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Contributors APOLLO AMOKO is a graduate student in the department of English Language and Literature at the University of Michigan, Ann Arbor. CLAUDIA BARNETT teaches courses in women's drama and theatre at Middle Tennessee State University. She received the 1997 Burger Theatre Essay Prize from the University of Wyoming for "Phyllis Nagy's Fatal Women." She is editor of Wendy Wasserstein : A Casebook (Garland), ROBIN BERNSTEIN is a doctoral student at Yale University and an editor of Bridges, a journal of Jewish feminist thought. She has published articles and reviews in the Journal ofDramatic Theory and Criticism, the Harvard Gay and Lesbian Review, and Tlteatre Journal. She has also published two non-scholarly books. She is currently editing an anthology of essays by lesbian, gay, bisexual, and transgendered theatre professionals . TIMOTHY SCHEIE teaches in the humanities faculty of the Eastman School of Music at the University of Rochester, where he offers French, theatre, and film classes. He conducts research on contemporary French and American perfonnance praclice and has previously published articles on Roland Barthes, Helene Cixous, Celine, and Airne Cesaire, among others. He also perfonns in a Balinese gamelan. PHILIPPA SHEPPARD received her doctorate from the University of Oxford in 1994. She taught Renaissance and Modem Drama at Memorial University for two years before returning to the University of Toronto, where she has taught drama courses for the last four years. Modern Drama, 42 (1999) 171 ...

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