org/10.1353/mod.2007.0090
  5. restricted access
  1. Telling Descriptions: Frank Norris’s Kinetoscopic Naturalism and the Future of the Novel, 1899
  2. Paul Young
  3. pp. 645-668
  4. DOI: https://doi.org/10.1353/mod.2007.0093
  5. restricted access
  1. “As the Fashion in Books Shifted”: The Beautiful and Damned as Arc-Light Fiction
  2. Jonathan Enfield
  3. pp. 669-685
  4. DOI: https://doi.org/10.1353/mod.2007.0095
  5. restricted access
  1. Borderline, Sensation, and the Machinery of Expression
  2. Judith Brown
  3. pp. 687-705
  4. DOI: https://doi.org/10.1353/mod.2007.0086
  5. restricted access
  1. “The Dangerous Art Where One Slip Means Death”: Dance and the Literary Imagination in Interwar Britain
  2. Rishona Zimring
  3. pp. 707-727
  4. DOI: https://doi.org/10.1353/mod.2007.0096
  5. restricted access
  1. Perspectives USA and the Cultural Cold War: Modernism in Service of the State
  2. Greg Barnhisel
  3. pp. 729-754
  4. DOI: https://doi.org/10.1353/mod.2007.0080
  5. restricted access
  1. The Mechanic as Twentieth-Century Mona Lisa: Modernism’s Utopian Designs at the Corcoran Gallery
  2. John Paul Riquelme
  3. pp. 755-762
  4. DOI: https://doi.org/10.1353/mod.2007.0081
  5. restricted access
  1. Between Tolstoy and Nabokov: Ivan Bunin Revisited
  2. Thomas Karshan
  3. pp. 763-769
  4. DOI: https://doi.org/10.1353/mod.2007.0091
  5. restricted access
  1. The Word Made Self: Russian Writing on Language, 1860–1930 (review)
  2. Michael S. Gorham
  3. pp. 771-773
  4. DOI: https://doi.org/10.1353/mod.2007.0082
  5. restricted access
  1. Painting the Difference: Sex and Spectator in Modern Art (review)
  2. Gregg Horowitz
  3. pp. 773-774
  4. DOI: https://doi.org/10.1353/mod.2007.0088
  5. restricted access
  1. Classic Chic: Music, Fashion, and Modernism (review)
  2. Alex Goody
  3. pp. 775-777
  4. DOI: https://doi.org/10.1353/mod.2007.0079
  5. restricted access
  1. T.S. Eliot and the Art of Collaboration (review)
  2. Ronald Schuchard
  3. pp. 777-779
  4. DOI: https://doi.org/10.1353/mod.2007.0084
  5. restricted access
  1. How Joyce Wrote Finnegans Wake: A Chapter-by-Chapter Genetic Guide (review)
  2. Vike Martina Plock
  3. pp. 780-781
  4. DOI: https://doi.org/10.1353/mod.2007.0098
  5. restricted access
  1. Samuel Beckett: Anatomy of a Literary Revolution (review)
  2. Martin Harries
  3. pp. 781-783
  4. DOI: https://doi.org/10.1353/mod.2007.0085
  5. restricted access
  1. Unless the Threat of Death is Behind Them: Hard-Boiled Fiction and Film Noir (review)
  2. Patrick O'Donnell
  3. pp. 783-785
  4. DOI: https://doi.org/10.1353/mod.2007.0094
  5. restricted access
  1. Designing the Seaside: Architecture, Nature and Society (review)
  2. Peter Borsay
  3. pp. 785-787
  4. DOI: https://doi.org/10.1353/mod.2007.0083
  5. restricted access
  1. History, Memory, and the Literary Left: Modern American Poetry, 1935–1968 (review)
  2. James Edward Smethurst
  3. pp. 787-788
  4. DOI: https://doi.org/10.1353/mod.2007.0087
  5. restricted access
  1. Feminism and the Abyss of Freedom (review)
  2. Jane Elliott
  3. pp. 788-790
  4. DOI: https://doi.org/10.1353/mod.2007.0092
  5. restricted access
  1. Recent Books of Interest
  3. pp. 791-794
  4. DOI: https://doi.org/10.1353/mod.2007.0097
  5. restricted access