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Table of Contents

  1. The Divine Plan Behind the Plays of Friedrich Dürrenmatt
  2. Robert Holzapfel
  3. pp. 237-246
  4. DOI: https://doi.org/10.1353/mdr.1965.0063
  5. restricted access
  1. Note
  3. p. 246
  4. DOI: https://doi.org/10.1353/mdr.1965.0076
  5. restricted access
  1. Genet's Black Mass
  2. R. A. Zimbardo
  3. pp. 247-258
  4. DOI: https://doi.org/10.1353/mdr.1965.0068
  5. restricted access
  1. Beckett's Metaphysical Tragicomedy
  2. Richard Lee Francis
  3. pp. 259-267
  4. DOI: https://doi.org/10.1353/mdr.1965.0074
  5. restricted access
  1. The Becket Plays: Eliot, Fry, and Anouilh
  2. Emil Roy
  3. pp. 268-276
  4. DOI: https://doi.org/10.1353/mdr.1965.0058
  5. restricted access
  1. Becket and Honor: A Trim Reckoning
  2. Jesse C. Gatlin Jr.
  3. pp. 277-283
  4. DOI: https://doi.org/10.1353/mdr.1965.0064
  5. restricted access
  1. The Boy with a Cart
  2. John Ferguson
  3. pp. 284-292
  4. DOI: https://doi.org/10.1353/mdr.1965.0069
  5. restricted access
  1. Christopher Fry's A Phoenix Too Frequent: A Study in Source and Symbol
  2. Stanley M. Wiersma
  3. pp. 293-302
  4. DOI: https://doi.org/10.1353/mdr.1965.0037
  5. restricted access
  1. Synge's Playboy as Mock-Christ
  2. Howard D. Pearce
  3. pp. 303-310
  4. DOI: https://doi.org/10.1353/mdr.1965.0043
  5. restricted access
  1. Bertolt Brecht's Baal: The Structure of Images
  2. Charles R. Lyons
  3. pp. 311-323
  4. DOI: https://doi.org/10.1353/mdr.1965.0049
  5. restricted access
  1. Montherlant's Aesthetics
  2. Jonathan R. Price
  3. pp. 324-331
  4. DOI: https://doi.org/10.1353/mdr.1965.0055
  5. restricted access
  1. Bibliography on Michel de Ghelderode
  2. Samuel Draper, Lois Alworth
  3. pp. 332-334
  4. DOI: https://doi.org/10.1353/mdr.1965.0061
  5. restricted access
  1. An Anthology of German Expressionist Drama ed. by Walter H. Sokel (review)
  2. Leonard Quirino
  3. pp. 335-336
  4. DOI: https://doi.org/10.1353/mdr.1965.0042
  5. restricted access
  1. The Personal Vision of Ingmar Bergman by Jörn Donner (review)
  2. Rev. Emile G. McAnany S.J.
  3. pp. 336-337
  4. DOI: https://doi.org/10.1353/mdr.1965.0048
  5. restricted access
  1. George Bernard Shaw on Language ed. by Abraham Tauber (review)
  2. Stephen S. Stanton
  3. pp. 337-338
  4. DOI: https://doi.org/10.1353/mdr.1965.0054
  5. restricted access
  1. Bernard Shaw: Man and Writer by Audrey Williamson (review)
  2. Arthur H. Nethercot
  3. pp. 338-340
  4. DOI: https://doi.org/10.1353/mdr.1965.0060
  5. restricted access
  1. The Infernal Machine and Other Plays by Jean Cocteau (review)
  2. Ulrich Weisstein
  3. pp. 340-341
  4. DOI: https://doi.org/10.1353/mdr.1965.0066
  5. restricted access
  1. Scholars and Gypsies by Walter Starkie (review)
  2. Michael J. O'Neill
  3. p. 342
  4. DOI: https://doi.org/10.1353/mdr.1965.0040
  5. restricted access
  1. Eugène Ionesco, Notes and Counter Notes, Writings on the Theatre by Donald Watson (review)
  2. Leonard C. Pronko
  3. pp. 342-344
  4. DOI: https://doi.org/10.1353/mdr.1965.0072
  5. restricted access
  1. Sean O'Casey, the Man Behind the Plays by Saros Cowasjee (review)
  2. Denis Johnston
  3. pp. 344-345
  4. DOI: https://doi.org/10.1353/mdr.1965.0046
  5. restricted access
  1. Modern French Theatre. The Avant-Garde, Dada, and Surrealism by Michael Benedikt and George E. Wellwarth (review)
  2. Thomas Bishop
  3. pp. 345-346
  4. DOI: https://doi.org/10.1353/mdr.1965.0052
  5. restricted access
  1. The Contributors
  3. p. iii
  4. DOI: https://doi.org/10.1353/mdr.1965.0057
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