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Table of Contents

  1. Synge's Prose Writings: A First View of the Whole
  2. Alan Price
  3. pp. 221-226
  4. DOI: https://doi.org/10.1353/mdr.1968.0063
  5. restricted access
  1. Sainthood for Millionaires: Major Barbara
  2. Barbara Bellow Watson
  3. pp. 227-244
  4. DOI: https://doi.org/10.1353/mdr.1968.0029
  5. restricted access
  1. John Bull's Other Island-Yeats and Shaw
  2. M. J. Sidnell
  3. pp. 245-251
  4. DOI: https://doi.org/10.1353/mdr.1968.0035
  5. restricted access
  1. O'Casey and Yeats and the Druid
  2. David Krause
  3. pp. 252-262
  4. DOI: https://doi.org/10.1353/mdr.1968.0041
  5. restricted access
  1. The Four-Act Version of The Importance of Being Earnest
  2. E. H. Mikhail
  3. pp. 263-266
  4. DOI: https://doi.org/10.1353/mdr.1968.0047
  5. restricted access
  1. Trials in the Soundscape: The Radio Plays of Samuel Beckett
  2. Louise O. Cleveland
  3. pp. 267-282
  4. DOI: https://doi.org/10.1353/mdr.1968.0053
  5. restricted access
  1. The Futile Encounter in the Plays of John Whiting
  2. Charles R. Lyons
  3. pp. 283-298
  4. DOI: https://doi.org/10.1353/mdr.1968.0059
  5. restricted access
  1. Samuel Beckett's Film
  2. Charles C. Hampton Jr.
  3. pp. 299-305
  4. DOI: https://doi.org/10.1353/mdr.1968.0066
  5. restricted access
  1. John Arden's Use of the Stage
  2. Joan Tindale Blindheim
  3. pp. 306-316
  4. DOI: https://doi.org/10.1353/mdr.1968.0033
  5. restricted access
  1. Whatever Happened to Arnold Wesker?: His Recent Plays
  2. Malcolm Page
  3. pp. 317-325
  4. DOI: https://doi.org/10.1353/mdr.1968.0039
  5. restricted access
  1. Pinter's A Slight Ache as Ritual
  2. Katherine H. Burkman
  3. pp. 326-335
  4. DOI: https://doi.org/10.1353/mdr.1968.0045
  5. restricted access
  1. W. B. Yeats and Georgian Ireland by Donald Torchiana (review)
  2. David H. Greene
  3. pp. 336-338
  4. DOI: https://doi.org/10.1353/mdr.1968.0051
  5. restricted access
  1. Harold Pinter by Martin Esslin (review)
  2. Ruby Cohn
  3. pp. 338-339
  4. DOI: https://doi.org/10.1353/mdr.1968.0057
  5. restricted access
  1. All for Hecuba: An Irish Theatrical Autobiography by Michéal MacLiammóir (review)
  2. Robert Hogan
  3. pp. 339-341
  4. DOI: https://doi.org/10.1353/mdr.1968.0064
  5. restricted access
  1. What Shaw Really Said by Ruth Adam, and: Bernard Shaw and the Theater in the Nineties: A Study of Shaw's Dramatic Criticism by Harold Fromm, and: The Wit and Satire of Bernard Shaw by Fred Mayne (review)
  2. Frederick P. W. McDowell
  3. pp. 341-345
  4. DOI: https://doi.org/10.1353/mdr.1968.0031
  5. restricted access
  1. Harold Pinter by Walter Kerr (review)
  2. Augusta Walker
  3. pp. 345-346
  4. DOI: https://doi.org/10.1353/mdr.1968.0037
  5. restricted access
  1. The Contributors
  3. p. iii
  4. DOI: https://doi.org/10.1353/mdr.1968.0043
  5. restricted access