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Table of Contents

  1. Auto-Specularity: Driving through the American Night
  2. Sandy Isenstadt
  3. pp. 213-231
  4. DOI: https://doi.org/10.1353/mod.2011.0023
  5. restricted access
  1. Interiority Conceits: Domestic Architecture, Graphophone Recordings, and Colonial Imaginations in August Strindberg's The Roofing Ceremony (1907).
  2. Anna Westerståhl Stenport
  3. pp. 233-253
  4. DOI: https://doi.org/10.1353/mod.2011.0028
  5. restricted access
  1. "Harpsichords Metallic Howl—": The Baroness Elsa von Freytag-Loringhoven's Sound Poetry
  2. Irene Gammel, Suzanne Zelazo
  3. pp. 255-271
  4. DOI: https://doi.org/10.1353/mod.2011.0033
  5. restricted access
  1. Kneaded Language: Concrete Poetry and New Media in the Swedish 1960s
  2. Jesper Olsson
  3. pp. 273-288
  4. DOI: https://doi.org/10.1353/mod.2011.0038
  5. restricted access
  1. Modernist Networks: Taxco, 1931
  2. A. Joan Saab
  3. pp. 289-307
  4. DOI: https://doi.org/10.1353/mod.2011.0043
  5. restricted access
  1. Cinematic Space in Rome's Disabitato: Between Metropolis and Terrain Vague in the Films of Fellini, Antonioni, and Pasolini
  2. Manuela Mariani, Patrick Barron
  3. pp. 309-333
  4. DOI: https://doi.org/10.1353/mod.2011.0048
  5. restricted access
  1. Men in Love? Male Friendship in Gertrude Stein's Early Portrait
  2. Rolf Lundén
  3. pp. 335-354
  4. DOI: https://doi.org/10.1353/mod.2011.0053
  5. restricted access
  1. 'John Cournos and the Politics of Russian Literature in The Criterion'
  2. David Ayers
  3. pp. 355-369
  4. DOI: https://doi.org/10.1353/mod.2011.0026
  5. restricted access
  1. Messianic Pains. The Apocalyptic Temporality in Avant-Garde Art, Politics, and War
  2. Maria Stavrinaki
  3. pp. 371-393
  4. DOI: https://doi.org/10.1353/mod.2011.0031
  5. restricted access
  1. Al Qaeda and the Avant-Garde: Towards a Genealogy of the Taliah
  2. Mike Sell
  3. pp. 395-404
  4. DOI: https://doi.org/10.1353/mod.2011.0036
  5. restricted access
  1. Between Revolution and Reform: Anzia Yezierska's Labor Politics
  2. Susan Edmunds
  3. pp. 405-423
  4. DOI: https://doi.org/10.1353/mod.2011.0041
  5. restricted access
  1. Late Modernism, Pulp History: Jorge Luis Borges' A Universal History of Infamy (1935)
  2. Sarah Ann Wells
  3. pp. 425-441
  4. DOI: https://doi.org/10.1353/mod.2011.0046
  5. restricted access
  1. Cinema's First Flight
  2. Kevin Riordan
  3. pp. 443-446
  4. DOI: https://doi.org/10.1353/mod.2011.0051
  5. restricted access
  1. A Translation from Felix Mésguich's Tours de manivelle
  2. Kevin Riordan, Corbin Treacy
  3. pp. 447-448
  4. DOI: https://doi.org/10.1353/mod.2011.0054
  5. restricted access
  1. Genesis and Crisis: Foundations of a Modern Black Literary Intelligentsia
  2. James Smethurst
  3. pp. 449-454
  4. DOI: https://doi.org/10.1353/mod.2011.0024
  5. restricted access
  1. Eugène Jolas: Critical Writings, 1924–1951 (review)
  2. Jean-Michel Rabaté
  3. pp. 455-458
  4. DOI: https://doi.org/10.1353/mod.2011.0029
  5. restricted access
  1. Magazines, Modernity and War (review)
  2. Joan Roman Resina
  3. pp. 458-462
  4. DOI: https://doi.org/10.1353/mod.2011.0034
  5. restricted access
  1. Thomas Eakins and the Cultures of Modernity (review)
  2. Elizabeth Milroy
  3. pp. 462-465
  4. DOI: https://doi.org/10.1353/mod.2011.0039
  5. restricted access
  1. Consider David Foster Wallace (review)
  2. Stephen J. Burn
  3. pp. 465-468
  4. DOI: https://doi.org/10.1353/mod.2011.0044
  5. restricted access
  1. Adverse Genres in Fernando Pessoa (review)
  2. João Cezar de Castro Rocha
  3. pp. 468-470
  4. DOI: https://doi.org/10.1353/mod.2011.0049
  5. restricted access
  1. Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms (review)
  2. David Rando
  3. pp. 470-472
  4. DOI: https://doi.org/10.1353/mod.2011.0022
  5. restricted access
  1. Ballets Russes, The Art of Costume (review)
  2. Eileen Chanin
  3. pp. 473-475
  4. DOI: https://doi.org/10.1353/mod.2011.0027
  5. restricted access
  1. Modernism in Kyiv: Jubilant Experimentation (review)
  2. Roman Koropeckyj
  3. pp. 475-476
  4. DOI: https://doi.org/10.1353/mod.2011.0032
  5. restricted access
  1. Rumer Godden: International and Intermodern Storyteller (review)
  2. Eibhear Walshe
  3. pp. 476-478
  4. DOI: https://doi.org/10.1353/mod.2011.0037
  5. restricted access
  1. Improper Modernism: Djuna Barnes's Bewildering Corpus (review)
  2. Alex Goody
  3. pp. 478-480
  4. DOI: https://doi.org/10.1353/mod.2011.0042
  5. restricted access
  1. The Edinburgh Companion to Virginia Woolf and the Arts (review)
  2. Christine Froula
  3. pp. 480-482
  4. DOI: https://doi.org/10.1353/mod.2011.0047
  5. restricted access
  1. Who's Afraid of James Joyce? (review)
  2. Derek Attridge
  3. pp. 482-484
  4. DOI: https://doi.org/10.1353/mod.2011.0052
  5. restricted access
  1. Shakespeare and the Modern Poet (review)
  2. Robin G. Schulze
  3. pp. 484-485
  4. DOI: https://doi.org/10.1353/mod.2011.0025
  5. restricted access
  1. Fashion at the Time of Fascism: Italian Modernist Lifestyle 1922–1943 (review)
  2. Vike Martina Plock
  3. pp. 485-487
  4. DOI: https://doi.org/10.1353/mod.2011.0030
  5. restricted access
  1. Piero Gobetti's New World: Antifascism, Liberalism, Writing (review)
  2. Tom Langley
  3. pp. 487-488
  4. DOI: https://doi.org/10.1353/mod.2011.0035
  5. restricted access
  1. Form, Power, and Person in Robert Creeley's Life and Work (review)
  2. Norman Finkelstein
  3. pp. 489-490
  4. DOI: https://doi.org/10.1353/mod.2011.0040
  5. restricted access
  1. Recent Books of Interest
  3. pp. 491-494
  4. DOI: https://doi.org/10.1353/mod.2011.0045
  5. restricted access
  1. Errata
  3. pp. 495-497
  4. DOI: https://doi.org/10.1353/mod.2011.0050
  5. restricted access