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In this Issue

Table of Contents

  1. Culture, Anarchy, and the Politics of Modernist Style in Joyce's "Oxen of the Sun"
  2. Mark Gaipa
  3. pp. 195-217
  4. DOI: https://doi.org/10.1353/mfs.1995.0092
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  1. "Fiction with the Texture of History": Elizabeth Bowen's The Last September
  2. Julia McElhattan Williams
  3. pp. 219-242
  4. DOI: https://doi.org/10.1353/mfs.1995.0096
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  1. "I Will Make Bimala One With My Country": Gender and Nationalism in Tagore's The Home and the World
  2. Indrani Mitra
  3. pp. 243-264
  4. DOI: https://doi.org/10.1353/mfs.1995.0094
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  1. Kerouac Among the Fellahim: On The Road To The Postmodern
  2. Robert Holton
  3. pp. 265-283
  4. DOI: https://doi.org/10.1353/mfs.1995.0093
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  1. Baseball as Aesthetic Ideology: Cold War History, Race, and Delillo's "Pafko at the Wall"
  2. John N. Duvall
  3. pp. 285-313
  4. DOI: https://doi.org/10.1353/mfs.1995.0091
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  1. Submachine Guns and Electronic Schoolmarms: A True Crime Western
  2. Vivian Wagner
  3. pp. 315-335
  4. DOI: https://doi.org/10.1353/mfs.1995.0095
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  1. The Hammers of Creation: Folk Culture in Modern African-American Fiction
  2. John Carlos Rowe
  3. pp. 340-342
  4. DOI: https://doi.org/10.1353/mfs.1995.0085
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  1. Authority and Speech: Language, Society, and Self in the American Novel
  2. Michael P. Kramer
  3. pp. 342-344
  4. DOI: https://doi.org/10.1353/mfs.1995.0061
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  1. The Politics and Poetics of Journalistic Narrative: The Timely and the Timeless
  2. Barbara Foley
  3. pp. 344-346
  4. DOI: https://doi.org/10.1353/mfs.1995.0067
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  1. The Culture and Commerce of the American Short Story
  2. Samuel Irving Bellman
  3. pp. 347-350
  4. DOI: https://doi.org/10.1353/mfs.1995.0071
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  1. The White Logic: Alcoholism and Gender in American Modernist Fiction
  2. Kirk Curnutt
  3. pp. 350-353
  4. DOI: https://doi.org/10.1353/mfs.1995.0062
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  1. The Face in the Mirror: Hemingway's Writers
  2. George Monteiro
  3. pp. 355-357
  4. DOI: https://doi.org/10.1353/mfs.1995.0066
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  1. The Creative Process of James Agee
  2. Timothy Dow Adams
  3. pp. 357-359
  4. DOI: https://doi.org/10.1353/mfs.1995.0076
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  1. Fire and Power: The American Space Program as Postmodern Narrative
  2. Susan Strehle
  3. pp. 359-361
  4. DOI: https://doi.org/10.1353/mfs.1995.0060
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  1. Forests of Symbols: World, Text, and Self in Malcolm Lowry's Fiction
  2. Brian W. Shaffer
  3. pp. 361-363
  4. DOI: https://doi.org/10.1353/mfs.1995.0077
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  1. Thomas Hardy and the Proper Study of Mankind
  2. John Paul Riquelme
  3. pp. 364-366
  4. DOI: https://doi.org/10.1353/mfs.1995.0098
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  1. On the Void of to Be: Incoherence and Trope in Finnegans Wake
  2. Michael Patrick Gillespie
  3. pp. 366-369
  4. DOI: https://doi.org/10.1353/mfs.1995.0081
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  1. Writing Against the Family: Gender in Lawrence and Joyce
  2. Helene Meyers
  3. pp. 369-371
  4. DOI: https://doi.org/10.1353/mfs.1995.0075
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  1. Reading `Dubliners' Again: A Lacanian Perspective
  2. Susan Shaw Sailer
  3. pp. 371-373
  4. DOI: https://doi.org/10.1353/mfs.1995.0073
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  1. Innovation in Samuel Beckett's Fiction, and: Beckett's Dying Words, and: Wandering and Home: Beckett's Metaphysical Narrative
