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In this Issue

Table of Contents

  1. The Perception of Climate Change
  2. Julien Knebusch
  3. p. 113
  4. restricted access
  1. Over-determination and Its Discontents
  2. Marcia Tanner
  3. pp. 116-117
  4. restricted access
  1. Folding Circles is Wholemovement
  2. Bradford Hansen-Smith
  3. pp. 118-119
  4. restricted access
  1. In Memoriam: Kirill Sokolov (1930-2004)
  2. John Milner
  3. pp. 120-121
  4. restricted access
  1. New Biological Habitats in the Biosphere and in Space
  2. Zbigniew Oksiuta
  3. p. 122
  4. restricted access
  1. Generative Systems and the Cinematic Spaces of Film and Installation Art
  2. Mike Leggett
  3. pp. 123-128
  4. restricted access
  1. The Generative Process, Music Composition and Games
  2. Nyssim Lefford
  3. pp. 129-135
  4. restricted access
  1. Electronic Music for Bio-Molecules Using Short Music Phrases
  2. X. J. Shi, Y. Y. Cai, C. W. Chan
  3. pp. 137-141
  4. restricted access
  1. From the Avant-Garde: Re-Conceptualizing Cultural Origins in the Digital Media Art of Japan
  2. Jean M. Ippolito
  3. pp. 142-151
  4. restricted access
  1. Color Plates
  3. pp. 153-160
  4. restricted access
  1. Crossing Conventions in Web-Based Art: Deconstruction as a Narrative Device
  2. Christopher Robbins
  3. pp. 161-166
  4. restricted access
  1. Emerging Congruence between Animation and Anatomy
  2. Rob O'Neill
  3. pp. 167-173
  4. restricted access
  1. A Reclusive Artist Meets Minds with a World-Famous Geometer: George Odom and H.S.M. (Donald) Coxeter
  2. Siobhan Roberts
  3. pp. 175-177
  4. restricted access
  1. The Media Art Notation System: Documenting and Preserving Digital/Media Art
  2. Richard Rinehart
  3. pp. 181-187
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  1. The Cybernetic Stance: My Process and Purpose
  2. Roy Ascott
  3. pp. 188-197
  4. restricted access
  1. Special Delivery, and: Group Therapy (review)
  2. Michael R. Mosher
  3. pp. 199-200
  4. restricted access
  1. Control and Freedom: Power and Paranoia in the Age of Fiber Optics (review)
  2. Niño Mojica, Martha Patricia
  3. p. 200
  4. restricted access
  1. The Aesthetics of Disengagement: Contemporary Art and Depression (review)
  2. Jan Baetens
  3. pp. 201-202
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  1. The Commercial and Political Atlas and Statistical Breviary (review)
  2. Stefaan van Ryssen
  3. p. 202
  4. restricted access
  1. Feintes_doutes + fictions: Réflexions sur la photographie numérique (review)
  2. Jan Baetens
  3. pp. 202-203
  4. restricted access
  1. Media Ecologies: Materialist Energies in Art and Technoculture (review)
  2. Mike Leggett
  3. pp. 203-204
  4. restricted access
  1. Wired for Sound: Engineering and Technologies in Sonic Cultures (review)
  2. Stefaan van Ryssen
  3. p. 204
  4. restricted access
  1. Cuts: Texts 1959-2004 (review)
  2. Alise Piebalga
  3. pp. 204-205
  4. restricted access
  1. Perception and Illusion: Historical Perspectives (review)
  2. Amy Ione
  3. pp. 205-206
  4. restricted access
  1. Peter Tscherkassky (review)
  2. Eugene Thacker
  3. pp. 206-207
  4. restricted access
  1. Handbook of Computer Game Studies (review)
  2. John Knight
  3. pp. 207-208
  4. restricted access
  1. Association for the Scientific Study of Consciousness, 10th Annual Conference (review)
  2. Robert Pepperell
  3. pp. 208-209
  4. restricted access
  1. River of Time (review)
  2. Andrea Dahlberg
  3. pp. 209-210
  4. restricted access
  1. Mademoiselle and the Doctor (review)
  2. Rob Harle
  3. pp. 210-211
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  1. Malick Sidibé: Portrait of the Artist as a Portraitist (review)
  2. Martha Blassnigg
  3. p. 211
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  1. YLEM Journal Special Issue: Science Fiction and Its Discontents (review)
  2. John F. Barber
  3. pp. 211-212
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  1. Leonardo Reviews On-Line
  3. pp. 212-213
  4. restricted access
  1. Leonardo Network News
  3. pp. 214-215
  4. restricted access
  1. On Theoretical Models
  2. Yona Friedman
  3. pp. 216-217
  4. restricted access
  1. Special Section Introduction: Documentation and Conservation of the Media-Arts Heritage (DOCAM)
  2. Jean Gagnon, Alain Depocas
  3. pp. 179-180
  4. restricted access