+ MUSE Alert

In this Issue

Table of Contents

  1. Art for the Solar Age
  2. Jürgen Claus
  3. pp. 175-176
  4. restricted access
  1. Of Story and Place: Communicating Ecological Principles through Art
  2. Ruth Wallen
  3. pp. 179-185
  4. restricted access
  1. Synthetics: A History of the Electronically Generated Image in Australia
  2. Stephen Jones
  3. pp. 187-195
  4. restricted access
  1. Image Emergency: A Psychogeography of Miami
  2. Gregory L. Ulmer, Barbara Jo Revelle, William Tilson, John Craig Freeman
  3. pp. 197-198
  4. restricted access
  1. Color Plates
  3. pp. 199-200
  4. restricted access
  1. Polarization Microscopy as an Art Tool: Border Crossing between Art and Nature
  2. Manfred Friedrich, Peter Burger, Jurgen Pastorino
  3. pp. 201-206
  4. restricted access
  1. Intelligent Bathroom Fixtures and Systems: EXISTech Corporation's Safebath Project
  2. Steve Mann
  3. pp. 207-210
  4. restricted access
  1. Augmented Sculpture: Computer Ghosts of Physical Artifacts
  2. Valery Adzhiev, Peter Comninos, Alexander Pasko
  3. pp. 211-219
  4. restricted access
  1. Cognitive Dance Improvisation: How Study of the Motor System Can Inspire Dance (and Vice Versa)
  2. Ivar Hagendoorn
  3. pp. 221-227
  4. restricted access
  1. Stan VanDerBeek: An Early Space Art Pioneer
  2. Jürgen Claus
  3. p. 229
  4. restricted access
  1. A Three-Dimensional Zoetrope of the Calabi-Yau Cross-Section in CP4
  2. Stewart Dickson
  3. pp. 230-232
  4. restricted access
  1. New Media Dictionary: Part IX: General Terms in New Media
  2. Louise Poissant, Lou Nelson
  3. pp. 233-236
  4. restricted access
  1. Commentary on "Art in the Information Age: Technology and Conceptual Art"
  2. Therese Tierney
  3. p. 237
  4. restricted access
  1. Response
  2. Edward A. Shanken
  3. p. 238
  4. restricted access
  1. What Is It To Be Human?, Debate presented by the Institute of Ideas at the Cheltenham Festival of Literature, Cheltenham, U.K., 11 October 2002, and: What Is It To Be Human?: What Science Can and Cannot Tell Us (review)
  2. Robert Pepperell
  3. pp. 239-240
  4. restricted access
  1. Extrasensory Perceptions (review)
  2. Stefaan van Ryssen
  3. p. 240
  4. restricted access
  1. Holes--Linings--Threads (review)
  2. Luisa Paraguai Donati
  3. pp. 240-241
  4. restricted access
  1. ISEA 2002: Connecting Art and Technology with Transportation, Transit, Tourism, and Theory (review)
  2. Simone Osthoff
  3. pp. 241-242
  4. restricted access
  1. The Master and Margarita (review)
  2. Yvonne Spielmann
  3. pp. 242-244
  4. restricted access
  1. Body and World (review)
  2. Robert Pepperell
  3. pp. 244-245
  4. restricted access
  1. The Judgement of the Eye: The Metamorphoses of Geometry--One of the Sources of Visual Perception and Consciousness (review)
  2. Amy Ione
  3. p. 245
  4. restricted access
  1. One Place after Another: Site-Specific Art and Locational Identity (review)
  2. Claire Barliant
  3. pp. 245-246
  4. restricted access
  1. Writings (review)
  2. Stefaan van Ryssen
  3. pp. 246-247
  4. restricted access
  1. Crumple, The Status of Knuckle (review)
  2. George Gessert
  3. p. 247
  4. restricted access
  1. Exploring Consciousness (review)
  2. Amy Ione
  3. pp. 247-248
  4. restricted access
  1. Lewis Carroll, Photographer (review)
  2. Roy R. Behrens
  3. pp. 248-249
  4. restricted access
  1. Music and Technology in the Twentieth Century (review)
  2. Chris Cobb
  3. p. 249
  4. restricted access
  1. Introducing the LDR Panelists
  3. pp. 251-252
  4. restricted access
  1. Leonardo Network News
  3. pp. 253-254
  4. restricted access
  1. Materials Received
  3. pp. 249-251
  4. restricted access