Contributors

Contributors •• CLIFFORD LEECH: Professor of English at the University of Toronto and chairman of the Editorial Board of Modern Drama, Professor Leech is the author of books on Shakespeare and other Renaissance dramatists, twentieth-century drama, and literary theory. He was general editor of The Revels Plays from 1958 to 1970. ERIC SALMON: Chairman of the Drama Department, University of Saskatchewan, Regina Campus, and a frequent contributor to theatre journals, Dr. Salmon is the author of Another Morning Coming (1971) and of a forthcoming critical study of 10hn Whiting. L. A. POAGUE: Lecturer in English and Film at the State University College at Genesco, New York, Mr. Poague's film criticism has appeared in The Journal ofPopular Film and The Potomac Review. 1. P. WEARING: Lecturer in English at the University of Alberta and co-editor of Nineteenth Century Theatre Research, Mr. Wearing's edition of the collected letters of Pinero will be published shortly by the University of Minnesota Press. GEORGE DORRIS is an Assistant Professor of English at York College, City University of New York, and is the author of Paolo Rolli and the Italian Circle in London, 1715-1744. NORMAND BERLIN: Professor of Dramatic Literature at the University of Massachusetts , Dr. Berlin has contributed to a wide range of theatre and film journals and is the author of The Base String: The Underworld in Elizabethan Drama. His book Thomas Sackville will appear shortly. CHARLES A. CARPENTER is an Associate Professor of English, author of Bernard Shaw and the Art of Destroying Ideals and of many articles on Shaw, Pinter, and others, and is the bibliographer for Modern Drama. STEPHEN MARTINEAU is an Assistant Professor of English at University College, University of Toronto. C. Z. FOTHERGILL is a lecturer in English at Glendon College, York University, and is currently completing a dissertation on contemporary British drama. WILLIAM J. FREE: Associate Professor of modern drama and literary criticism at the University of Georgia, Dr. Free has contributed to the South Atlantic Bulletin, the Journal of Modern Literature and the Georgia Review. He is chairman of the film group of the South Atlantic Modern Language Association. DAVID ALPAUGH is a doctoral candidate in English at the University of California at Berkeley and has contributed articles to Modern Drama and Twentieth Century Literature. N. L. HUTMAN: Professor of Comparative Literature and Chairman of the Humanities Division, Hartwick College, Oneonta, New York, Professor Hutman is the author of Machado: A Dialogue with Time and has contributed to such journals as PMLA, Comparative Literature, and Modern Fiction Studies. ROBERT S. DOMBROSKI: Associate Professor of Italian at the University of Connecticut, Professor Dombroski is the author of Introduzione allo studio di Carlo Emilio Gadda and of various essays on modern Italian literature. MIMI D'APONTE teaches at Baruch College in New York City and has completed a dissertation entitled Continuing Ritual Theatre: Religious Traditions of the Sorrentine Peninsula and the Coast ofAmalfi. BETTINA L KNAPP: Professor of Romance Languages at Hunter College, Dr. Knapp's books include Louis Jouvet: Man of the Theatre, Jean Genet, Jean Cocteau, and Antonin Artaud: Mythos and Renewal in Modern Drama. FELICIEN MARCEAU is a noted J3elgian-born French dramatist and Gonc.ourt Prize-winning novelist. LAURE RIESE, who comments on his article, is Professor of French at the University of Toronto and an Associate Editor ofModern Drama. GERALD D. PARKER: Associate Professor of English at the University of Western Ontario, Dr. Parker is the author of articles on Christopher Fry and Strindberg and of an edition of Home's Douglas. He is currently writing a study of the tragedies of Edward Young. ...