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In this Issue

Table of Contents

  1. Ibsen and Darwin: A Reading of The Wild Duck
  2. Asbjorn Aarseth
  3. pp. 1-10
  4. DOI: https://doi.org/10.1353/mdr.2005.0002
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  1. Bernard Shaw's Weekly Supplement
  2. Craig N. Owens
  3. pp. 11-21
  4. DOI: https://doi.org/10.1353/mdr.2005.0017
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  1. Polemic as Parting Advice: The "Argument" of The Cherry Orchard
  2. John McKellor Reid
  3. pp. 30-54
  4. DOI: https://doi.org/10.1353/mdr.2005.0018
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  1. "A Hole in the Paper Sky": Psycho-Scenographic Rifts in Pirandello's Henry IV
  2. Kyle Gillette
  3. pp. 55-70
  4. DOI: https://doi.org/10.1353/mdr.2005.0008
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  1. "Silencio, he dicho!" Space, Language, and Characterization as Agents of Social Protest in Lorcais Rural Tragedies
  2. Bilha Blum
  3. pp. 71-86
  4. DOI: https://doi.org/10.1353/mdr.2005.0004
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  1. Colchester's Legend on Stage: The Emperor Constantine by Dorothy L. Sayers
  2. A. Harbus
  3. pp. 87-107
  4. DOI: https://doi.org/10.1353/mdr.2005.0010
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  1. Re-reading Stephen Sewell's Traitors : Ideology and Gender in "the Australian Play"
  2. G. K. H. Ley
  3. pp. 108-117
  4. DOI: https://doi.org/10.1353/mdr.2005.0013
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  1. Infernal Sound Cues: Aural Geographies and the Politics of Noise
  2. Beth Meszaros
  3. pp. 118-131
  4. DOI: https://doi.org/10.1353/mdr.2005.0014
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  1. Fables of (Cuban) Exile: Special Periods and Queer Moments in Eduardo Machado's Floating Island Plays
  2. Ricardo Ortiz
  3. pp. 132-162
  4. DOI: https://doi.org/10.1353/mdr.2005.0016
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  1. Conversion Tactics in Terrence McNally's and Paul Rudnick's Gay Gospels
  2. Martha Greene Eads
  3. pp. 163-185
  4. DOI: https://doi.org/10.1353/mdr.2005.0006
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  1. "Loyal to the Truth": Gary Mitchell's Aesthetic Loyalism in As the Beast Sleeps and The Force of Change
  2. Richard Rankin Russell
  3. pp. 186-201
  4. DOI: https://doi.org/10.1353/mdr.2005.0020
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  1. Riot and Great Anger: Stage Censorship in Twentieth-Century Ireland (review)
  2. Chris Morash
  3. pp. 202-204
  4. DOI: https://doi.org/10.1353/mdr.2005.0015
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  1. The Censorship of British Drama 1900-1968 (review)
  2. Nadine Holdsworth
  3. pp. 204-206
  4. DOI: https://doi.org/10.1353/mdr.2005.0011
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  1. Contemporary Black and Asian Women Playwrights in Britain (review)
  2. Nandi Bhatia
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/mdr.2005.0003
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  1. Performance and Evolution in the Age of Darwin: Out of the Natural Order (review)
  2. Joseph R. Roach
  3. pp. 208-210
  4. DOI: https://doi.org/10.1353/mdr.2005.0019
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  1. Hidden Territories: The Theatre of Gardzienice (review)
  2. Elwira M. Grossman
  3. pp. 211-212
  4. DOI: https://doi.org/10.1353/mdr.2005.0009
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  1. The Federal Theatre Project: A Case Study (review)
  2. Kurt Eisen
  3. pp. 213-214
  4. DOI: https://doi.org/10.1353/mdr.2005.0007
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  1. Popular Culture Icons in Contemporary American Drama (review)
  2. Robert Baker-White
  3. pp. 215-217
  4. DOI: https://doi.org/10.1353/mdr.2005.0001
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  1. Making Americans: Jews and the Broadway Musical (review)
  2. David Krasner
  3. pp. 217-219
  4. DOI: https://doi.org/10.1353/mdr.2005.0012
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  1. The Tennessee Williams Encyclopedia (review)
  2. Andrew Sofer
  3. pp. 219-221
  4. DOI: https://doi.org/10.1353/mdr.2005.0021
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  1. Contributors
  3. pp. 222-224
  4. DOI: https://doi.org/10.1353/mdr.2005.0005
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