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The Contributors MARY GRACE SWIFT: Loyola University, New Orleans. Sister Swift·s article on the Peking Opera is a part of a larger study she is now engaged in. Her book, The Art of the Dance in the U.S.s.R. was published recently by the Notre Dame University Press. CONSTANTINE TUNG: Mr. Tung is a member of the Department of Chinese Language and Literature, Pomona College. His published work includes articles on T'ien Han and on Chinese Communist drama. WILLIAM E. WILLEFORD: Member of the Department of English of the University of Washington, and psychotherapist in private practice. Professor Willeford is the author of The Fool and his Scepter: A Study in Clowns and Jesters and their Audience, published this year by Northwestern University Press, and of articles on psychotherapy. FREDERICK S. LAPISARDI: Professor Lapisardi teaches modern drama at State University College. Fredonia. He is writing a book on Yeats's "emotion in multitude" theory. FORREST D. HAZARD: A member of the English Department. Chicago State College, Professor Hazard has published studies on Albee and Auden. ANN B. DOBIE: Mrs. Dobie teaches English at the University of Southwestern Louisiana. Her articles on modern drama and modern fiction have appeared in a number of journals. ROBERT C. LEE: Professor Lee is a member of the English Department, American College in Paris. He has written for The Nation. MARVIN ROSENBERG: Department of Dramatic Art, University of California, Berkeley. Professor Rosenberg has contributed articles to a great many scholarly journals. HARRY E. STEWART: Professor Stewart is a member of the Romance Languages and Classics Department at Kent State Univeristy. He specializes in medieval and contemporary French literature. JOHN C. HAMMER: Professor Hammer is a member of the German Department, Memorial University. Newfoundland, Canada. ...

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