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In this Issue

Table of Contents

  1. The Circle Closed: A Psychological Reading of The Glass Menagerie and The Two Character Play
  2. R.B. Parker
  3. pp. 517-534
  4. DOI: https://doi.org/10.1353/mdr.1985.0053
  5. restricted access
  1. History and Other Spectres in Arthur Miller's The Crucible
  2. E. Miller Budick
  3. pp. 535-552
  4. DOI: https://doi.org/10.1353/mdr.1985.0001
  5. restricted access
  1. Past, Present, and Future Converged: The Place of More Stately Mansions in the Eugene O'Neill Canon
  2. Michael Selmon
  3. pp. 553-562
  4. DOI: https://doi.org/10.1353/mdr.1985.0011
  5. restricted access
  1. To Damascus I: Reading the Set
  2. Natalie Sandler
  3. pp. 563-580
  4. DOI: https://doi.org/10.1353/mdr.1985.0021
  5. restricted access
  1. What Makes a Masterpiece?: Ibsen and the Western World
  2. Rolf Fjelde
  3. pp. 581-590
  4. DOI: https://doi.org/10.1353/mdr.1985.0030
  5. restricted access
  1. Why Does Hedda Gabler Marry Jørgen Tesman?
  2. Stein Haugom Olsen
  3. pp. 591-610
  4. DOI: https://doi.org/10.1353/mdr.1985.0039
  5. restricted access
  1. Elizabeth Robins and the 1891 Production of Hedda Gabler
  2. Joanne E. Gates
  3. pp. 611-619
  4. DOI: https://doi.org/10.1353/mdr.1985.0049
  5. restricted access
  1. W.B. Yeats and Florence Farr: The Influence of the "New Woman" Actress on Yeats's Changing Images of Women
  2. Cassandra Laity
  3. pp. 620-637
  4. DOI: https://doi.org/10.1353/mdr.1985.0059
  5. restricted access
  1. Shaw's Comedy of Disillusionment
  2. Stanton B. Garner Jr.
  3. pp. 638-658
  4. DOI: https://doi.org/10.1353/mdr.1985.0007
  5. restricted access
  1. Theatre at the Limit: Rosencrantz and Guildenstern Are Dead
  2. John M. Perlette
  3. pp. 659-669
  4. DOI: https://doi.org/10.1353/mdr.1985.0017
  5. restricted access
  1. Semiotics and Nonsemiotics in Performance
  2. Marvin Carlson
  3. pp. 670-676
  4. DOI: https://doi.org/10.1353/mdr.1985.0026
  5. restricted access
  1. Towards a Redefinition of Dramatic Genre and Stage History
  2. Vesna Pistotnik
  3. pp. 677-687
  4. DOI: https://doi.org/10.1353/mdr.1985.0035
  5. restricted access
  1. Eugene O'Neill's Critics: Voices from Abroad ed. by Horst Frenz and Susan Tuck (review)
  2. Jackson R. Bryer
  3. pp. 688-690
  4. DOI: https://doi.org/10.1353/mdr.1985.0045
  5. restricted access
  1. Brecht in Context: Comparative Approaches by John Willett, and: Beyond Brecht ed. by John Fuegi, Gisela Bahr, and John Willett (review)
  2. Ralph Ley
  3. pp. 690-695
  4. DOI: https://doi.org/10.1353/mdr.1985.0055
  5. restricted access
  1. Contributors
  3. pp. 696-697
  4. DOI: https://doi.org/10.1353/mdr.1985.0003
  5. restricted access
  1. Contents of Volume XXVIII
  3. pp. 699-704
  4. DOI: https://doi.org/10.1353/mdr.1985.0013
  5. restricted access