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Table of Contents

  1. Theoria Negativa: Making Sense of Boal's Reading of Aristotle
  2. Paul Dwyer
  3. pp. 635-658
  4. DOI: https://doi.org/10.1353/mdr.2006.0021
  5. restricted access
  1. A "Revolutionary Outrage": The Importance of Being Earnest as Social Criticism
  2. Jeremy Lalonde
  3. pp. 659-676
  4. DOI: https://doi.org/10.1353/mdr.2006.0032
  5. restricted access
  1. Noel Coward and Sexual Modernism: Private Lives as Queer Comedy
  2. Penny Farfan
  3. pp. 677-688
  4. DOI: https://doi.org/10.1353/mdr.2006.0023
  5. restricted access
  1. Stage as Hyperspace: Theatricality of Stoppard
  2. Moonyoung Chung
  3. pp. 689-705
  4. DOI: https://doi.org/10.1353/mdr.2006.0019
  5. restricted access
  1. The Circle Game: Gender, Time, and "Revolution" in Tom Stoppard's The Coast of Utopia
  2. Roberta Barker
  3. pp. 706-725
  4. DOI: https://doi.org/10.1353/mdr.2006.0018
  5. restricted access
  1. Negotiating the American West in Sam Shepard's Family Plays
  2. J. Chris Westgate
  3. pp. 726-743
  4. DOI: https://doi.org/10.1353/mdr.2006.0039
  5. restricted access
  1. Performing the Edwardian Ideal: David Mamet and The Winslow Boy
  2. Irene Morra
  3. pp. 744-757
  4. DOI: https://doi.org/10.1353/mdr.2006.0034
  5. restricted access
  1. Polymorphous Playboys : Irish-Caribbean Shadow Dancing
  2. Kathleen M. Gough
  3. pp. 777-799
  4. DOI: https://doi.org/10.1353/mdr.2006.0028
  5. restricted access
  1. Resistance to Exile by Girls and Women: Two Plays by Abla Farhoud
  2. Louise Forsyth
  3. pp. 800-818
  4. DOI: https://doi.org/10.1353/mdr.2006.0024
  5. restricted access
  1. JudyLee Oliva's The Fire and the Rose and the Modeling of Platial Theories in Native American Dramaturgy
  2. Christy Stanlake
  3. pp. 819-841
  4. DOI: https://doi.org/10.1353/mdr.2006.0037
  5. restricted access
  1. All Theater Is Revolutionary Theater (review)
  2. Stanton B. Garner
  3. pp. 842-844
  4. DOI: https://doi.org/10.1353/mdr.2006.0027
  5. restricted access
  1. Performing Opposition: Modern Theater and the Scandalized Audience (review)
  2. Brian Singleton
  3. pp. 844-846
  4. DOI: https://doi.org/10.1353/mdr.2006.0036
  5. restricted access
  1. Women, Modernism, and Performance (review)
  2. Ann Wilson
  3. pp. 847-850
  4. DOI: https://doi.org/10.1353/mdr.2006.0040
  5. restricted access
  1. The Victorian Marionette Theatre (review)
  2. Victor Emeljanow
  3. pp. 850-852
  4. DOI: https://doi.org/10.1353/mdr.2006.0022
  5. restricted access
  1. Theatrical Events: Borders, Dynamics, Frames (review)
  2. Richard Fotheringham
  3. pp. 852-854
  4. DOI: https://doi.org/10.1353/mdr.2006.0025
  5. restricted access
  1. Street Scenes: Brecht, Benjamin and Berlin (review)
  2. Petra Kuppers
  3. pp. 854-856
  4. DOI: https://doi.org/10.1353/mdr.2006.0031
  5. restricted access
  1. Staging the Savage God: The Grotesque in Performance (review)
  2. David Robb
  3. pp. 856-858
  4. DOI: https://doi.org/10.1353/mdr.2006.0035
  5. restricted access
  1. The Spectacular City: Violence and Performance in Urban Bolivia (review)
  2. Marcela A. Fuentes
  3. pp. 859-861
  4. DOI: https://doi.org/10.1353/mdr.2006.0026
  5. restricted access
  1. Theatre and Empowerment: Community Drama on the World Stage (review)
  2. Kirsty Johnston
  3. pp. 861-863
  4. DOI: https://doi.org/10.1353/mdr.2006.0030
  5. restricted access
  1. Theatre in Prison: Theory and Practice (review)
  2. Lorraine F. Moller
  3. pp. 864-866
  4. DOI: https://doi.org/10.1353/mdr.2006.0033
  5. restricted access
  1. Index to Volume 48, 2005
  2. pp. 870-873
  3. DOI: https://doi.org/10.1353/mdr.2006.0029
  4. restricted access
  1. Contributors
  2. pp. 867-869
  3. DOI: https://doi.org/10.1353/mdr.2006.0020
  4. restricted access