+ MUSE Alert

In this Issue

Table of Contents

  1. Exiles, The Great God Brown, and the Specter of Nietzsche
  2. Linda Ben-Zvi
  3. pp. 251-269
  4. DOI: https://doi.org/10.1353/mdr.1981.0018
  5. restricted access
  1. Ethical Perversity in America: Some Observations on David Mamet's American Buffalo
  2. Jack V. Barbera
  3. pp. 270-275
  4. DOI: https://doi.org/10.1353/mdr.1981.0031
  5. restricted access
  1. J. M. Synge on the Irish Dramatic Movement: an Unpublished Article
  2. Ann Saddlemyer
  3. pp. 276-281
  4. DOI: https://doi.org/10.1353/mdr.1981.0043
  5. restricted access
  1. Hauptmann's Hannele: Naturalistic Fairy Tale and Dream Play
  2. David Nicholson
  3. pp. 282-291
  4. DOI: https://doi.org/10.1353/mdr.1981.0054
  5. restricted access
  1. The Politics of Brutality: Toward a Definition of the Critical Volksstück
  2. Susan L. Cocalis
  3. pp. 292-313
  4. DOI: https://doi.org/10.1353/mdr.1981.0065
  5. restricted access
  1. "Give o'er the play": Closure in Shakespeare's Hamlet and Pirandello's Six Characters in Search of an Author
  2. Naomi Conn Liebler
  3. pp. 314-322
  4. DOI: https://doi.org/10.1353/mdr.1981.0001
  5. restricted access
  1. Shakespearean and Pirandellian: Hamlet and Six Characters in Search of an Author
  2. Maurice Charney
  3. pp. 323-329
  4. DOI: https://doi.org/10.1353/mdr.1981.0013
  5. restricted access
  1. Dramatists at (Meta) Play: Shakespeare's Hamlet, II, ii, II. 410-591 and Pirandello's Henry IV
  2. Jill L. Levenson
  3. pp. 330-337
  4. DOI: https://doi.org/10.1353/mdr.1981.0026
  5. restricted access
  1. Madness, Revenge, and the Metaphor of the Theater in Shakespeare's Hamlet and Pirandello's Henry IV
  2. Matthew N. Proser
  3. pp. 338-352
  4. DOI: https://doi.org/10.1353/mdr.1981.0038
  5. restricted access
  1. Opening Closure
  2. Terence Hawkes
  3. pp. 353-356
  4. DOI: https://doi.org/10.1353/mdr.1981.0050
  5. restricted access
  1. Chekhov and the Contemporary Theatre
  2. Clayton A. Hubbs
  3. pp. 357-366
  4. DOI: https://doi.org/10.1353/mdr.1981.0061
  5. restricted access
  1. Suggestions about the Social Origins of Semiotic Practice in the Theater, with the Example of Alphonse Daudet's Arlésienne
  2. Michael Hays
  3. pp. 367-378
  4. DOI: https://doi.org/10.1353/mdr.1981.0071
  5. restricted access
  1. Lillian Hellman by Doris V. Falk, and: Lillian Hellman by Katherine Lederer, and: Rachel Crothers by Lois C. Gottlieb (review)
  2. Mark W. Estrin
  3. pp. 379-384
  4. DOI: https://doi.org/10.1353/mdr.1981.0008
  5. restricted access
  1. Lillian Hellman: An Annotated Bibliography by Steven H. Bills, and: Lillian Hellman, A Bibliography: 1926-1978 by Mary Marguerite Riordan (review)
  2. Katherine Lederer
  3. pp. 385-387
  4. DOI: https://doi.org/10.1353/mdr.1981.0021
  5. restricted access
  1. The Theatre of Friedrich Dürrenmatt: A Study in the Possibility of Freedom by Kenneth S. Whitton (review)
  2. Armin Arnold
  3. pp. 387-388
  4. DOI: https://doi.org/10.1353/mdr.1981.0034
  5. restricted access
  1. Les Voies de la création théâtrale ed. by René Bablet (review)
  2. Laure Rièse
  3. pp. 388-390
  4. DOI: https://doi.org/10.1353/mdr.1981.0046
  5. restricted access
  1. Contributors
  3. pp. 391-392
  4. DOI: https://doi.org/10.1353/mdr.1981.0057
  5. restricted access