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In this Issue

Table of Contents

  1. Art and Atoms: A Chemical Paradox
  2. Tami I. Spector
  3. p. 404
  4. restricted access
  1. The Semiotics of the Moon as Fantasy and Destination
  2. Michael Betancourt
  3. pp. 409-418
  4. restricted access
  1. Model & Metaphor: A Case Study of a New Methodology for Art/Science Residencies
  2. Nola Farman, Matt Barr, Angela Philp, Miranda Lawry, Warwick Belcher, Paul Dastoor
  3. pp. 419-422
  4. restricted access
  1. Egocentric Perspective: Depicting the Body from Its Own Point of View
  2. Robert Pepperell
  3. pp. 424-429
  4. restricted access
  1. Microbioenergy Theaters
  2. Mick Lorusso
  3. pp. 430-433
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  1. Drawing in Mathematics: From Inverse Vision to the Liberation of Form
  2. Gemma Anderson, Dorothy Buck, Tom Coates, Alessio Corti
  3. pp. 439-448
  4. restricted access
  1. Creative Craft-Based Textile Activity in the Age of Digital Systems and Practices
  2. Gail Kenning
  3. pp. 450-456
  4. restricted access
  1. Lost in Edition: Did Leonardo da Vinci Slip Up?
  2. Dirk Huylebrouck
  3. pp. 458-464
  4. restricted access
  1. Highlights from the IEEE VIS 2013 Arts Program (VISAP’13): Part 1
  2. Angus Forbes
  3. p. 465
  4. restricted access
  1. DataRemix: Designing the Datamade
  2. Ruth West, Roger Malina, John Lewis, Scot Gresham-Lancaster, Alejandro Borsani, Brian Merlo, Lifan Wang
  3. pp. 466-467
  4. restricted access
  1. Thermal Image
  2. Barry Moon, Hilary Harp
  3. p. 468
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  1. The Art/Science Curriculum in the Classroom and in the Cloud
  2. Adrienne Klein
  3. p. 469
  4. restricted access
  1. Using Creative Process to Guide Integrated Art and Engineering Courses
  2. Jill Fantauzza
  3. pp. 470-471
  4. restricted access
  1. Art Curriculum in Partnership with Canadian Physics Lab
  2. Ingrid Koenig
  3. pp. 472-473
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  1. The Transdisciplinary Cloud Curriculum
  2. Paul Thomas
  3. pp. 474-475
  4. restricted access
  1. Physical Aesthetics: An Introductory Physics Course Through Metaphor
  2. Steven Zides
  3. p. 476
  4. restricted access
  1. Top-Rated LABS Abstracts 2014
  2. Sheila Pinkel
  3. p. 477
  4. restricted access
  1. The Aesthetics of Magnetic Resonance Imaging (MRI): Setting MRI in Motion from the Scientific Laboratory to an Art Exhibition
  2. Silvia Casini
  3. p. 477
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  1. Three-Dimensional Poetic Natures
  2. Jayne Fenton-Keane
  3. p. 478
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  1. Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004–2009
  2. Aleksandra Kaminska
  3. p. 478
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  1. Noisy Fields: Interference and Equivocality in the Sonic Legacies of Information Theory
  2. Nicholas A. Knouf
  3. p. 479
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  1. Languages of Russian and Chinese Narrative Video Art
  2. Victoria Marchenkova
  3. p. 479
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  1. From Networked Art to Programmed Drifts: “Art as Experience” Today
  2. Karen O’Rourke
  3. p. 480
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  1. Sonified Freaks and Sounding Prostheses: Sonic Representation of Bodies in Performance Art
  2. Daniël Ploeger
  3. p. 480
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  1. The Optics of Anatomy and Light: A Studio-based Investigation of the Construction of Anatomical Images
  2. Nina Sellars
  3. p. 481
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  1. Axial: A Sound Art Work of an Oceanographic Expedition
  2. Hugo Solis
  3. p. 481
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  1. Transactions
  2. Ernest Edmonds
  3. p. 483
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  1. Animating Fermi—A Collaboration between Art Students and Astronomers
  2. Laurence Arcadias, Robin Corbet
  3. pp. 484-485
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  1. Visualizing Biological Complexity in Cephalopod Skin: A Synergy of Art and Science Technologies
  2. Elizabeth Kripke, Stephen Senft, Dmitry Mozzherin, Roger Hanlon
  3. pp. 486-487
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  1. Susan Goethel Campbell: Field Guide (review)
  2. Giovanna Costantini
  3. p. 489
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  1. To Tell the Truth: Working for Change: Documenting Hard Times (1929–1941) dir. by Calvin Skaggs (review)
  2. Amy Ione
  3. pp. 489-491
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  1. Leonardo Da Vinci: Anatomist by Martin Clayton, Ron Philo (review)
  2. Amy Ione
  3. p. 492
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  1. Making Mind: Moral Sense and Consciousness in Philosophy, Science, and Literature by Gregory F. Tague (review)
  2. Kathryn Francis
  3. pp. 493-494
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  1. Resisting Abstraction: Robert Delaunay and Vision in the Face of Modernism by Gordon Hughes (review)
  2. Michael Punt
  3. pp. 494-496
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  1. This Changes Everything: Capitalism Vs. the Climate by Naomi Klein (review)
  2. George Gessert
  3. pp. 496-497
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  1. Modernism and its Merchandise: The Spanish Avant-Garde and Material Culture, 1920–1930 by Juli Highfill (review)
  2. Jan Baetens
  3. pp. 497-498
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  1. Idolatry and Infinity: Of Art, Math, and God by David R. Topper (review)
  2. Phil Dyke
  3. pp. 498-499
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  1. Science and Art: The Painted Surface ed. by Antonio Sgamellotti, Brunetto Giovanni Brunetti, Costanza Miliani (review)
  2. Brian Reffin Smith
  3. p. 499
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  1. The Conscious Mind by Zoltan Torey (review)
  2. Cecilia Wong
  3. pp. 499-500
  4. restricted access
  1. The Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels by Sean Cubitt (review)
  2. Rob Harle
  3. p. 500
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  1. Leonardo Reviews Online
  3. pp. 501-502
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  1. Leonardo Network News: The Newsletter of the International Society for the Arts, Sciences and Technology and of l’Observatoire Leonardo des Arts et Technosciences
  3. pp. 503-504
  4. restricted access