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Table of Contents

  1. Bibliographie fur Jean Paul
  2. Thomas Schestag
  3. pp. 465-523
  4. DOI: https://doi.org/10.1353/mln.1998.0045
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  1. Fables of the Sublime: Kant, Schiller, Kleist
  2. Eric Baker
  3. pp. 524-536
  4. DOI: https://doi.org/10.1353/mln.1998.0036
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  1. Language and Form: Holderlin's Errancy
  2. Patrick Greaney
  3. pp. 537-560
  4. DOI: https://doi.org/10.1353/mln.1998.0042
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  1. The Poetics of the Penult: Mallarme, Death, and Syntax
  2. Claire Lyu
  3. pp. 561-587
  4. DOI: https://doi.org/10.1353/mln.1998.0044
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  1. Verkehrte Welt Uber das Nichtformale an der asthetischen Form
  2. Konrad Paul Liessmann
  3. pp. 588-611
  4. DOI: https://doi.org/10.1353/mln.1998.0043
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  1. Personal Effects: Rilke, Barthes, and the Matter of Photography
  2. Kenneth Scott Calhoon
  3. pp. 612-634
  4. DOI: https://doi.org/10.1353/mln.1998.0040
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  1. Formal Indications
  2. Hent de Vries
  3. pp. 635-688
  4. DOI: https://doi.org/10.1353/mln.1998.0046
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  1. Richard Wagner, Fritz Lang, and the Nibelungen: The Dramaturgy of Disavowal (review)
  2. Kelly Barry
  3. pp. 689-692
  4. DOI: https://doi.org/10.1353/mln.1998.0039
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  1. Being and Time: A Translation of Sein und Zeit (review)
  2. William Scott
  3. pp. 692-695
  4. DOI: https://doi.org/10.1353/mln.1998.0037
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  1. The Semblance of Subjectivity: Essays in Adorno's Aesthetic Theory, and: The Actuality of Adorno: Critical Essays on Adorno and the Postmodern
  2. Paul Flemming
  3. pp. 696-701
  4. DOI: https://doi.org/10.1353/mln.1998.0038
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  1. Contributors
  3. pp. 702-703
  4. DOI: https://doi.org/10.1353/mln.1998.0041
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