We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 45, Number 1, Spring 2002

Table of Contents

Reading, Writing, and Authority in Ibsen's "Women's Plays"

pp. 1-8 | DOI: 10.1353/mdr.2002.0018

The Wild Duck: A Play of Play

pp. 9-22 | DOI: 10.1353/mdr.2002.0029

Dancing for an Oath: Salomé's Revaluation of Word and Gesture

pp. 23-34 | DOI: 10.1353/mdr.2002.0040

Anus Mundi: Jews, the Holocaust, and Excremental Assault in Michel Vinaver's Overboard (Par-dessus bord)

pp. 35-60 | DOI: 10.1353/mdr.2002.0051

Imperialistic Representations and Spectatorial Reception in Shakespeare Wallah

pp. 61-75 | DOI: 10.1353/mdr.2002.0062

Caryl Churchill's The Hospital at the Time of the Revolution: Algerian Decolonization (Re)viewed in a Protean Contemporary Context

pp. 76-94 | DOI: 10.1353/mdr.2002.0004

"Niggers Got a Right to be Dissatisfied": Postmodernism, Race, and Class in Ma Rainey's Black Bottom

pp. 95-124 | DOI: 10.1353/mdr.2002.0014

The Bottom of Desire in Suzan-Lori Parks's Venus

pp. 125-137 | DOI: 10.1353/mdr.2002.0025

The Laramie Project: Western Pastoral

pp. 138-139 | DOI: 10.1353/mdr.2002.0036

Reviews

Performing the American Frontier, 1870-1906 by Roger A. Hall (review)

pp. 157-159 | DOI: 10.1353/mdr.2002.0047

The Political Plays of Langston Hughes by Susan Duffy (review)

pp. 159-162 | DOI: 10.1353/mdr.2002.0058

Tennessee Williams: A Casebook ed. by Robert F. Gross (review)

pp. 162-165 | DOI: 10.1353/mdr.2002.0000

Albee: Who's Afraid of Virginia Woolf? by Stephen J. Bottoms (review)

pp. 165-167 | DOI: 10.1353/mdr.2002.0010

David Mamet in Conversation ed. by Leslie Kane, and: Weasels and Wisemen: Ethics and Ethnicity in the Work of David Mamet by Leslie Kane (review)

pp. 167-171 | DOI: 10.1353/mdr.2002.0021

The Black Comedy of John Guare by Gene A. Plunka (review)

pp. 171-173 | DOI: 10.1353/mdr.2002.0032

The Theater of Tony Kushner: Living Past Hope by James Fisher (review)

pp. 173-176 | DOI: 10.1353/mdr.2002.0043

The Text in Play: Representations of Rehearsal in Modern Drama by Robert Baker-White (review)

pp. 176-178 | DOI: 10.1353/mdr.2002.0054

A Director Prepares: Seven Essays on Art and Theatre by Anne Bogart (review)

pp. 178-180 | DOI: 10.1353/mdr.2002.0065

Dangerous Border Crossers: The Artist Talks Back by Guillermo Gómez-Peña (review)

pp. 180-182 | DOI: 10.1353/mdr.2002.0006

Contributors

pp. 183-184 | DOI: 10.1353/mdr.2002.0016

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access