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Table of Contents

  1. "Who's Selling Here?": Sounds Like The Music Man Is Selling and We're Buying
  2. Kimberly Fairbrother Canton
  3. pp. 42-59
  4. DOI: https://doi.org/10.1353/mdr.0.0023
  5. restricted access
  1. Homosexual Panic in Cat on a Hot Tin Roof
  2. Douglas Arrell
  3. pp. 60-72
  4. DOI: https://doi.org/10.1353/mdr.0.0026
  5. restricted access
  1. "Vinløv i håret": The Relationship between Women, Language, and Power in Ibsen's Hedda Gabler
  2. Tanya Thresher
  3. pp. 73-83
  4. DOI: https://doi.org/10.1353/mdr.0.0029
  5. restricted access
  1. Medea as Material: Heiner Müller, Myth, and Text
  2. Peter A. Campbell
  3. pp. 84-103
  4. DOI: https://doi.org/10.1353/mdr.0.0031
  5. restricted access
  1. From Coward and Rattigan to Osborne: Or the Enduring Importance of Look Back in Anger
  2. Luc Gilleman
  3. pp. 104-124
  4. DOI: https://doi.org/10.1353/mdr.0.0033
  5. restricted access
  1. Bombing (on) the Border: Ali and Ali and the aXes of Evil as Transnational Agitprop
  2. Jerry Wasserman
  3. pp. 126-144
  4. DOI: https://doi.org/10.1353/mdr.0.0035
  5. restricted access
  1. Beckett and Badiou: The Pathos of Intermittency (review)
  2. Dan Mellamphy
  3. pp. 145-147
  4. DOI: https://doi.org/10.1353/mdr.0.0022
  5. restricted access
  1. Staging Black Feminisms: Identity, Politics, Performance (review)
  2. Meenakshi Ponnuswami
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/mdr.0.0025
  5. restricted access
  1. A History of Asian American Theatre (review)
  2. Eng-Beng Lim
  3. pp. 149-152
  4. DOI: https://doi.org/10.1353/mdr.0.0028
  5. restricted access
  1. Chekhov: The Cherry Orchard (review)
  2. Sharon Marie Carnicke
  3. pp. 152-154
  4. DOI: https://doi.org/10.1353/mdr.0.0030
  5. restricted access
  1. The Plays of Beth Henley: A Critical Study (review)
  2. Linda Rohrer Paige
  3. pp. 154-156
  4. DOI: https://doi.org/10.1353/mdr.0.0032
  5. restricted access
  1. Stage Fright, Animals and Other Theatrical Problems (review)
  2. Sara L. Warner
  3. pp. 156-158
  4. DOI: https://doi.org/10.1353/mdr.0.0034
  5. restricted access
  1. The Cambridge Companion to Brian Friel (review)
  2. Maria Doyle
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/mdr.0.0037
  5. restricted access
  1. The Total Work of Art: From Bayreuth to Cyberspace (review)
  2. Joy H. Calico
  3. pp. 160-162
  4. DOI: https://doi.org/10.1353/mdr.0.0024
  5. restricted access
  1. Contributors
  2. pp. 163-164
  3. DOI: https://doi.org/10.1353/mdr.0.0027
  4. restricted access