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Table of Contents

  1. Reading, Writing, and Authority in Ibsen's "Women's Plays"
  2. Penny Farfan
  3. pp. 1-8
  4. DOI: https://doi.org/10.1353/mdr.2002.0018
  5. restricted access
  1. The Wild Duck: A Play of Play
  2. Matthew Wilson Smith
  3. pp. 9-22
  4. DOI: https://doi.org/10.1353/mdr.2002.0029
  5. restricted access
  1. Dancing for an Oath: Salomé's Revaluation of Word and Gesture
  2. Heidi Hartwig
  3. pp. 23-34
  4. DOI: https://doi.org/10.1353/mdr.2002.0040
  5. restricted access
  1. Anus Mundi: Jews, the Holocaust, and Excremental Assault in Michel Vinaver's Overboard (Par-dessus bord)
  2. Michael David Fox
  3. pp. 35-60
  4. DOI: https://doi.org/10.1353/mdr.2002.0051
  5. restricted access
  1. Imperialistic Representations and Spectatorial Reception in Shakespeare Wallah
  2. Nandi Bhatia
  3. pp. 61-75
  4. DOI: https://doi.org/10.1353/mdr.2002.0062
  5. restricted access
  1. Caryl Churchill's The Hospital at the Time of the Revolution: Algerian Decolonization (Re)viewed in a Protean Contemporary Context
  2. Iris Lavell
  3. pp. 76-94
  4. DOI: https://doi.org/10.1353/mdr.2002.0004
  5. restricted access
  1. "Niggers Got a Right to be Dissatisfied": Postmodernism, Race, and Class in Ma Rainey's Black Bottom
  2. John J. Hanlon
  3. pp. 95-124
  4. DOI: https://doi.org/10.1353/mdr.2002.0014
  5. restricted access
  1. The Bottom of Desire in Suzan-Lori Parks's Venus
  2. Greg Miller
  3. pp. 125-137
  4. DOI: https://doi.org/10.1353/mdr.2002.0025
  5. restricted access
  1. The Laramie Project: Western Pastoral
  2. Amy L. Tigner
  3. pp. 138-139
  4. DOI: https://doi.org/10.1353/mdr.2002.0036
  5. restricted access
  1. Performing the American Frontier, 1870-1906 by Roger A. Hall (review)
  2. Rosemarie K. Bank
  3. pp. 157-159
  4. DOI: https://doi.org/10.1353/mdr.2002.0047
  5. restricted access
  1. The Political Plays of Langston Hughes by Susan Duffy (review)
  2. Joseph McLaren
  3. pp. 159-162
  4. DOI: https://doi.org/10.1353/mdr.2002.0058
  5. restricted access
  1. Tennessee Williams: A Casebook ed. by Robert F. Gross (review)
  2. Philip C. Kolin
  3. pp. 162-165
  4. DOI: https://doi.org/10.1353/mdr.2002.0000
  5. restricted access
  1. Albee: Who's Afraid of Virginia Woolf? by Stephen J. Bottoms (review)
  2. Christopher Bigsby
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/mdr.2002.0010
  5. restricted access
  1. David Mamet in Conversation ed. by Leslie Kane, and: Weasels and Wisemen: Ethics and Ethnicity in the Work of David Mamet by Leslie Kane (review)
  2. David Krasner
  3. pp. 167-171
  4. DOI: https://doi.org/10.1353/mdr.2002.0021
  5. restricted access
  1. The Black Comedy of John Guare by Gene A. Plunka (review)
  2. Tice L. Miller
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/mdr.2002.0032
  5. restricted access
  1. The Theater of Tony Kushner: Living Past Hope by James Fisher (review)
  2. Mary L. Cutler
  3. pp. 173-176
  4. DOI: https://doi.org/10.1353/mdr.2002.0043
  5. restricted access
  1. The Text in Play: Representations of Rehearsal in Modern Drama by Robert Baker-White (review)
  2. Neil Blackadder
  3. pp. 176-178
  4. DOI: https://doi.org/10.1353/mdr.2002.0054
  5. restricted access
  1. A Director Prepares: Seven Essays on Art and Theatre by Anne Bogart (review)
  2. Carrie Kathryn Lee
  3. pp. 178-180
  4. DOI: https://doi.org/10.1353/mdr.2002.0065
  5. restricted access
  1. Dangerous Border Crossers: The Artist Talks Back by Guillermo Gómez-Peña (review)
  2. Frederick Luis Aldama
  3. pp. 180-182
  4. DOI: https://doi.org/10.1353/mdr.2002.0006
  5. restricted access
  1. Contributors
  3. pp. 183-184
  4. DOI: https://doi.org/10.1353/mdr.2002.0016
  5. restricted access