Contributors

Contributors LLOYD ARNE1T of the University of Pittsburgh Theatre has taught at Pitt and Penn StateINew Kensington. A playwright and dramaturg. he is completing a book-length work entitled The Ideal Playwright: A Hist01Y of American Playwriting Books. 1890-1990. He regularly contributes book reviews to Theatre Studies. UORAH 'ANNE GOLOMB is a graduate student and Simcoe Fellow at the Centre for Study of Drama, University of Toronto. She recently received her masters degree in Drama at Washington University in Sl. Louis. JANE GOODALL teaches drama at the University of Newcastle, New South Wales. Her work has appeared recently in Comparative Drama , Themes in Drama, Religion & Literature, Paragraph , and Southern Review. She is currently writing a book on Artaud and the Gnostic Drama. GERRY MCCARTIlY is Director of the Department of Drama and Theatre Arts in the University of Birmingham. He has particular interests in the theory and practice of acting. His published work includes articles on Shepard, Albee and Moliere. DAVID IAN RABEY is lecturer in Drama at the University College of Wales, Aberystwyth. He is th~ author of British and Irish Political Drama in the Twemieth Century (Macmillan, 1986) and Howard Barker: Politics and Desire (Macmillan, 1989), and contributor to Howard Barker's Arguments for a Theatre (Calder, London, 1989). He is currently writing a critical study of David Rudkin. LESLIE THOMSON, Book Review Editor for Modern Drama, is an Assistant Professor of English at the University of Toronto. She has previously written on O'Casey and Stoppard in Modern Drama, and has published in Studies in English Literature 1500-1900, Shakespeare Survey, Renaissance Drama and Medieval arId Renaissance Drama ill England. 592 Contributors EGIL TbRNQYIST received his doctorate at UppsaJa University in 1969 and is now professor of Scandinavian Studies at the University of Amsterdam. His publications include A Drama of Souls: Studies in O'Neill's Super~naluralistic Technique (1968), Strindbergian Drama: Themes and Structure (1982), and (together with Barry Jacobs) Strindberg's " Miss lulie": A Play and its Transpositions (1988), RICHARD WATIENBERG teaches in the Theatre Arts Department at Portland State University. He has published essays on American drama in Theatre Annual, Themes in Drama, Journal of American Culture, Western American Literature, and The Journal of American Drama and Theatre. HARRY WHITE teaches musicology at University College, Dublin. He is a graduate of the University of Dublin and the University of Toronto, where he was a Junior Fellow of Massey College. He is a specialist in early eighteenth¥century Austrian music and in the history of music in Ireland. He is a contributor to Acta Musicologica , Fomes Artis Musicae and the Journal of the Riemenschneider Bach Institute, among other journals. CHARLES G. WHITlNG is a professor at Northwestern University who teaches courses in twentieth¥century French theatre, and modern and contemporary European and American drama. He is currently writing a book on Shepard's plays. ...