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In this Issue

Table of Contents

  1. Kindred Issues
  2. Speer Morgan
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/mis.2014.0007
  5. restricted access
  1. Consider this Case
  2. Melissa Yancy
  3. pp. 8-32
  4. DOI: https://doi.org/10.1353/mis.2014.0009
  5. restricted access
  1. After You Died
  2. Kerry Hardie
  3. pp. 33-35
  4. DOI: https://doi.org/10.1353/mis.2014.0016
  5. restricted access
  1. After You Died, and: Watching the Fire Take Your Body, and: The Door, and: Empty Space Poem, Eighteen Months, and: Between Here and There
  2. Kerry Hardie
  3. pp. 33-39
  4. DOI: https://doi.org/10.1353/mis.2014.0011
  5. restricted access
  1. Watching the Fire Take Your Body
  2. Kerry Hardie
  3. p. 36
  4. DOI: https://doi.org/10.1353/mis.2014.0018
  5. restricted access
  1. The Door
  2. Kerry Hardie
  3. p. 37
  4. DOI: https://doi.org/10.1353/mis.2014.0020
  5. restricted access
  1. Empty Space Poem, Eighteen Months
  2. Kerry Hardie
  3. p. 38
  4. DOI: https://doi.org/10.1353/mis.2014.0022
  5. restricted access
  1. Between Here and There
  2. Kerry Hardie
  3. p. 39
  4. DOI: https://doi.org/10.1353/mis.2014.0024
  5. restricted access
  1. Café Misfit
  2. Dave Zoby
  3. pp. 40-57
  4. DOI: https://doi.org/10.1353/mis.2014.0000
  5. restricted access
  1. The Chautauqua Sessions
  2. Monica McFawn
  3. pp. 58-86
  4. DOI: https://doi.org/10.1353/mis.2014.0002
  5. restricted access
  1. Holes in the Mountain, and: Sunshine Liquidators, and: Jesse James Days, and: Bolinas, and: The Boy’s Head
  2. Kai Carlson-Wee
  3. pp. 87-94
  4. DOI: https://doi.org/10.1353/mis.2014.0004
  5. restricted access
  1. Holes in the Mountain
  2. Kai Carlson-Wee
  3. p. 88
  4. DOI: https://doi.org/10.1353/mis.2014.0019
  5. restricted access
  1. Sunshine Liquidators
  2. Kai Carlson-Wee
  3. p. 89
  4. DOI: https://doi.org/10.1353/mis.2014.0021
  5. restricted access
  1. Jesse James Days
  2. Kai Carlson-Wee
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/mis.2014.0023
  5. restricted access
  1. Bolinas
  2. Kai Carlson-Wee
  3. p. 93
  4. DOI: https://doi.org/10.1353/mis.2014.0025
  5. restricted access
  1. The Boy’s Head
  2. Kai Carlson-Wee
  3. p. 94
  4. DOI: https://doi.org/10.1353/mis.2014.0014
  5. restricted access
  1. Good Fun: The Hotel Chelsea Drawings of Martin Kippenberger
  2. Kristine Somerville
  3. pp. 95-107
  4. DOI: https://doi.org/10.1353/mis.2014.0006
  5. restricted access
  1. Eat the Spoil
  2. Brian Van Reet
  3. pp. 108-119
  4. DOI: https://doi.org/10.1353/mis.2014.0008
  5. restricted access
  1. A Conversation with Chang-rae Lee
  2. David Naimon, Chang-rae Lee
  3. pp. 120-134
  4. DOI: https://doi.org/10.1353/mis.2014.0010
  5. restricted access
  1. Tough
  2. David Lee
  3. pp. 135-140
  4. DOI: https://doi.org/10.1353/mis.2014.0013
  5. restricted access
  1. Tough, and: An Elegiac Point of Honor, and: Ducktail
  2. David Lee
  3. pp. 135-147
  4. DOI: https://doi.org/10.1353/mis.2014.0012
  5. restricted access
  1. An Elegiac Point of Honor
  2. David Lee
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/mis.2014.0015
  5. restricted access
  1. Ducktail
  2. David Lee
  3. pp. 144-147
  4. DOI: https://doi.org/10.1353/mis.2014.0017
  5. restricted access
  1. Paying the Piper
  2. Jill N. Kandel
  3. pp. 148-161
  4. DOI: https://doi.org/10.1353/mis.2014.0001
  5. restricted access
  1. Rough Sketches: The Drawings of Dylan Thomas
  2. Kristine Somerville, Speer Morgan
  3. pp. 162-170
  4. DOI: https://doi.org/10.1353/mis.2014.0003
  5. restricted access
  1. Chimp Lit: In Search of Story in Four New Books
  2. Erika Dreifus
  3. pp. 171-181
  4. DOI: https://doi.org/10.1353/mis.2014.0005
  5. restricted access