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Table of Contents

  1. How to Do Things with Salesmen: David Mamet's Speech-Act Play
  2. David Worster
  3. pp. 375-390
  4. DOI: https://doi.org/10.1353/mdr.1994.0043
  5. restricted access
  1. The Theatre of Punishment: David Henry Hwang's M. Butterfly and Michel Foucault's Discipline and Punish
  2. Kathryn Remen
  3. pp. 391-400
  4. DOI: https://doi.org/10.1353/mdr.1994.0051
  5. restricted access
  1. Victorian and Modern Drama: Social Convention and Theatrical Invention in T.W. Robertson's Plays
  2. Patricia D. Denison
  3. pp. 401-420
  4. DOI: https://doi.org/10.1353/mdr.1994.0058
  5. restricted access
  1. "Dame Joan, Saint Christabel"
  2. Sheila Stowell
  3. pp. 421-436
  4. DOI: https://doi.org/10.1353/mdr.1994.0021
  5. restricted access
  1. Adulteration as Clarity: Dramaturgical Strategy in Peter Nichols's Passion Play
  2. William Storm
  3. pp. 437-450
  4. DOI: https://doi.org/10.1353/mdr.1994.0027
  5. restricted access
  1. Learn to Play the Game: Learning and Teaching Strategies in Ann Jellicoe's The Knack
  2. Laura Snyder
  3. pp. 451-460
  4. DOI: https://doi.org/10.1353/mdr.1994.0033
  5. restricted access
  1. Re(dis)covering the Witches in Arthur Miller's The Crucible: A Feminist Reading
  2. Wendy Schissel
  3. pp. 461-473
  4. DOI: https://doi.org/10.1353/mdr.1994.0040
  5. restricted access
  1. Alice Gerstenberg's Overtones: The Demon in the Doll
  2. Mary Maddock
  3. pp. 474-484
  4. DOI: https://doi.org/10.1353/mdr.1994.0048
  5. restricted access
  1. In Defense of the Woman: Sophie Treadwell's Machinal
  2. Jennifer Jones
  3. pp. 485-496
  4. DOI: https://doi.org/10.1353/mdr.1994.0054
  5. restricted access
  1. The Rise of Metadrama and the Fall of the Omniscient Observer
  2. Marie Lovrod
  3. pp. 497-508
  4. DOI: https://doi.org/10.1353/mdr.1994.0017
  5. restricted access
  1. Authorization and Subversion of Myth in Shepard's Buried Child
  2. Tucker Orbison
  3. pp. 509-520
  4. DOI: https://doi.org/10.1353/mdr.1994.0024
  5. restricted access
  1. Still Looking Back: The Deconstruction of the Angry Young Man in Look Back in Anger and Déjàvu
  2. Graham A. Dixon
  3. pp. 521-529
  4. DOI: https://doi.org/10.1353/mdr.1994.0030
  5. restricted access
  1. Violent Acts: A Study of Contemporary Latin American Theatre by Severino João Albuquerque (review)
  2. Sandra M. Cypess
  3. pp. 530-531
  4. DOI: https://doi.org/10.1353/mdr.1994.0036
  5. restricted access
  1. The Modern Brazilian Stage by David George (review)
  2. Scott T. Cummings
  3. pp. 532-534
  4. DOI: https://doi.org/10.1353/mdr.1994.0044
  5. restricted access
  1. Slavic Drama. The Question of Innovation ed. by Andrew Donskov et al. (review)
  2. Ralph Lindheim
  3. pp. 534-535
  4. DOI: https://doi.org/10.1353/mdr.1994.0052
  5. restricted access
  1. Peter Shaffer by C.J. Gianakaris (review)
  2. Gene A. Plunka
  3. pp. 535-537
  4. DOI: https://doi.org/10.1353/mdr.1994.0059
  5. restricted access
  1. Levitating the Pentagon: Evolutions in the American Theatre of the Vietnam War Era by J.W. Fenn (review)
  2. Eileen Fischer
  3. pp. 537-538
  4. DOI: https://doi.org/10.1353/mdr.1994.0022
  5. restricted access
  1. Eugene O'Neill's Creative Struggle: The Decisive Decade, 1924-1933 by Doris Alexander (review)
  2. Michael Manheim
  3. pp. 538-540
  4. DOI: https://doi.org/10.1353/mdr.1994.0028
  5. restricted access
  1. Tennessee Williams & Elia Kazan: A Collaboration in the Theatre by Brenda Murphy (review)
  2. Susan Spector
  3. pp. 540-542
  4. DOI: https://doi.org/10.1353/mdr.1994.0034
  5. restricted access
  1. Sam Shepard by David Derose (review)
  2. Leonard Wilcox
  3. pp. 542-543
  4. DOI: https://doi.org/10.1353/mdr.1994.0041
  5. restricted access
  1. Approaching Theatre by André Helbo et al. (review)
  2. Nancy Copeland
  3. pp. 545-547
  4. DOI: https://doi.org/10.1353/mdr.1994.0055
  5. restricted access
  1. Contributors
  2. pp. 548-549
  3. DOI: https://doi.org/10.1353/mdr.1994.0018
  4. restricted access