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Table of Contents

  1. The Colors of Zion: Black, Jewish, and Irish Nationalisms At the Turn of the Century
  2. George Bornstein
  3. pp. 369-384
  4. DOI: https://doi.org/10.1353/mod.2005.0077
  5. open access
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  1. Passing as Modernism
  2. Pamela L. Caughie
  3. pp. 385-406
  4. DOI: https://doi.org/10.1353/mod.2005.0079
  5. open access
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  1. Unlike Many Others: Exceptional White Characters in Harlem Renaissance Fiction
  2. Emily Bernard
  3. pp. 407-423
  4. DOI: https://doi.org/10.1353/mod.2005.0072
  5. open access
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  1. T. S. Eliot: The Performativity of Gender in The Waste Land
  2. Cyrena N. Pondrom
  3. pp. 425-441
  4. DOI: https://doi.org/10.1353/mod.2005.0098
  5. restricted access
  1. Planets on Tables: Still Life and War in the Poetry of Wallace Stevens
  2. Bonnie Costello
  3. pp. 443-458
  4. DOI: https://doi.org/10.1353/mod.2005.0080
  5. restricted access
  1. Reading Modernism, After Hugh Kenner (1923-2003): Hugh Kenner And The Invention of Modernism
  2. Marjorie Perloff
  3. pp. 465-469
  4. DOI: https://doi.org/10.1353/mod.2005.0095
  5. restricted access
  1. Reading Modernism, After Hugh Kenner (1923-2003): Hugh Kenner's Modernism and Ours
  2. Christine Froula
  3. pp. 471-475
  4. DOI: https://doi.org/10.1353/mod.2005.0085
  5. restricted access
  1. Reading Modernism, After Hugh Kenner (1923-2003): The Newton of Modernism
  2. Gerald L. Bruns
  3. pp. 477-481
  4. DOI: https://doi.org/10.1353/mod.2005.0078
  5. restricted access
  1. "The Voice and the Void: Hugh Kenner's Joyce"
  2. Margot Norris
  3. pp. 483-486
  4. DOI: https://doi.org/10.1353/mod.2005.0094
  5. restricted access
  1. Reading Modernism, After Hugh Kenner (1923-2003): Kenner, Eliot, and Language
  2. Barry Ahearn
  3. pp. 487-491
  4. DOI: https://doi.org/10.1353/mod.2005.0074
  5. restricted access
  1. Reading Modernism, After Hugh Kenner (1923-2003): Hugh Kenner's Pound of Flesh
  2. Jennifer Wicke
  3. pp. 493-497
  4. DOI: https://doi.org/10.1353/mod.2005.0103
  5. restricted access
  1. Reading Modernism, After Hugh Kenner (1923-2003): Kenner, Beckett, "Irrational" "Man," and the Obligation to Express
  2. John Paul Riquelme
  3. pp. 499-503
  4. DOI: https://doi.org/10.1353/mod.2005.0100
  5. restricted access
  1. Joyce's Critics: Transitions in Reading and Culture, and: Palgrave Advances in James Joyce Studies, and: Expert Modernists, Matricide, and Modern Culture (review)
  2. Emer Nolan
  3. pp. 505-509
  4. DOI: https://doi.org/10.1353/mod.2005.0093
  5. restricted access
  1. The Economic Structure of Intellectual Property Law (review)
  2. Paul K. Saint-Amour
  3. pp. 511-513
  4. DOI: https://doi.org/10.1353/mod.2005.0101
  5. restricted access
  1. Songs of Experience: Modern American and European Variations on a Universal Theme (review)
  2. Ales Erjavec
  3. pp. 513-515
  4. DOI: https://doi.org/10.1353/mod.2005.0082
  5. restricted access
  1. Before Modernism Was: Modern History and the Constituency of Writing (review)
  2. Janine Utell
  3. pp. 515-517
  4. DOI: https://doi.org/10.1353/mod.2005.0102
  5. restricted access
  1. Stranded in the Present: Modern Time and the Melancholy of History (review)
  2. Robert Wohl
  3. pp. 517-519
  4. DOI: https://doi.org/10.1353/mod.2005.0104
  5. restricted access
  1. Colonial Odysseys: Empire and Epic in the Modernist Novel (review)
  2. Joshua Esty
  3. pp. 519-521
  4. DOI: https://doi.org/10.1353/mod.2005.0083
  5. restricted access
  1. The Cubist Painters (review)
  2. Marjorie Perloff
  3. pp. 521-523
  4. DOI: https://doi.org/10.1353/mod.2005.0096
  5. restricted access
  1. Visa for Avalon (review)
  2. Ariela Freedman
  3. pp. 523-525
  4. DOI: https://doi.org/10.1353/mod.2005.0084
  5. restricted access
  1. Woolf Across Cultures (review)
  2. David Adams
  3. pp. 525-526
  4. DOI: https://doi.org/10.1353/mod.2005.0073
  5. restricted access
  1. Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity (review)
  2. Vara Neverow
  3. pp. 527-528
  4. DOI: https://doi.org/10.1353/mod.2005.0092
  5. restricted access
  1. Modernism, Cultural Production, and the British Avant-Garde (review)
  2. Aaron Jaffe
  3. pp. 529-530
  4. DOI: https://doi.org/10.1353/mod.2005.0087
  5. restricted access
  1. The Woman's Historical Novel: British Women Writers, 1900-2000 (review)
  2. David James
  3. pp. 531-533
  4. DOI: https://doi.org/10.1353/mod.2005.0089
  5. restricted access
  1. Modernism and the Culture of Market Society (review)
  2. Nicholas Daly
  3. pp. 533-535
  4. DOI: https://doi.org/10.1353/mod.2005.0081
  5. restricted access
  1. Fascists (review)
  2. David J. Baker
  3. pp. 535-537
  4. DOI: https://doi.org/10.1353/mod.2005.0075
  5. restricted access
  1. Donatello among the Blackshirts: History and Modernity in the Visual Culture of Fascist Italy (review)
  2. Roger Griffin
  3. pp. 537-539
  4. DOI: https://doi.org/10.1353/mod.2005.0086
  5. restricted access
  1. Assembling Art: The Machine and the American Avant-Garde (review)
  2. Andrew Hemingway
  3. pp. 539-541
  4. DOI: https://doi.org/10.1353/mod.2005.0088
  5. restricted access
  1. The Colonial Moment: Discoveries and Settlements in Modern American Poetry (review)
  2. Cristanne Miller
  3. pp. 542-543
  4. DOI: https://doi.org/10.1353/mod.2005.0091
  5. restricted access
  1. Over the Wall/After the Fall: Post-Communist Cultures Through An East-West Gaze (review)
  2. Hilary Pilkington
  3. pp. 543-545
  4. DOI: https://doi.org/10.1353/mod.2005.0097
  5. restricted access
  1. The Future of Social Theory (review)
  2. Graeme Kirkpatrick
  3. pp. 545-546
  4. DOI: https://doi.org/10.1353/mod.2005.0090
  5. restricted access
  1. Recent Books of Interest
  3. pp. 547-551
  4. DOI: https://doi.org/10.1353/mod.2005.0076
  5. restricted access
  1. Introduction to Reading Modernism, After Hugh Kenner (1923-2003)
  2. John Paul Riquelme
  3. pp. 459-463
  4. DOI: https://doi.org/10.1353/mod.2005.0099
  5. restricted access