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Table of Contents

  1. Changed Textual Signs in Modern Theatricality: Gombrowicz and Handke
  2. Wladimir Krysinski, Ruby Cohn
  3. pp. 3-16
  4. DOI: https://doi.org/10.1353/mdr.1982.0077
  5. restricted access
  1. Theatre as Semiotic Practice
  2. Joseph Melançon, Paul Perron
  3. pp. 17-24
  4. DOI: https://doi.org/10.1353/mdr.1982.0010
  5. restricted access
  1. Didascalies as Speech Act
  2. Jeannette Laillou Savona, Fiona Strachan
  3. pp. 25-35
  4. DOI: https://doi.org/10.1353/mdr.1982.0021
  5. restricted access
  1. Jean Vauthier's The Struggling Protagonist: The Problem of Inner Narratives
  2. Karen Laughlin
  3. pp. 36-45
  4. DOI: https://doi.org/10.1353/mdr.1982.0033
  5. restricted access
  1. Space and Time in the Plays of Antonine Maillet
  2. Pierre Gobin
  3. pp. 46-59
  4. DOI: https://doi.org/10.1353/mdr.1982.0045
  5. restricted access
  1. The Liberated Performance
  2. Bernard Dort, Barbara Kerslake
  3. pp. 60-68
  4. DOI: https://doi.org/10.1353/mdr.1982.0057
  5. restricted access
  1. Armand Gatti on Time, Place, and the Theatrical Event
  2. Jean-Paul Lenin, Nancy Oakes, Pierre Bouillaguet
  3. pp. 69-81
  4. DOI: https://doi.org/10.1353/mdr.1982.0071
  5. restricted access
  1. Genet's The Balcony: A 1981 Perspective on a 1979/80 Production
  2. Richard Schechner
  3. pp. 82-104
  4. DOI: https://doi.org/10.1353/mdr.1982.0004
  5. restricted access
  1. Nonsemiotic Performance
  2. Michael Kirby
  3. pp. 105-111
  4. DOI: https://doi.org/10.1353/mdr.1982.0017
  5. restricted access
  1. Danger Music Number Three
  2. Dick Higgins
  3. p. 112
  4. DOI: https://doi.org/10.1353/mdr.1982.0028
  5. restricted access
  1. From Giorgio Strehler to Victor Garcia
  2. Odette Aslan, Fiona Strachan
  3. pp. 113-126
  4. DOI: https://doi.org/10.1353/mdr.1982.0040
  5. restricted access
  1. The Pleasure of the Spectator
  2. Anne Ubersfeld, Pierre Bouillaguet, Charles Jose
  3. pp. 127-139
  4. DOI: https://doi.org/10.1353/mdr.1982.0052
  5. restricted access
  1. Theatricality in Japan
  2. Masao Yamaguchi, E.A. Walker
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/mdr.1982.0066
  5. restricted access
  1. Theatre as Information-Processing in Western Cultures
  2. Derrick de Kerckhove
  3. pp. 143-153
  4. DOI: https://doi.org/10.1353/mdr.1982.0000
  5. restricted access
  1. "The eye finds no fixed point on which to rest..."
  2. Chantal Pontbriand, C.R. Parsons
  3. pp. 154-162
  4. DOI: https://doi.org/10.1353/mdr.1982.0013
  5. restricted access
  1. Common Carrier: Performance by Artists
  2. Philip Monk
  3. pp. 163-169
  4. DOI: https://doi.org/10.1353/mdr.1982.0024
  5. restricted access
  1. Performance and Theatricality: The Subject Demystified
  2. Josette Féral, Terese Lyons
  3. pp. 170-181
  4. DOI: https://doi.org/10.1353/mdr.1982.0036
  5. restricted access
  1. The Semiotics of Theatre and Drama by Keir Elam (review)
  2. Josette Féral, Barbara Kerslake
  3. pp. 182-184
  4. DOI: https://doi.org/10.1353/mdr.1982.0048
  5. restricted access
  1. Samuel Beckett: Krapp's Last Tape ed. by James Knowlson (review)
  2. Enoch Brater
  3. pp. 184-185
  4. DOI: https://doi.org/10.1353/mdr.1982.0060
  5. restricted access
  1. José López Rubio by Marion Peter Holt (review)
  2. Erminio G. Neglia
  3. pp. 185-186
  4. DOI: https://doi.org/10.1353/mdr.1982.0074
  5. restricted access
  1. Introduction
  2. Josette Féral, Jeannette Laillou Savona, E. A. Walker
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/mdr.1982.0063
  5. restricted access
  1. Contributors
  3. pp. 187-188
  4. DOI: https://doi.org/10.1353/mdr.1982.0007
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