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Table of Contents

  1. Poetry as Plenitude: Yves Bonnefoy
  2. Mary Ann Caws
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/esp.0.0160
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  1. Ut pictura poesis
  2. Yves Bonnefoy
  3. pp. 9-26
  4. DOI: https://doi.org/10.1353/esp.0.0067
  5. restricted access
  1. "Aux mots patients et sauveurs"
  2. James R. Lawler
  3. pp. 27-33
  4. DOI: https://doi.org/10.1353/esp.0.0084
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  1. Yves Bonnefoy: Art Historian
  2. Adelia V. Williams
  3. pp. 34-40
  4. DOI: https://doi.org/10.1353/esp.0.0101
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  1. Ecriture de l'errance/Errance de l'écriture chez Bonnefoy
  2. Gérard Gasarian
  3. pp. 41-51
  4. DOI: https://doi.org/10.1353/esp.0.0118
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  1. The Valsaintes Poems of Yves Bonnefoy
  2. Emily Grosholz
  3. pp. 52-64
  4. DOI: https://doi.org/10.1353/esp.0.0135
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  1. The "Presence" of Memory
  2. Richard Stamelman
  3. pp. 65-79
  4. DOI: https://doi.org/10.1353/esp.0.0153
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  1. Du corps de Douve
  2. Edouard Glissant
  3. pp. 80-83
  4. DOI: https://doi.org/10.1353/esp.0.0060
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  1. Yves Bonnefoy, Sostenuto. On Sustaining the Long Poem
  2. Mary Ann Caws
  3. pp. 84-93
  4. DOI: https://doi.org/10.1353/esp.0.0077
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  1. When Apollinaire, Malraux and Bonnefoy Write about Art
  2. Robert W. Greene
  3. pp. 94-105
  4. DOI: https://doi.org/10.1353/esp.0.0094
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  1. Remarques sur l'enseignement de la poésie au lycée
  2. Yves Bonnefoy
  3. pp. 106-119
  4. DOI: https://doi.org/10.1353/esp.0.0111
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  1. The International Avant-Garde 1905-1924. Spec. no. of Forum for Modern Language Studies 32:2 (review)
  2. Gerald J. Janecek
  3. p. 120
  4. DOI: https://doi.org/10.1353/esp.0.0128
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  1. Preface
  2. Renée Waldinger
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/esp.0.0142
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