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Table of Contents

  1. Storming the Fortress of the Peking Opera
  2. Mary Grace Swift
  3. pp. 111-123
  4. DOI: https://doi.org/10.1353/mdr.1969.0010
  5. restricted access
  1. Note
  3. p. 123
  4. restricted access
  1. The Communist Anxiety: A Study of Two Chinese Plays
  2. Constantine Tung
  3. pp. 124-134
  4. DOI: https://doi.org/10.1353/mdr.1969.0019
  5. restricted access
  1. The Mouse in the Model
  2. William Willeford
  3. pp. 135-145
  4. DOI: https://doi.org/10.1353/mdr.1969.0028
  5. restricted access
  1. The Same Enemies: Notes on Certain Similarities Between Yeats and Strindberg
  2. Frederick S. Lapisardi
  3. pp. 146-154
  4. DOI: https://doi.org/10.1353/mdr.1969.0053
  5. restricted access
  1. The Father Christmas Passage in "Paid on Both Sides"
  2. Forrest E. Hazard
  3. pp. 155-164
  4. DOI: https://doi.org/10.1353/mdr.1969.0035
  5. restricted access
  1. Riot, Revolution, and The Weavers
  2. Ann B. Dobie
  3. pp. 165-172
  4. DOI: https://doi.org/10.1353/mdr.1969.0056
  5. restricted access
  1. Evangelism and Anarchy in The Iceman Cometh
  2. Robert C. Lee
  3. pp. 173-186
  4. DOI: https://doi.org/10.1353/mdr.1969.0004
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  1. Ibsen vs. Ibsen Or: Two Versions of A Doll's House
  2. Marvin Rosenberg
  3. pp. 187-196
  4. DOI: https://doi.org/10.1353/mdr.1969.0050
  5. restricted access
  1. Jean Genet's Mirror Images in Le Balcon
  2. Harry E. Stewart
  3. pp. 197-203
  4. DOI: https://doi.org/10.1353/mdr.1969.0001
  5. restricted access
  1. Friedrich Dürrenmatt and the Tragedy of Bertolt Brecht.: An Interpretation of Die Wiedertäufer
  2. John C. Hammer
  3. pp. 204-209
  4. DOI: https://doi.org/10.1353/mdr.1969.0025
  5. restricted access
  1. Theatre Notebook: 1947-1967 by Jan Kott (review)
  2. Charles R. Lyons
  3. pp. 210-211
  4. DOI: https://doi.org/10.1353/mdr.1969.0013
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  1. Types of Thematic Structure by Eugene H. Falk (review)
  2. Germaine Brée
  3. pp. 211-212
  4. DOI: https://doi.org/10.1353/mdr.1969.0047
  5. restricted access
  1. The Shaping Powers at Work: Fifteen Essays on Poetic Transmutation by Rudolf Stamm (review)
  2. Charles G. Masinton
  3. pp. 212-213
  4. DOI: https://doi.org/10.1353/mdr.1969.0022
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  1. Christopher Fry by Emil Roy (review)
  2. Donna Gerstenberger
  3. pp. 213-214
  4. DOI: https://doi.org/10.1353/mdr.1969.0016
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  1. John Osborne: "Look Back in Anger": A Casebook ed. by John Russell Taylor, and: Contemporary Theatre: A Selection of Reviews 1966-67 ed. by Geoffrey Morgan (review)
  2. Malcolm Page
  3. pp. 214-215
  4. DOI: https://doi.org/10.1353/mdr.1969.0041
  5. restricted access
  1. English Drama: A Modern Viewpoint by Allardyce Nicoll (review)
  2. M. D. Faber
  3. pp. 215-217
  4. DOI: https://doi.org/10.1353/mdr.1969.0007
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  1. Confrontation and Commitment, A Study of Contemporary American Drama 1959-66 by C. W. E. Bigsby (review)
  2. Robert Hogan
  3. pp. 217-219
  4. DOI: https://doi.org/10.1353/mdr.1969.0044
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  1. Theater in America, The Import of Economic Forces, 1870-1967 by Jack Poggi (review)
  2. Walter J. Meserve
  3. pp. 219-220
  4. DOI: https://doi.org/10.1353/mdr.1969.0032
  5. restricted access
  1. The Contributors
  3. p. 1
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