Contributors

Contributors .' , LAURE RIESE: Professor of French Literature at the University of Toronto and an Associate Editor of Modern Drama, is a noted scholar of twentieth-century French theatre. Her books include L'Ame de la Poesie Canadienne-franfaise, Les Salons Litteraires parisiens and Un peu de nouveau (text for schools). BERNARD F. DUKORE: Chairman of the Department of Drama and Theatre of the University of Hawaii, Professor Dukore is author of articles and books on various modern dramatists. These include Bernard Shaw, Director (1971) and a new book, Bernard Shaw, Playwright which will be published by the University of Missouri Press this fall. MARGARET SCARBOROUGH: A doctoral candidate in English at the University of Washington, Ms. Scarborough's pUblications include original poetry in Encounter and translations of Chinese verse. ANNE C. MURCH: is a Senior Lecturer in French at Monash University, Australia. She has published articles on contemporary French drama and fiction in journals in Australia, Canada, Denmark, and France. She is currently at work on a study of myths in contemporary French drama. MAURICE M. LABELLE: Assistant Professor of English and Comparative Literature at Drake University, Professor LaBelle has contributed articles to Comparative Literature Studies, the Revue de [,Association Guillaume Bude, and the Revue de literature comparee. Professor LaBelle is presently at work on a study of Alfred larry. LAURENCE SENEUCK: Assistant Professor of Drama at Tufts University, and a former editor of Dickens Studies, Professor Senelick\s articles have appeared in Drama Critique, Harvard Library Bulletin, and other journals. He has translated plays by Chekhov, Feydeau, and Ghelderode. MICHAEL HINDEN: Assistant Professor of English at the University of Wisconsin. His field is modern drama and he has published articles on the plays of E. A. Robinson and on Poe. MARK W. ESTRIN: Professor Estrin holds a doctorate in English from New York University and is presently Chairman of the English Department at Rhode Island College, where he has taught since 1966. OONALD M. MICHIE: Professor Michie teaches English and Rhetoric in the Department of English at Carthage College. He has previously published an article in Texas Studies dealing with he collaboration of W. B. Yeats and George Moore. JOHN B. REY: Associate Professor of French and Italian at Chestnut Hill College, Philadelphia, Mr. Rey is especially interested in the fields of Classical and Contemporary French Theatre. KEITH SAGAR: Staff tutor in Literature in the Extra-Mural Department, the University of Manchester, Dr. Sagar is author of The Art of D. H. Lawrence, 1966; Hamlet, 1969; Ted Hughes, 1972; he has contributed to the D. H. Lawrence Review and to Modern Drama. EDWARD J. CZERWINSKI: Professor of Slavic Languages and Literatures and Chairman of the Department of Germanic and Slavic Languages at the State University of New York at Stony Brook, has published widely on the drama and theatre of Poland, Czechoslovakia, Yugoslavia and the Soviet Union. Professor Czerwinski is on the editorial boards of Books Abroad and Comparative Drama, and has also recently edited and contributed to The Year of the Bear, a study of the effects of the Soviet invasion of Czechoslovakia. ...