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Table of Contents

  1. On the Meaning of Performance in Samuel Beckett's Not I
  2. Gerry McCarthy
  3. pp. 455-469
  4. DOI: https://doi.org/10.1353/mdr.1990.0046
  5. restricted access
  1. "The Curve Itself" in Jumpers
  2. Leslie Thomson
  3. pp. 470-485
  4. DOI: https://doi.org/10.1353/mdr.1990.0032
  5. restricted access
  1. Strindberg's Secondary Text
  2. Egil Törnqvist
  3. pp. 486-493
  4. DOI: https://doi.org/10.1353/mdr.1990.0038
  5. restricted access
  1. Images of Women in Shepard's Theatre
  2. Charles G. Whiting
  3. pp. 494-506
  4. DOI: https://doi.org/10.1353/mdr.1990.0020
  5. restricted access
  1. Feminizing the Frontier Myth: Masha Norman's The Holdup
  2. Richard Wattenberg
  3. pp. 507-517
  4. DOI: https://doi.org/10.1353/mdr.1990.0044
  5. restricted access
  1. Defining Difference: Timberlake Wertenbaker's Drama of Language, Dispossession and Discovery
  2. David Ian Rabey
  3. pp. 518-528
  4. DOI: https://doi.org/10.1353/mdr.1990.0021
  5. restricted access
  1. The Plague and its Powers in Artaudian Theatre
  2. Jane Goodall
  3. pp. 529-542
  4. DOI: https://doi.org/10.1353/mdr.1990.0034
  5. restricted access
  1. Tragedy in a Postmodern Vein Ugo Betti Our Contemporary?
  2. Lloyd A. Arnett
  3. pp. 543-552
  4. DOI: https://doi.org/10.1353/mdr.1990.0031
  5. restricted access
  1. Brian Friel, Thomas Murphy and the Use of Music in Contemporary Irish Drama
  2. Harry White
  3. pp. 553-562
  4. DOI: https://doi.org/10.1353/mdr.1990.0050
  5. restricted access
  1. Saint Isobel: David Hare's The Secret Rapture as Christian Allegory
  2. Liorah Anne Golomb
  3. pp. 563-574
  4. DOI: https://doi.org/10.1353/mdr.1990.0028
  5. restricted access
  1. The Reign of the Theatrical Director: French Theatre, 1887-1924 by Bettina L. Knapp (review)
  2. James Fisher
  3. pp. 575-576
  4. DOI: https://doi.org/10.1353/mdr.1990.0018
  5. restricted access
  1. Beyond Minimalism: Beckett's Late Style in the Theatre by Enoch Brater (review)
  2. Toby Silverman Zinman
  3. pp. 576-577
  4. DOI: https://doi.org/10.1353/mdr.1990.0025
  5. restricted access
  1. Tragic Drama and the Family: Psychoanalytic Studies from Aeschylus to Beckett by Bennett Simon, M.D. (review)
  2. Andrew Brink
  3. pp. 578-580
  4. DOI: https://doi.org/10.1353/mdr.1990.0036
  5. restricted access
  1. Peter Shaffer: Roles, Rites, and Rituals in the Theater by Gene A. Plunka (review)
  2. Laura Morrow
  3. pp. 580-581
  4. DOI: https://doi.org/10.1353/mdr.1990.0051
  5. restricted access
  1. People Who Led to My Plays by Adrienne Kennedy (review)
  2. Toby Silverman Zinman
  3. pp. 581-583
  4. DOI: https://doi.org/10.1353/mdr.1990.0030
  5. restricted access
  1. Clifford Odets by Gabriel Miller (review)
  2. William W. Demastes
  3. pp. 583-585
  4. DOI: https://doi.org/10.1353/mdr.1990.0048
  5. restricted access
  1. A Formalist Theatre by Michael Kirby (review)
  2. Dr. Catherine Schuler
  3. pp. 585-588
  4. DOI: https://doi.org/10.1353/mdr.1990.0026
  5. restricted access
  1. Theatre of Shadows: Samuel Beckett's Drama, 1956-76 by Rosemary Pountney (review)
  2. Stanton B. Garner Jr.
  3. pp. 588-590
  4. DOI: https://doi.org/10.1353/mdr.1990.0023
  5. restricted access
  1. Contributors
  3. pp. 591-592
  4. DOI: https://doi.org/10.1353/mdr.1990.0042
  5. restricted access
  1. Contents of Volume XXXIII
  3. pp. 593-598
  4. DOI: https://doi.org/10.1353/mdr.1990.0040
  5. restricted access