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Table of Contents

  1. 1963 Modern Drama Conference
  2. Frederick P. W. McDowell
  3. p. 1
  4. DOI: https://doi.org/10.1353/mdr.1964.0000
  5. restricted access
  1. The Trouble with Lorca
  2. William I. Oliver
  3. pp. 2-15
  4. DOI: https://doi.org/10.1353/mdr.1964.0011
  5. restricted access
  1. Thematic Patterns in Lorca's Blood Wedding
  2. Eva K. Touster
  3. pp. 16-27
  4. DOI: https://doi.org/10.1353/mdr.1964.0033
  5. restricted access
  1. Casona and Lorca: A Brief Comparison
  2. Charles H. Leighton
  3. pp. 28-34
  4. DOI: https://doi.org/10.1353/mdr.1964.0043
  5. restricted access
  1. James Bridie and the Prodigal Son Story
  2. Helen L. Luyben
  3. pp. 35-45
  4. DOI: https://doi.org/10.1353/mdr.1964.0053
  5. restricted access
  1. Modern Drama: Library Collections
  3. p. 45
  4. DOI: https://doi.org/10.1353/mdr.1964.0066
  5. restricted access
  1. The Living and the Dead in All My Sons
  2. Arvin R. Wells
  3. pp. 46-51
  4. DOI: https://doi.org/10.1353/mdr.1964.0062
  5. restricted access
  1. Arthur Miller and the Common Man's Language
  2. Leonard Moss
  3. pp. 52-59
  4. DOI: https://doi.org/10.1353/mdr.1964.0007
  5. restricted access
  1. "Drop a Tear . . .": Henry James Dramatizes Daisy Miller
  2. Michael J. Mendelsohn
  3. pp. 60-64
  4. DOI: https://doi.org/10.1353/mdr.1964.0018
  5. restricted access
  1. Naturalist Drama and Galsworthy
  2. Gary J. Scrimgeour
  3. pp. 65-78
  4. DOI: https://doi.org/10.1353/mdr.1964.0029
  5. restricted access
  1. Imagery in the Comedies of Christopher Fry
  2. Emil Roy
  3. pp. 79-88
  4. DOI: https://doi.org/10.1353/mdr.1964.0039
  5. restricted access
  1. The Drama of Carlos Solórzano
  2. Frank Dauster
  3. pp. 89-100
  4. DOI: https://doi.org/10.1353/mdr.1964.0049
  5. restricted access
  1. Saint Genet: Actor and Martyr by Jean-Paul Sartre (review)
  2. Germaine Brée
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/mdr.1964.0058
  5. restricted access
  1. Bosie, the Story of Lord Alfred Douglas, His Friends and Enemies by Rupert Croft-Cooke, and: Oscar Wilde, the Aftermath by H. Montgomery Hyde, and: The Importance of Being Oscar by Michéal Mac Liammóir (review)
  2. Walter N. King
  3. pp. 103-107
  4. DOI: https://doi.org/10.1353/mdr.1964.0002
  5. restricted access
  1. The Theatre of Garcia Lorca by Robert Lima (review)
  2. Ronald Gaskell
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/mdr.1964.0013
  5. restricted access
  1. Notebooks 1935-1942 of Albert Camus by Philip Thody (review)
  2. Laurent LeSage
  3. pp. 108-109
  4. DOI: https://doi.org/10.1353/mdr.1964.0024
  5. restricted access
  1. Discussions of Henrik Ibsen ed. by James Walter McFarlane (review)
  2. John H. Kelson
  3. p. 109
  4. DOI: https://doi.org/10.1353/mdr.1964.0035
  5. restricted access
  1. Avant-Garde: The Experimental Theater in France by Leonard Cabell Pronko (review)
  2. Reinhard Kuhn
  3. p. 110
  4. DOI: https://doi.org/10.1353/mdr.1964.0045
  5. restricted access
  1. The Contributors
  3. p. iii
  4. DOI: https://doi.org/10.1353/mdr.1964.0022
  5. restricted access