Contributors

Contributors ROBERT APPLEFORD obtained his doctorate from the Graduate Centre for the Study of Drama, University of Toronto. He has published numerous articles on Aboriginal theatre and literatures. He is currently at work on a book-length study entitled Perversion as Resistance in North American Aboriginal Literatures . He is presently an Assistant Professor in the Department of English, University of Alberta. CELESTE DERKSEN teaches in the English Department at the University of Victoria , British Columbia. She has been an organizer of the first and second conferences on theatre in British Columbia, held within the past four years. PETER DICKINSON is Assistant Professor in the Department of English at Simon Fraser University, where he teaches courses in modem drama, comparative Canadian literature, and queer theory. He is the author of Here is Queer: Nationalisms, Sexualities, and the Literatures of Canada (University of Toronto Press, 1999) and has recently guest-edited a special issue of Essays on Canadian Writing entitled "Literatures, Cinemas, Cultures." REID GILBERT is a College Professor at Capilano College, Vancouver, Be. He is the author, with Sylvan Barnet, of A Short Guide to Writing about Literature , to appear in a second edition in 2003. He is the author of a play and numerous articles and chapters in collections on drama. He is a member of the Editorial Board of Theatre Research ill Canada and an Editor of Canadian Theatre Review. MARLENE MOSER is an Assistant Professor in the Department of Dramatic Arts at Brock University, SI. Catharines, Ontario, Her paper "Ideology as BehavModern Drama, 45:2 (Summer 2002) 333 334 CONTRIBUTORS iour: Identity and Realism in The Drawer Boy" received the Robert Lawrence prize at the Association for Canadian Theatre Research conference in 2001. UNA PERKINS is a doctoral candidate at Yale University. Her dissertation is entitled "Shakespeare's Memory Plays: Shadows ofinwardness." SHELLEY SCOTT is an Assistant Professor in the Department of Theatre and Dramatic Arts at the University of Lethbridge. Her most recent research has been in Canadian plays by women that explore current social issues. Her article , "Violent Women: The BemardolHomolka Case, in Famous by Carol Bolt and Paul's Case by Lynn Crosbie," appeared in Theatre Research in Canada I Recherches tMatrales au Cal/ada, Vol. 22, no. I (Spring 200 1). ...