  2. Leslie Hill
  3. pp. 373-377
  4. DOI: https://doi.org/10.1353/mfs.1995.0097
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  1. Modernism and Revolution: Russian Literature in Transition
  2. Elizabeth Klosty Beaujour
  3. pp. 377-380
  4. DOI: https://doi.org/10.1353/mfs.1995.0065
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  1. The Novels of Nuruddin Farah
  2. Patricia Alden
  3. pp. 381-383
  4. DOI: https://doi.org/10.1353/mfs.1995.0089
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  1. Rereading Nadine Gordimer
  2. Judie Newman
  3. pp. 383-385
  4. DOI: https://doi.org/10.1353/mfs.1995.0088
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  1. Elie Wiesel's secretive texts
  2. Frederick Garber
  3. pp. 385-387
  4. DOI: https://doi.org/10.1353/mfs.1995.0063
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  1. The Black Atlantic: Modernity and Double Consciousness
  2. Dwight McBride
  3. pp. 388-391
  4. DOI: https://doi.org/10.1353/mfs.1995.0070
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  1. Risking Who One Is: Encounters with Contemporary Art and Literature
  2. Susan Hardy Aiken
  3. pp. 391-394
  4. DOI: https://doi.org/10.1353/mfs.1995.0084
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  1. No Man's Land: The Place of the Woman Writer in the Twentieth Century. Volume 3: Letters from the Front
  2. Suzanne Clark
  3. pp. 395-397
  4. DOI: https://doi.org/10.1353/mfs.1995.0069
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  1. The Dialect of Modernism: Race, Language and Twentieth-Century Literature
  2. Aldon Lynn Nielsen
  3. pp. 397-400
  4. DOI: https://doi.org/10.1353/mfs.1995.0080
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  1. Writing AIDS: Gay Literature, Language, and Analysis
  2. Vincent A. Lankewish
  3. pp. 400-402
  4. DOI: https://doi.org/10.1353/mfs.1995.0078
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  1. Love's Litany: The Writing of Modern Homoerotics
  2. Dennis W. Allen
  3. pp. 403-405
  4. DOI: https://doi.org/10.1353/mfs.1995.0074
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  1. High Lonesome: The American Culture of Country Music
  2. Timothy Sweet
  3. pp. 405-407
  4. DOI: https://doi.org/10.1353/mfs.1995.0086
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  1. Clint Eastwood: A Cultural Production
  2. Peter Francis Murphy
  3. pp. 407-409
  4. DOI: https://doi.org/10.1353/mfs.1995.0083
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  1. The Seeds of Time
  2. Walter B. Kalaidjian
  3. pp. 410-412
  4. DOI: https://doi.org/10.1353/mfs.1995.0072
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  1. Inventions of Difference: On Jacques Derrida
  2. G. Douglas Atkins
  3. pp. 413-415
  4. DOI: https://doi.org/10.1353/mfs.1995.0068
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  1. Heuretics: The Logic of Invention (review)
  2. Catherine Liu
  3. pp. 415-417
  4. DOI: https://doi.org/10.1353/mfs.1995.0087
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  1. Subjects without Selves: Transitional Texts in Modern Fiction
  2. Bernard Duyfhuizen
  3. pp. 418-420
  4. DOI: https://doi.org/10.1353/mfs.1995.0082
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  1. Transgressions of Reading: Narrative Engagement as Exile and Return
  2. Richard Pearce
  3. pp. 420-422
  4. DOI: https://doi.org/10.1353/mfs.1995.0079
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  1. The Culture of Literacy, and: The Contingency of Theory: Pragmatism, Expressivism, and Deconstruction (review)
  2. Wallace Martin
  3. pp. 423-426
  4. DOI: https://doi.org/10.1353/mfs.1995.0099
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  1. Narratives of Transmission
  2. Michael J. Hoffman
  3. pp. 427-428
  4. DOI: https://doi.org/10.1353/mfs.1995.0064
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  1. Contributors
  2. p. 429
  3. DOI: https://doi.org/10.1353/mfs.1995.0090
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