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In this Issue

Table of Contents

  1. “Biting the Sour Apple”: The Nietzschean Undertow in Little Eyolf
  2. John Reid
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/mdr.0.0095
  5. restricted access
  1. richardthesecond: Adapting Shakespeare to the Local in a Culture of Global Celebrity
  2. Robert Ormsby
  3. pp. 19-37
  4. DOI: https://doi.org/10.1353/mdr.0.0083
  5. restricted access
  1. Things, Voices, Events: Harold Pinter’s Mountain Language as Testamental Text
  2. Stephen Watt
  3. pp. 38-56
  4. DOI: https://doi.org/10.1353/mdr.0.0086
  5. restricted access
  1. The Emperor Jones and National Trauma
  2. Susan H. Smith
  3. pp. 57-72
  4. DOI: https://doi.org/10.1353/mdr.0.0088
  5. restricted access
  1. “[The] Things What Happened with Our Family”: Property and Inheritance in August Wilson’s The Piano Lesson
  2. Sandy Alexandre
  3. pp. 73-98
  4. DOI: https://doi.org/10.1353/mdr.0.0090
  5. restricted access
  1. Middlebrowing the Avant-Garde: Equus on the West End
  2. Ryan M. Claycomb
  3. pp. 99-123
  4. DOI: https://doi.org/10.1353/mdr.0.0092
  5. restricted access
  1. The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)
  2. Amy Cook
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/mdr.0.0094
  5. restricted access
  1. Dis/Figuring Sam Shepard (review)
  2. J. Chris Westgate
  3. pp. 126-128
  4. DOI: https://doi.org/10.1353/mdr.0.0097
  5. restricted access
  1. Federico García Lorca (review)
  2. Andrew A. Anderson
  3. pp. 128-130
  4. DOI: https://doi.org/10.1353/mdr.0.0085
  5. restricted access
  1. Contemporary African American Women Playwrights: A Casebook (review)
  2. Dana A. Williams
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/mdr.0.0087
  5. restricted access
  1. How Plays Work: Reading and Performance (review)
  2. Stephen Watt
  3. pp. 133-136
  4. DOI: https://doi.org/10.1353/mdr.0.0089
  5. restricted access
  1. Susan Glaspell and Sophie Treadwell (review)
  2. Ann M. Fox
  3. pp. 136-138
  4. DOI: https://doi.org/10.1353/mdr.0.0091
  5. restricted access
  1. Modernism, Drama, and the Audience for Irish Spectacle (review)
  2. James Moran
  3. pp. 138-140
  4. DOI: https://doi.org/10.1353/mdr.0.0093
  5. restricted access
  1. Suspect Cultures: Narrative, Identity and Citation in 1990s New Drama (review)
  2. Ken Urban
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/mdr.0.0096
  5. restricted access
  1. Contributors
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/mdr.0.0084
  5. restricted access