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Table of Contents

  1. Ibsen's Tragicomedy: The Wild Duck
  2. Verna A. Foster
  3. pp. 287-297
  4. DOI: https://doi.org/10.1353/mdr.1995.0004
  5. restricted access
  1. Why Doesn't the Chinese Nora Leave Her Husband?: Women's Emancipation in Post-1949 Chinese Drama
  2. Constantine Tung
  3. pp. 298-307
  4. DOI: https://doi.org/10.1353/mdr.1995.0011
  5. restricted access
  1. Lucky's Dance in Waiting for Godot
  2. Toby Silverman Zinman
  3. pp. 308-323
  4. DOI: https://doi.org/10.1353/mdr.1995.0018
  5. restricted access
  1. Cat on a Hot Tin Roof: The Uneasy Marriage of Success and Idealism
  2. Marian Price
  3. pp. 324-335
  4. DOI: https://doi.org/10.1353/mdr.1995.0025
  5. restricted access
  1. Self-Consuming Artifacts: Power, Performance and the Body in Tennessee Williams' Suddenly Last Summer
  2. Andrew Sofer
  3. pp. 336-347
  4. DOI: https://doi.org/10.1353/mdr.1995.0032
  5. restricted access
  1. Watching Over Frank McGuinness' Stereotypes
  2. Helen Lojek
  3. pp. 348-361
  4. DOI: https://doi.org/10.1353/mdr.1995.0040
  5. restricted access
  1. Shakespeare's "Sisters": Desdemona, Juliet, and Constance Ledbelly in Goodnight Desdemona (Good Morning Juliet)
  2. Laurin R. Porter
  3. pp. 362-377
  4. DOI: https://doi.org/10.1353/mdr.1995.0000
  5. restricted access
  1. The Scandal Maker: Thomas Bernhard and the Reception of Heldenplatz
  2. Christine Kiebuzinska
  3. pp. 378-388
  4. DOI: https://doi.org/10.1353/mdr.1995.0008
  5. restricted access
  1. Athol Fugard and the Problematics of the Liberal Critique
  2. Jeanne Colleran
  3. pp. 389-407
  4. DOI: https://doi.org/10.1353/mdr.1995.0015
  5. restricted access
  1. Edward Bond: An Interview
  2. Hilde Klein
  3. pp. 408-415
  4. DOI: https://doi.org/10.1353/mdr.1995.0022
  5. restricted access
  1. Ingmar Bergman: A Life in the Theatre by Lise-Lone Marker and Frederick J. Marker (review)
  2. Charles Leland
  3. pp. 416-418
  4. DOI: https://doi.org/10.1353/mdr.1995.0029
  5. restricted access
  1. The Profession of the Playwright: British Theatre 1800-1900 by John Russell Stephens (review)
  2. Russell Jackson
  3. pp. 418-419
  4. DOI: https://doi.org/10.1353/mdr.1995.0037
  5. restricted access
  1. David Mamet: A Casebook by Leslie Kane, and: David Mamet and Film: Illusion/Disillusion in a Wounded Land by Gay Brewer (review)
  2. Lanelle Daniel
  3. pp. 420-421
  4. DOI: https://doi.org/10.1353/mdr.1995.0045
  5. restricted access
  1. The Canadian Dramatist, Volume Two: Playwrights of Collective Creation by Diane Bessai (review)
  2. Maria Dicenzo
  3. pp. 421-422
  4. DOI: https://doi.org/10.1353/mdr.1995.0006
  5. restricted access
  1. Laughter in the Dark: The Plays of Alan Ayckbourn by Albert E. Kalson (review)
  2. Stuart E. Baker
  3. pp. 423-424
  4. DOI: https://doi.org/10.1353/mdr.1995.0013
  5. restricted access
  1. Contemporary Feminist Theatres: To Each Her Own by Lizbeth Goodman, and: A Stage of Their Own: Feminist Playwrights of the Suffrage Era by Sheila Stowell (review)
  2. Lesley Ferris
  3. pp. 424-426
  4. DOI: https://doi.org/10.1353/mdr.1995.0020
  5. restricted access
  1. Ionesco's Imperatives: The Politics of Culture by Rosette C. Lamont (review)
  2. Elizabeth Klaver
  3. pp. 426-428
  4. DOI: https://doi.org/10.1353/mdr.1995.0027
  5. restricted access
  1. Rereading Shepard. Contemporary Critical Essays on the Plays of Sam Shepard ed. by Leonard Wilcox (review)
  2. William W. Demastes
  3. pp. 428-429
  4. DOI: https://doi.org/10.1353/mdr.1995.0034
  5. restricted access
  1. Pinter at Sixty ed. by Katherine H. Burkman and John L. Kundert-Gibbs (review)
  2. Arthur Ganz
  3. pp. 429-431
  4. DOI: https://doi.org/10.1353/mdr.1995.0042
  5. restricted access
  1. Contributors
  3. pp. 432-433
  4. DOI: https://doi.org/10.1353/mdr.1995.0002
  5. restricted access